Lisa Norris

Lisa Norris is a professor of English at Central Washington University where she has taught since 2007. Previously, she was an instructor for 15 years at Virginia Tech. Her story collections are Toy Guns and Women Who Sleep With Animals, winners of the Willa Cather and SFASU Fiction Prizes, respectively. Her poems and nonfiction have appeared in Shenandoah, Ascent, Fourth Genre, Terrain.Org., Bullets Into Bells, Gulf Stream, and others.

Matthew Gavin Frank

Matthew Gavin Frank is the author of the nonfiction books, The Mad Feast: An Ecstatic Tour Through America’s FoodPreparing the Ghost: An Essay Concerning the Giant Squid and Its First PhotographerPot Farm, and Barolo; the poetry books, The Morrow PlotsWarranty in Zulu, and Sagittarius Agitprop, and 2 chapbooks.  His forthcoming nonfiction book, A Brief Atmospheric Future, is due out in 2021 from W.W. Norton: Liveright. His work appears in The Kenyon Review, The Paris Review, Guernica, The New Republic, Iowa Review, Salon, Conjunctions, The Believer, The Normal SchoolField, AGNI, The Missouri Review, and others. He teaches at Northern Michigan University, where he is the Nonfiction/Hybrids Editor of Passages North. He persevered through this past winter via the occasional one-handed cartwheel in his mind. 

The Unhappy Hour ~ Debra Marquart

We charm the waitress in her colorful sombrero at Paradiso Mexican Restaurant when our party of seven arrives.  Three tables pushed together against a long booth, the scrape of metal on ceramic tile. It’s $2 margarita pitchers this afternoon, and all the chips and salsa you can eat. The piped-in Tejano music insists on our liveliness, harmonizing trumpets and a tenor sax with a two-step accordion.

If you saw us walking down the sidewalk, you would know we’re a band. We move together in a fixed constellation, The Look. Torn jeans and worn thin t-shirts. Jackets too small and inadequate for the season. 

From this distance, I can locate myself with the help of a black-and-white photo taken earlier in the fall.  We’re lined up near the trees in Lindenwood on the northside amidst ashes and maples. We’re standing in fallen leaves. Alan is turned sideways with a branch he’s picked up for a walking stick. On his head is a straw cowboy hat with a torn rim. Greg stares forward in his leather jacket, hands in his pockets.

I’m third from the right, the sapling girl in tight bell-bottoms so long they cover my three-inch platforms. I’m flanked by tall beautiful boys, their scruff of two-day whiskers, their long hair razored into shaggy layers.  My own hair falls long and whip-straight to my waist—thick and brown and parted exactly down the middle, as if it were the 70s. But we’ve already crossed the Rubicon, into the 80s.

On the mural behind us at the Paradiso, the verdant green valleys of Mexico give way to scallops of mountains.  Toucans and burros are sprinkled throughout the landscape, drawn in colorful detail, but not to scale.  In the mural’s far right corner, a cartoon of a mariachi player in a sequined black vest and sombrero, holding a guitar, waves his hammy hand in welcome.

Half of us slide into the booth side. Half take the chairs. We’re bound around this table by hunger and thirst, just as we’re plaited together in music and sweat, leaning in, listening.  Our bodies are synchronized from the routine practice of loading in, loading out the heavy equipment boxes with sharp metal corners. We enjoy the bite of it, the desire to keep playing. These are the burdens we’ve raised out of truck beds, carried across snowy parking lots, up narrow stairs, down dark hallways.

Now the pitchers come and go, empty and fill. Tequila sweetness wedges bitter between our lips. What are we talking about?  What else? The lawsuit. There is no other subject.  We swallow the acid lime, the burn of salt on the rim.

Our bass player sits at the end of the table, willowy and brown-eyed with a soft, close-cut beard. His pale hands float through the air like magic tricks.  Randy, our other guitar player, and our drummer Mike are on the booth side. Randy is tall and thin, his eyes ranging from hazel to gray to sea-blue, depending on the day. Mike is shorter and sturdy, the level-headed timekeeper, always tapping a beat on thighs or countertops, always taking things apart and putting them back together.

Over flamenco and mariachi, we talk about the lawsuit. Our voices rise, we begin to shout, the guitar players waving their hands in the air, those long fingers so accustomed to guitar necks and beer bottles.

I had a bad feeling about tonight. Today was supposed to be a celebration, and our business manager, Jim Johnson, has come out from his office on the edge of Moorhead in his navy-blue suit to pick up the check.  We’ve had some good news lately, and tomorrow we’re heading to Rapid City to play all week.

But when I went to the band house to pick everyone up, Randy was sleeping on the couch in the dark living room. “The lawyer called,” he said when I woke him. “The trial’s been pushed back again.”

***

Now we have reached the unhappy hour. The waitress has summoned two of the biggest cooks from the kitchen, for lack of bouncers, to tell us it’s time to leave. We argue, but her disapproving sombrero moves side to side, going no, no, no. 

I don’t think we’ve been too loud.  The restaurant was busy.  Yes, drinks were spilled, and napkins are wadded on the floor. Our three tables are sticky with tequila and lime, but all the little nacho plates are gathered together at the end, stacked in a neat pile. 

A little under a year ago, nine months to be exact, we lost all our equipment in a truck fire—$60,000 worth of equipment, to be exact.  And no, no insurance, because who would be stupid enough to insure a rock band?

Yes, it sucked, and, yes, we decided to sue Ryder Truck because of a small defect in the truck that we rented—which we all agree did not contribute directly to the accident itself, but did directly cause the gasoline fire that followed the accident. 

We go over it all again. How our soundman went to pick up the Ryder truck, which was much larger than we’d reserved, way too much truck for our equipment. But what can you do when it’s four o’clock and you still have to load up the equipment and get on the road.

And when the rental agent walked our soundman around the truck for the dents-and-dings check, he pointed out, ever so casually—oh yeah, the large piece of plastic with a wide rubber band that was covering the tank where a gas cap should have been.

And then the rental agent mentioned that he’d reimburse us if we could pick up a gas cap somewhere along the road over the next four days when we were traveling from town to town playing at county fairs.

Because, you know, small town gas stations in the middle of nowhere just have shelves overflowing with gas caps for twenty-six foot straight line Ryder trucks.

We’ve been over this a million times.  How our equipment would have survived the truck accident. And we have proof.  We know this for certain because of the other accident we had three months before the truck fire, when our light man fell asleep at the wheel on the way home from a gig and our orange and black school bus rolled in the ditch. 

That time, when the bus was totaled, the equipment stayed nestled heavy in the Anvil cases. And all we did was pull the cases from the wreckage and go on to the next gig, which is exactly what we would have done if that piece of plastic serving as a gas cap hadn’t come loose in the crash.

And if only the Ryder truck—after it came to a halt from its long, sideways slide into the wheat field and our road crew escaped—hadn’t erupted into a ball of burning equipment and truck parts.

That’s our argument.  That’s our best legal argument. 

We’re still in the discovery phase with the suit, but what we’ve mostly discovered is that Ryder Truck has many lawyers, entire suites of lawyers. Every week they pepper the court with motions and demurrers. We imagine them working endlessly against us in the glass-walled skyscrapers of their corporate offices in St. Louis, rocketing off requests for lists and depositions and affidavits.

Who has time for this? We have songs to practice. We are weak, and they are strong. Their strategy is to wait us out. How long can a rock band with no truck and no equipment pursue a lawsuit against a major corporation?

But our lawyer, our brave warrior, is our drummer’s brother, Chad, who practices law in a two-man firm up north near the Canadian border in International Falls, a town most often famous for being the coldest spot in the nation. Chad only charges us for filing fees and photocopying, but those costs alone are killing us. And the time he’s putting into our case working for free, we know, it’s killing him.

So this is how we even got into this mess renting Ryder trucks. After our school bus was totaled, we needed a new truck. We made a fat downpayment on a shiny Ford truck, and in the weeks we were waiting for it to be delivered from the factory, we rented Ryders. To add insult to injury—after we lost all the equipment and we no longer had need for a shiny new truck, we canceled the order and our fat downpayment was forfeited.

***

Which brings us back to the unhappy hour, also known as how we manage to eat. On Wednesdays, it’s free pizza bar at Chumley’s. Tuesdays, it’s $1 beers at Old Broadway with free popcorn and unlimited bowls of mixed nuts. Monday is nacho bar at Paradiso’s with $2 margarita pitchers.

Tonight tequila flows and Jim Johnson is springing for the pitchers. The drinks go into our mouths, the complaints come out. We work every week, we’re telling Jim Johnson, but all the money goes to expenses—hotel rooms and gasoline.

And we’re mad about our equipment. Our musician pals in Fargo, who seemed genuinely sorry for about twenty minutes—bummer, man, a truck fire—dug into their dusty basements and garages and came forward with second-hand drums and amps, their third-favorite guitars, so that we could keep playing. But it’s all substandard gear.

Sometimes at the end of the night after gigs these last few months, I’ve gone outside the club and found Greg sitting on the curb with his feet in the gutter—literally, in the gutter—nursing the last half inch of spittle in his beer, just fisting the tears out of his eyes about the way his guitar sounds, how we cannot make it sound any better. 

I try to pick him up. At least we’re still playing together, at least we’re making some kind of noise. But Greg is probably right—we should have abandoned each other months ago, right after the fire. We’d all be absorbed into the folds of other working bands by now, those hawks who lurk around the edges of floundering bands waiting to steal the good players.

Money and equipment, money and equipment. You’d think there was nothing else in the world. Our finances are like a bathtub with the tap turned on high, funneling hot water in, but never filling up. Why? Because, too late, we realize that we have forgotten to lift the little lever that closes the drain. 

The biggest slice of our money pie goes each week to Marguerites, the local music store who gave us some equipment on credit after the fire, which is generous since we still owe her money for some of the equipment that burned. 

Next comes the payment for the loan that Randy’s parents co-signed for the PA we bought after the fire. With the loan, we bought a Leviathan PA made of black Plexiglas speaker towers that look like Easter Island statues—shiny black horns stacked on top of side-by-side fifteens that look like two staring eyeballs, balanced on an eighteen inch speaker with a wide horizontal sound baffle at the bottom that looks like an ominous mouth. Does the Leviathan want to smile at the audience or eat it? No one knows. Even still, it’s half of what we needed, and a quarter of what we lost, but who can go forward by looking back.   

Next, we have to pay out the 15% booking fee for Jim Johnson and our management company. Then the rent for our broken-down dive of a band house on Main Street, then the weekly salaries for our three roadies—a soundman, a light man, and a monitor mix guy. Whatever’s left, we divide six ways between the band members. Basically, we each live on $7 a week.

But who’s counting? Tonight is a celebration. One of our lightman’s girlfriends (Rich is gorgeous and has many girlfriends) named Tina, a diminutive dark-haired and very sweet young woman in Rapid City, has come into an even sweeter inheritance.

Tina has called Rich to tell him that she wants to lend the band $5,000 on fluid repayment terms, so that we can buy our very own school bus and stop hemorrhaging money on rent-a-wrecks. The mileage has been eating us alive, especially when we’re ping ponging from state to state, which is Jim Johnson’s favorite way to route our tours.

So suddenly life is good again. It takes so little, we find.

We have free chips and salsa and margarita pitchers from Paradiso that Jim Johnson is paying for out of his expense account, and Tina’s grandmother died old and of natural causes—we’re assuming—nothing to feel too heartbroken about. And there’s this nice chunk of cash Tina is getting, around $100,000 we think. And she has decided she loves either us or our music or Rich enough to risk a small percentage of her windfall on us.

***

At the Paradiso, Jim Johnson is signing the credit card receipt for the margaritas after the big cooks arrived from the kitchen to tell us it was time to leave. 

We look around for Greg and Alan, our other guitar player.  They’ve been in the bathroom suspiciously long.  Right about then, they show up and slide into the booth at the end of the table. They are hunched over, laughing into each other shoulders.

“You’ll have to pay for the damages,” the biggest cook directs this statement at Jim Johnson, mostly because he’s the one with the credit card.

Jim looks around in amusement.  He’s not much older than us, only a few years, but he’s married with an office.  He’s a tall man with wide wingspan shoulders that look good in suits.  His hair is dark with short, loose curls. His eyes are memorable—the pupils, shiny as hematite, the skin underneath his eyes, rimmed with dark circles. 

He has a chipped right front tooth, which shows as a little dark triangle when he smiles, and I can see it now when he laughs and asks the waiter, “What damages?”  The tone in his voice is boys-will-be-boys.

Then Mike and Richard, our bass player start laughing too, all of them rolling around in the booth holding their stomachs. 

Sometimes I’m embarrassed to be around these guys.  For the last few months, Ryder has been stonewalling us. They probably have an office pool going about which motion will be the one to topple us.

Several mornings, we’ve had to report to Dan Vogel’s law firm—this is the local lawyer that Ryder hired to collect the depositions. For reasons that might seem obvious, Vogel’s office sets up the appointments for 8:00 AM, always with some excuse about how that’s the only time when the stenographer is available.

And when we walk into the building, which is all marble and glass-walled overlooking Broadway, and the secretary soundlessly walks us back to the boardroom where the lawyers are waiting with their briefs in front of them, and when we settle into the leather chairs in that sunny room of mahogany surfaces, I even start to believe it myself, what they must be seeing—that this is a spurious nuisance case, and that we, the musicians pursuing it, are all scam artists and derelicts.

When we go to Vogel’s office, I always try to wear a wool skirt and a sweater, but these guys show up in ratty jeans, looking like they slept in their clothes. And maybe they did. But what really embarrasses me is the way they start in right away, wolfing down the coffee, emptying the little carafe on the table that no one else—certainly not the lawyers—has ever touched. 

Quickly, they drain the carafe into their Styrofoam cups and shake the container upside down for the last drop. Then they set to work exhausting the supply of sugar packets and coffee creamers. 

I’m thinking that Vogel is noting all this to report back to Ryder, already helping them construct an argument for the trial. We’re musicians, right? Irresponsible drunks, and probably drug addicts. We likely wrecked that truck on purpose just to watch it burn, like the Strat that Hendrix doused with lighter fluid then coaxed into flames while rocking on his hands and knees at Monterey. 

At these moments, I forget that I went to college, that I came from a good family—a country family, but a good solid family. We all did. 

I forget that the guys in my band spent their childhoods and adolescences practicing guitar, practicing bass and drums in their bedrooms. Like me, in my bedroom strumming an acoustic and choking out the words to folk songs—obsessed, thunderstruck, my blood pulsing music. Music always calling, calling. Just living and breathing it, deaf to all else. Songs streaming in fever dreams.

***

Now the Paradiso waiter in her sombrero, flanked by the two big cooks, is explaining to Jim Johnson (but we all can hear it), that the extra charges on his credit card are from the damage to the men’s bathroom.           

Jim looks down at the featherweight layer of carbon he’s just signed and nods his head. 

They explain that the whole roll of linen hand towels was unraveled onto the floor and is sopping wet. The soap dispenser was knocked off the wall, too, so the floor and surface of the counter are slathered in pink suds.

“It was barely attached when I used it,” Greg tells the waiter.

“I’ll handle this,” Jim Johnson says.  He stands up and draws the Paradiso staff to the side. 

We take this as our cue to rise and exit, leaving behind overturned chairs, sticky margarita pitchers, balled-up napkins.

Out in the parking lot, the guys run toward the van laughing.

“We were trying to get back at big business,” Alan explains.

“Stupid.” Randy smacks Alan on the back of the head. “Paradiso’s is not big business.”

***

It’s easy to forget, in the daylight, in the sober boardrooms of law firms, how gifted we are; how we were gifted by music and how we have the ability to gift music back, in those moments on stage we work for, when it all comes together. And how lucky we were to find each other, our musical kin, here amidst the shimmer and noise. 

And this lawsuit, what is it to us? Only our whole lives. It’s an unfair fight, the thousands that Ryder will pay lawyers to avoid paying thousands to us. And will we never learn that life is not fair. 

Tomorrow I’m going to get into the rent-a-wreck truck for what I hope is the last time and travel 577 miles with these guys to Rapid City where we’re going to play a week and make some money.

The day after tomorrow, our newly-wealthy friend Tina is going to take us to her bank and cut a certified check for $5,000 made out to The Look, which we will promptly put in registered mail back to Moorhead, so that it can be deposited into our band account.

The plan is that Jim Johnson will purchase a new (used) bus for us, get it licensed and road-ready, then drive down to meet us in Sioux Falls next Sunday, where we will be passing through on our way to southern Iowa for another gig.   

We’ve already identified the Wendy’s parking lot on the South Dakota border where we will rendezvous with Jim Johnson and exchange vehicles—then we will get in our shiny new bus and head east for the rest of our four-week tour, and Jim Johnson will get behind the wheel of our blood-suckingly expensive rental truck and head north, back to Fargo, to drop it off and pay off the last excessive mileage charge to the rental company (which is thankfully not Ryder, those bastards).

The plan has a lot of moving parts, everyone agrees. And we haven’t had a lot of success with complicated clockwork plans.

But everything’s going to work out fine, Jim Johnson assures us. Just you wait and see. He’s repeated it so many times, we’re almost starting to believe it.

In the Place of their Exile ~ Lisa Knopp

A couple of times a week, I walk in the neighborhood just south of East Campus, the agricultural campus of the University of Nebraska-Lincoln. Before I began working on this essay, I would have told you that I walk that old neighborhood because there I find more architectural and botanical beauty and diversity than I do on the newer streets near my house. But now I know that it’s more than the tree canopies, curbside gardens, dignified homes, and run-down student rentals that compel me to walk this neighborhood a ten-minute drive from my house.

I begin my walk near a red brick fourplex, built in the late 1940s or early 1950s. I know the lay out of 3525 Apple Street, the apartment on the lower west side: a living room with a closet; a small kitchen, once a mild yellow, I think; a hallway; a bedroom behind the kitchen. The floors are hardwood. I don’t remember the bathroom. The “MoPac,” a bike and pedestrian trail built on the former rail bed of the Missouri Pacific Railroad, draws the southern boundary of the backyard.

When I was four and five, my family lived at 3525 Apple Street for at least six months that I can verify, though seven or eight is more likely. In the winter of 1960-61, my father was laid off from his job as a laborer at the Chicago, Burlington, and Quincy Railroad shops in West Burlington, Iowa. He took a similar job at the CB&Q shops in Lincoln. I want to modify the verb “took,” but any adverb I pick – gratefully? grudgingly?  expectantly? reluctantly? hopelessly?– would be speculation, though my parents may have felt each of these sentiments in some measure. They found tenants for the Cape Cod house in Burlington they’d recently bought, packed up, and moved 350 miles west. Briefly, they rented a room with a kitchenette in an old house in the shadow of the Nebraska State Capital Building. My only memory of that dark place that reeked of something revolting like cooked cabbage, is of my mother arguing with the gaunt landlady about the saucers of rodent poison on the floor of the room where my brother and I played. Next, we moved into a furnished basement where the kitchen was so tiny that we ate at a table in the living room. Jamie’s crib was in my parents’ bedroom, but I can’t remember where I slept. We lived close enough to the shops that when Jamie and I heard the quitting time whistle, we ran to the corner to pick out in the stream of men pouring out of the yard, each in steel-toed boots and dirty overalls and toting a dinner bucket, our father’s loose hipped, out-toed walk, his brown hair parted on the side and combed over like Cary Grant’s, and his hazel eyes which found us before we found him.

I still took afternoon naps when we lived in the basement of someone else’s house. Before I slept, Mom read poems to me in Childcraft or articles in Reader’s Digest as she and I laid on her and Dad’s bed. This may have been when I fell in love with books and stories. That basement was also a place of sickness. Jamie and I had hard measles there, and I had scarlet fever. One night when I was sick and everyone else was asleep, I laid on the couch (perhaps I slept there every night) and watched Jane Eyre on television. Thereafter, I was terrified of the “fire woman,” as I called her.

That basement apartment was a dispiriting place. Relations between my parents and the owners who lived upstairs were tense. Because Jamie allegedly clogged the washing machine drain with a marble, my parents were forbidden to bring us into the laundry room when they fed wet, heavy clothes through the wringer. There may have been other points of friction. And, our apartment was dark. Thereafter, my mother had an aversion to basements – like the cheap, mildewy one my son and I lived in Illinois while I earned my master’s degree; my son’s bedroom when he was a teenager in Lincoln; the hospice room in Ohio where she died. “I don’t want to be in a basement,” she mumbled between doses of morphine. I turned her bed so she could see that the sliding glass door opened onto a patio; beyond that was a pond and woods. When I told her about the trees, she smiled, though I doubt that I had convinced her that the lowest floor wasn’t a basement.

Compared to the other two rentals, that on Apple Street was a clean, bright, decent place, a relief, even though my parents slept on a fold-out couch in the living room so Jamie and I could have the bedroom and supposedly, an old man had been injured or killed on the train tracks in our backyard. Shortly after we moved in, we went to a stately home on Sheridan Boulevard, even now a grand place where Lincoln’s old money lives, to buy a bed for me. While there, my mother fell in love with an antique Windsor chair and persuaded the owners to sell it as well. It may have been the first of the many antiques she would acquire. I had a sore throat and was sucking on a Luden’s cherry cough drop, a taste that I still associate with that time when I entered the most magnificent house I’d ever seen. While other people lived in our Cape Cod in a town where we had been within an hour’s drive of both sides of our family, we made do in a sparsely furnished apartment in a city where we weren’t related to anyone.

As I reflect on how unsettled and discontented my parents were during their sojourn in Lincoln, I feel such love, compassion, and sadness for them. My mother was 25 and 26, the latter, my daughter’s age.  For her, the disruption and anguish of moving beckoned memories from her childhood. Because her father was an ironworker who followed the jobs in the southern Plains, he, my grandmother, and mother moved frequently, often as soon as the school year ended. Mom and Granny spent seemingly eternal summers in cities where they knew no one until school started and so filled their idle, isolated days by devouring stacks of comic books. Because my grandparents never owned property and moved frequently their entire lives, my mother craved a permanent home with ballast – several acres of land, trees she’d planted and named, jammed full closets and cupboards, hard to move antiques, walls crowded with framed photographs of her children and grandchildren, and plenty of pets (at one point, five dogs, two horses, a cat, geese, ducks, sheep, and at an earlier point, box turtles with cracked shells and wild birds with broken wings that she’d rescued).

During my parents’ Lincoln Era, my father was 28 and 29, three and four years younger than my son. After serving with the U.S. Army in Korea, Dad hoped that he’d never have to leave home again. He had simple needs: the grounding and familiarity of the place where he’d grown up and where both sides of his remarkably untraveled family lived (it was a rare Knopp or Freiberg, who left the county for anything other than military service), where he proudly worked at “the Burlington” in the Chicago, Quincy, & Burlington, where he had workbenches in the basement and garage. Back home, he fished in the Mississippi and the Skunk, so he found riverless Lincoln to be a deficient place, though for the rest of his life, he praised it for being a clean city. My father, too, was forlorn.

After my mother died in 2016, I brought home boxes of her photographs. Recently, I searched through them for images from my family’s Lincoln era. Since I have stacks of photos that my mother took of her kids with their birthday cakes or Christmas presents and at extended family gatherings, I was perplexed when I only found five. Perhaps someone else has them, or perhaps she hadn’t wanted to memorialize our time in temporary quarters. Two photos show Jamie and me doing acrobatics in the yard outside of a house with white, asbestos-cement siding, a dark gutter pipe with peeling painting, not-yet blooming tiger lilies, and the door that led to our burrow. (How my mother must have dreaded descending those steps!) Since the photos are dated May 1961, this must have been the house near the railroad shops. Two other photos were taken in front of 3525 when my aunt and uncle from Burlington visited. Jamie and I stand side by side, dressed in our Sunday best; behind us are my aunt and uncle’s brown and white Ford and the tailfins on our aquamarine car. In another photo, Dougie, the stout little rough neck from 3521, posed with us. In a wallet size photo, probably my kindergarten school picture, my blond, pixie cut hair has straight clean parts and a white barrette on the left. I wear a red and green plaid dress trimmed in white. My smile is wan or wary, or perhaps it’s wry or knowing, though the last two seem out of place on a child who’d just turned five. I remember my mother walking me to school under a railroad viaduct that is no longer there on a day when dry leaves skittered in the wind. I remember Miss Pardee reading a book to my class in which umbrellas were called “bumpershoots” (actually, “bumbershoots”), a word I loved to say. While writing this essay, I discovered that Bernice O. Pardee retired in 1971 after 22 years at Hartley Elementary. I am consoled and shaken when I find that memories of mine that are from so long ago are actually accurate.

As I feel my way back into this time, I retrieve memories of life at 3525 Apple Street that surprise me with their vividness, specificity, and metaphoric potential:

* My mother was captivated by John Glenn’s launch into space which she watched while seated on the Windsor chair directly in front of the TV. She sent the poem that she wrote about “the housewife that soared with Captain Glenn,” while leaving behind “a house in disarray” to a newspaper (Lincoln Journal Star? Burlington Hawk Eye?) that chose not to publish it. Years later, she worked the metaphor of Glenn’s moon launch into her often-told story about why she returned to college and entered a profession, a story that included a recitation of her poem. But when we lived on Apple Street, the meaning of Glenn’s orbit may have been more overt: she wanted to be launched into space where she could escape the gravitational pull of housework, childcare, isolation, boredom, and homesickness.

* After Halloween, I buried my jack-o-lantern under a pile of clothes in the living room closet, so my parents couldn’t throw him out, as they had my brother’s pumpkin. But they sniffed him out. When I saw how wizened and mold-blackened he was, I didn’t mind that Dad dumped him in the garbage.

* Above us in 3527 lived Dee and Arnie Hoffman. The 1961 city directory says that Arnold Hoffman was a typesetter. In parenthesis between his name and occupation is “Delores”; no occupation is listed for her. My mother said that Dee was a graduate student and teacher in the university’s art department; Arnie was a musician and a likeable cad. I have several memories of Dee, but two are particularly clear. Once when my mother and I went to see her, we found her still in bed. When I asked about the frightening bowl of green vomit on the floor near the bed, Mom said that Dee was sick because she was going to have a baby. In the other memory, I was sitting next to Dee on her couch as we looked at photos in one of her big art books. One was of blue mosaic tiles which reminded Dee of those in the mausoleum where her mother’s body was being kept. Dee said that her mother wasn’t in heaven with God and angels. Rather, she was dead. My family wasn’t religious, but we went to Methodist churches in Burlington and Lincoln, ripped through rote prayers before eating and sleeping, and if asked, my parents would have said that there was a God and an afterlife. But Dee was an atheist, a detail that I probably imported from stories my mother later told me, along with the uneasiness I feel about Dee’s cool aesthetic appreciation of her mother’s final resting place.

* When I wasn’t ready for sleep, I studied by the glow of my nightlight, the patterns on the double wedding ring quilt covering my bed that Great-grandma Parris had stitched. I bestowed on the print fabric squares descriptive names, perhaps my earliest search for germs of stories in what I was given. Now when I look at those worn, faded patches, I imagine the names that I might have brought forth for them when I was five: raining daisies and bumpershoots; blue kitty tic-tac-toe; rings around the rosie; candy stripe parade.

After 14 long, homesick months in Lincoln, my father took a welding job at the J. I. Case Company in Burlington, where he worked until he was rehired at the West Burlington shops, this time as a boilermaker’s apprentice. Since there were still several months remaining on our tenants’ lease, Dad lived with his mother in Burlington, while Mom, Jamie, and I lived with Mom’s parents 45 miles away in Keokuk, Iowa, during what was my grandparents’ most settled period. I finished kindergarten at Wells-Carey Elementary with Miss Bertha Paul, who had taught my mother 21 years earlier. I hated going to school, got daily stomachaches, cried for Mom and Granny, and begged to go home. At first, Miss Paul thought that the warmish bottles of milk that we kindergartners had to drink before our naps were making me sick; but eventually, everyone agreed that I was being a baby. “If she says she’s sick, we’ll just treat her like she is,” Mom told Granny, and sent me to my little bed in the room that I shared with my grandfather who read blueprints and erected steel frameworks by day and snored loudly at night. Being stuck in bed while Mom, Granny, and Jamie were having fun downstairs was still better than being away. When I was at school, I preferred painting alone at the easel over playing with other kids. I was so prolific that Granny and Paps papered a wall in their dining-laundry room with my watercolors. But sometimes Miss Paul insisted that I choose a different activity so others could have a turn at the easel. Then, I’d work a jigsaw puzzle.

I don’t know what my parents’ marriage was like during the Lincoln Era, but I know what it was like later. My mother was the center of attention, the one in the crowd that you couldn’t stop watching. Her blue eyes were large and expressive; her hair was red and curly; her body, thick and solid, despite her yo-yo dieting. She was smart, witty, and loquacious, laughed and cried easily, and danced often and with abandon. My mother said that she “wanted it all,” though that was impossible given her colliding desires. She didn’t want to be a housewife, a boilermaker’s wife, and neglected many aspects of domesticity and conventional marriage. But she loved her home and her children, and she loved to knit and cook. Throughout my childhood, I have clear memories of her culinary creations, both foods that I loved (iced butterhorn rolls, sweet, limp bread and butter pickles, creamed chipped beef on homemade biscuits, fudge, corn fritters dipped in syrup, fried potato cakes, and her specialty: fruit and cream pies, the latter tall with meringue), as well as those that I didn’t (goulash, pot roast, ham and beans, beef stew, chili). But I don’t remember anything that she cooked during our Lincoln Era. When she was 30, the year in which her third child was born and she kept the medical records at a hospital, my mother entered college so that instead of chasing defiant dust bunnies, she could soar with Captain Glenn. Being a biology teacher suited her: the classroom was her stage; her audience adored her, which made our family rather famous in Burlington. In contrast, my father was quietly, dutifully there. He spent the rest of his working days as a boilermaker at the West Burlington shops. After work, he grocery shopped, vacuumed, swept, did laundry, cut grass, paid bills, tended the animals, followed shifts in the weather, and tried to ignore his wife’s infidelities. He demanded little and got little in return.

About a year or so before she died, my mother and I were chatting about the ways in which the least desirable aspects of my personality – a tendency to be moody, too critical of myself and others, and skeptical of my own power – work against me. She mentioned something, not really to me but as if she were musing out loud, that puzzled me. She said that when we moved to Lincoln, I was a happy, carefree, confident child. But when we returned to Burlington in time for me to enter first grade, I had become the type of person that I am now. Did something happen to me in Lincoln, I asked? Or was it in Keokuk? My mother didn’t know, didn’t even have a theory. I’ve speculated causes, but it feels careless, dangerous, even, like I might be creating or beckoning something that I won’t want to live with but that once unloosed, would be impossible to contain. Since I’d rather live with a gap than with something unbearable and uncontainable, something that might be false or do harm to another, I back off.

I don’t feel this degree of melancholy about other times and places from my childhood or that something essential is missing from the stories I tell or silently carry about them. Nor do my memories of other times arouse such compassion in me for my parents, even though there were periods that were marked by silences and estrangements, betrayals and abandonments, as well as acceptance and harmony. My parents, ordinary flawed people with their own wants and needs, did their best given the dislocations, the financial pressures, and the mismatches in their marriage. I hoped that by writing about my family’s Lincoln Era, I would uncover the cause for the shift in me that my mother alluded to. Yet, my probe of this period and the few months that we lived in Keokuk hasn’t revealed even a shadow of an inciting event. Might I have become this person even if my father had never gotten laid off by the most desirable employer in our hometown and had to leave his home and widowed mother for a place that could never be home? Might I have become this person even if my mother never had to exchange her first real home, the one with chandeliers in the living and dining rooms, her secretarial job, the women she met with to play bridge and discus the fat novels they read, and her family nearby for rented rooms where she was cooped up, bored, and broke? Or was the inciting incident simply this: my parents were unhappy, and because I loved and depended on them, that touched me deeply?

There is one living who can answer my questions. Yet the emotions I feel as I write and that cling to me even when I’m not directly working on this essay offer clues. Psychologists tell us that when we store memories, we store both the event (receiving the hoped-for typewriter for Christmas) and our mood at the time of the event (delight). But the type of mood we experience affects which memories we can access. We more easily and reliably recall a memory when the mood within that memory matches our mood at the time of recall than when there’s a mismatch. So it’s easier to remember details about the events surrounding an expected and desired invitation that never arrived and our subsequent devastation when we are sad than happy. Mood congruent recall, it’s called. Likewise, we more easily and reliably bring forth memories when our mood at the time of retrieval matches our mood at the time when the memory was stored, regardless of the content of the latter. I remember coming home from middle school to find my mother waiting for me on the front porch wearing her new glasses. While the content of this memory is neutral and seems insignificant, it arrives packed in pleasure and contentment, though I don’t know why. (Was I delighted to find my mother at home waiting for me when usually I came home to an empty house? Had I had a really good day at school?) And so, I’m more likely to retrieve it when I’m happy than sad. Mood or mood state dependent recall, it’s called.

When I reenter that long ago time, memories arise that I didn’t know I had. Perhaps so few of them are happy because of what I feel now: sorrow over the recent death of my mother and the more distant death of my father; sadness and bitterness about the divisions between my brothers and me over matters related to the settling of my mother’s estate and the revelation of the identity of one brother’s biological father, a secret that I’d held for too long. Also contributing to my melancholy are my ruminations about whether, after I retire, I should remain in this hometown, where I have good friends but just wisps of family history, or return to my first hometown, where I have few present-day connections but thick layers of family history and plenty of ghosts, some of which are quite pleasant to encounter, others less so. How I envy those who have both of aspects of home in one place and don’t have to choose which they’ll do without.

But there is another reason why I remember what I do. Psychologist Martin A. Conway says that one of the important functions of what he calls the “working” or “conceptual” self, is making more accessible memories of experiences that are in harmony with one’s current goals, self-image, and beliefs, while making less accessible memories of experiences that threaten, contradict, or undermine the coherence of one’s “self-system” or that would require substantial changes in it if those memories were to be accommodated. This process is one of the reasons why we remember some moments in our past with clarity and detail while others are hazy or accompanied by the disquieting sense that we’ve forgotten something essential. So, when I remember myself at four and five, I am a younger version of the angsty, self-doubting person that I am now rather than the easygoing, self-assured child that my mother described, since I prefer seeing my personality as constant rather than changed for a reason or reasons I don’t know.

I don’t mind gaps, surmises, or uncertainties in the autobiographical stories others tell if the teller acknowledges them. In Where the Past Begins: A Writer’s Memoir, Amy Tan explains that at age 65, and without conscious choice on her part, “my brain has let a lot of moments slide over the cliff.” While writing her memoir, Tan was aware that much of what she thinks she remembers “is inaccurate, guessed at, or biased by experiences that came later.” If she were to write the same book years later, she’d describe some events differently, “either because of a change of perspective or worsening memory – or even because new evidence has come to light.” The latter occurred when Tan’s mother told her about the guilt that her late father felt for having loved a married woman. Such a revelation calls into question one’s long-held perceptions of one’s family.

Tan, the author of The Joy Luck Club and other novels, sees striking similarities between fiction writing and an aging memory, in that both are “impressionistic and selective in details.” Her “fictional mind” required that while writing her memoir, she let go of “logic, assumptions, rationale, and conscious memory.” Rather than “sticking to what really happened,” she embraced “whatever [came] to mind” and was guided by her intuition as she created her story. And yet, while examining photos, letters, and other artifacts, Tan was gratified to learn that many of her childhood memories were largely accurate and in many cases, returned to her in full. Because Tan is frank about the gaps in her story and how she fills them, I am sympathetic of her methods of reconciling her memories and the facts with her conceptual self.

But when the teller neither acknowledges nor explains her omissions, I feel excluded or deceived. In The Gastronomical Me, written shortly after the deaths of M. F. K. Fisher’s second husband and love of her life, Dillwyn Parrish, and her brother, David, Fisher withholds consequential details about the suicides of both men. As much as I love Fisher’s fresh, insightful reflections, sumptuous prose, and zesty spirit, I am frustrated by these gaps. In Poet of the Appetites: The Lives and Loves of M. F. K. Fisher, Joan Reardon explains the conspicuous omissions of details about Dillwyn’s and David’s deaths in The Gastronomical Me by quoting from Fisher’s journal about this devastating time: “There are too many things that I cannot write yet. They’re in words in my head, but I am afraid of writing them. It is as if they might make a little crack in me and let out some of all the howling, hideous, frightful grief. It is difficult to know, certainly, how to live at all.” How much more trustworthy Fisher’s memoir-in-essays would be had she acknowledged that she wasn’t yet ready to open her wounds and tell the whole story. But instead, she withholds.

I won’t fictionalize to fill the holes in the story I tell about the first time I lived in Lincoln. Nor will I ignore them – if I’m aware of them. But I will speculate about what my feelings reveal as I walk past 3525 Apple Street. I am sad about my parents’ circumstances and even sadder about their having left Lincoln. Because they were deeply unhappy, longed to flee, and finally did from the place that has been my home for almost thirty years, I feel betrayed and abandoned — an illogical, childish response, since they couldn’t have known that one day, I’d settle in the place of their exile. But feelings aren’t rational. Theirs is a different type of truth.

My mother, who craved hilly, wooded landscapes beneath smaller skies, never understood my commitment to this flatter, drier prairie place. “Why on earth would you want to live in Nebraska?” This from a woman who built her retirement home in rural Ohio. In truth, there are many places that I find more desirable than a riverless city on the Great Plains. But surely, my family’s early interlude here influenced my decision to settle in this place far from my hometown and birth family. Perhaps I returned to Lincoln because I hadn’t yet integrated that slim chapter about the time when my parents and brother also lived here into the story I was constructing of my life. Or perhaps I found a welcome measure of continuity in knowing that I have at least a trace of family history in this place, even if it isn’t a comforting or grounding one.

The practical reason why I settled here is that the only doctoral program that I applied for in 1988 and that offered me a teaching assistantship and tuition remission was the University of Nebraska-Lincoln. Once in Lincoln, marriage and children more deeply and firmly attached me to this place than I realized. After I divorced, I took a good job in Illinois, where I experienced the anguish of living in a place that wasn’t home. Three homesick years later, I returned to the place that was foreign, hostile soil to my parents. Now, I have weighty reasons for staying: diverse friendships; a dynamic church; a son who lives nearby; a faraway daughter who “comes home” to this place; a house that I love; a job that is too good to leave, especially at my age. Or perhaps I chose this place over all others based on what rarely results in a sound decision: an act of rebellion. I am here because my parents found it to be an alien and antagonistic place. I have proven them wrong.

When I walk the MoPac Trail, I can’t see the back of 3525 Apple Street, because of a new rental complex near the trail. But when I walk on the street, I see our former residence clearly. For a long time, I only glanced at it and let the memories it beckoned pass quickly. But now when I look, I muse upon what the girl who lived there long ago has to do with the woman walking past. Sometimes, I glimpse my beautiful, spirited mother stepping out the kitchen door to hang wet clothes on the lines or to shake the dust mop with a vengeance. Or I see my handsome, stolid father sitting on the front step smoking a cigarette as Jamie and I pedal past on our tricycles. I watch us on payday tote bags of groceries from Hinky Dinky into the place that wasn’t home, while my mother playfully sang what I now know is a risqué, World War I drinking song, “Hinky Dinky Parley Voo.” These images move me beyond words. I want to embrace and assure each of us that all will be well, and for the most part, it will be. But sometimes, I see us carrying boxes, suitcases, my bed, the crib, couch, quilt, TV, and Windsor chair from 3525 Apple, fit them into the rental truck and our aquamarine car, and lock the apartment door for the last time. My father returns to double check the lock as he would with any door that he locked for the rest of his life. I want to call out and ask us to stay. But I know not to interrupt. At that moment we are happy and hopeful. Finally, we’re going where we’d rather be.

Works Cited

Conway, Martin A. “Memory and Self.” Journal of Memory and Language 53 (2005): 594-628.

Fisher, M. F. K. Gastronomical Me. San Francisco: North Point Press, 1989 (originally published in 1943).

Tan, Amy. Where the Past Begins: A Writer’s Memoir. New York: Ecco Press, 2017.

Faultlines and Meanders ~ Lisa Norris

Before I sat one-on-one with someone who would later murder people in their classrooms, I had long been cognizant of my mortality. It began in childhood, with the prayer—“Now I Lay Me Down to Sleep.” The lines, “If I should die before I wake/I pray the Lord my soul to take” filled me with dread. I could not then anticipate much beyond my simple existence of less than ten years, since I hadn’t yet experienced the layers of memories, fractured illusions, and displacements that would occur over six decades. For me as a child, it was all either a safe haven with my parents or oblivion–not good.

As a young adult in my twenties, however, on the Deschutes River near Maupin, Oregon, a new idea came to me. Ecstatic in that landscape on a May day with Spring flowers blooming and meadowlarks singing in the scrub that grew in the hills of basalt along the river, I thought I could die here, and the idea didn’t scare me. In that region where evidences of great changes—eruptions, floods, and rockfall–were visible; where the word broken came to mind when I looked at the rugged terrain, flowed the life-giving force of water. Even then, before the upheavals that would define my experience, when I gazed out at the river snaking below me from a hilltop frequented by hawks and eagles, I felt the natural thing to do here was to let go.

The Yakima River in Central Washington State has a similar kind of terrain, and at the boat ramp near Ellensburg today, my friend Kaya’s happiness is giddy, infectious, as she packs her red kayak with gear, eyes shaded by a broad-brimmed straw hat. During the past year, she has undergone chemotherapy, lost the gorgeous copper hair that had hung below her shoulders, had a hysterectomy and a double mastectomy. Her traumas have been very different from mine. The evidence of hers is still written on her body, while my physical body has continued relatively unscathed. However, both of us have experienced great change.

Today is Kaya’s 50th birthday–her visible scars healed, her voluminous hair grown to her chin. She’s now free of cancer cells, but she still has some wounds we can’t see. We’re going to help her celebrate as we paddle. I know the journey will also offer balm for me.

“We” include Sue, a children’s librarian; Connie, a music teacher; Minda, a nurse; Dolores, an art teacher; and myself, an English professor. A canoe, three kayaks and a stand-up paddleboard await our crew of six women (including Kaya). It’s a cool July day with a high of 75 predicted, scattered clouds, a light breeze. The river bisects a high-desert canyon marked by lava rock and sagebrush. Next to the river grow willows and cottonwoods. Bighorn sheep, mule deer, coyotes, marmots, and rattlesnakes frequent the rocky hills above the river. Up a popular hiking trail in one side canyon, the remnants of apple and pear orchards mark a homestead foundation. An old stagecoach road—now hiking trail–heads south from Ellensburg toward Yakima in the hills that rise up to 2000 feet above the river. Beneath that road, under the sagebrush, greasewood, wheatgrass and rye, layers of rock tell stories of eruptions and floods over millions of years.

My own story offers only a few recent layers of memory here. I’m into my 12th year as a Washington resident. I can still recall my first glimpse of this canyon from a swinging footbridge that spans its width a few miles downriver from our launch point. It was the Fall of 2007 then, only a few months since one of my former students had shot and killed 32 people in classrooms at Virginia Tech. I’d come West for a better job before I’d had time to fully grieve. I’d lived and worked in Blacksburg for 15 years. I’d raised my son and stepdaughter in that community. I’d taught hundreds of students, watched my son play games from T-ball to LaCrosse; joined with other moms to try to keep our kids out of trouble; commiserated with them when the kids got into it anyway, and run, walked, shopped, worked, loved, hated, protested, and voted in this small university town where no one anticipated a massacre.

Now I make my home a few miles north of the Yakima River Canyon in a different burg–Ellensburg–where I teach at Central Washington University (CWU). The student population is only a third the size of Virginia Tech, and the police log in Ellensburg regularly reports such innocuous events as a cow on the road or a kid stealing wood from a somebody’s front porch. The currents of my life have carried me on, but even here, my safety is not a given. After the Virginia Tech shooting, I understand viscerally that anywhere, there can be hidden breaches, unexpected catastrophes.

*

The Yakima River Canyon, along Highway 821 between Ellensburg and Yakima, has several seismic faults—that is, fractures between two hunks of rock that allow the block-like formation of one to move relative to another. Faults can result in displacements, sudden slippages that may cause earthquakes—felling trees and buildings, sending down hillsides, burying human bodies, and/or pushing previously unseen layers up to the surface.

This area is said by the USGS to have a “moderate” earthquake risk. In my county—Kittitas—the magnitude of most quakes has been rated under 3.0, and only 37 have occurred within 30 miles of the county since 1931. For comparison, Seattle has had 1,211 quakes during the same period, with greater magnitudes. Seattle’s risk for a magnitude 5.0 quake is listed as 87.5% while Kittitas County’s is only about 21%. Compare that with the landscape I came from in Southwest Virginia: the risk in Blacksburg is only 2.7%.

Fractures signal both vulnerability and flexibility. When something on either side of a fracture slips, it can divide us from each other by creating chasms or pushing up barriers. On the other hand, slippages and quakes can simply reconfigure, change things without doing terrible harm. No matter how small, each displacement results in new geographies, some more challenging to negotiate than others.

*

After the Virginia Tech shooting and my move to Ellensburg, the first time I entered a classroom at CWU, I took careful note of its layout in ways I never had before—did it have windows for escape and locking doors to keep out shooters? In 2007, mass shootings were uncommon in the news. The Virginia Tech shooting had the largest number of casualties since 1999, when—at Columbine High School, 13 were killed and 21 injured. In any community, violence on that scale is a shock, but it was even moreso before Parklane, Sandy Hook, Las Vegas, Orlando—or just this week, the Garlic Festival in California, the shopping mall in El Paso, the entertainment district in Dayton. The mind boggles. Because the scale of the Virginia Tech shooting was unusual at the time, I felt special—not in a good way. Somehow responsible. As if, should I make myself known as someone who’d been a teacher of the shooter, I would become a target. I realize now the thought was irrational, but in 2007, if I said I’d lived Blacksburg, where I taught at Virginia Tech, everyone’s reaction was immediately to ask about the shooting. Had I been there? Did I know anyone who’d died? It would have been difficult enough to discuss the losses of friends or acquaintances who were innocent victims, but to say I had been the shooter’s teacher sounded to my ears as if I had instructed him in his madness.

February 2008. I was teaching Technical Writing in a classroom at CWU. Red brick walls, whiteboard behind me, one window at the back of the classroom behind the desks two floors up, with a locking door to my right. I’d just given the students an exercise that required them to write instructions for putting something together with Legos, thinking we’d do something fun for Valentine’s Day. During that lull as they worked together in groups, I checked the news online. Headline: Northern Illinois University . . . Six Shot Dead. Again a man in his 20s. This time a shotgun, a Glock, other weapons and ammunition. He’d stepped from behind a curtain onstage with the professor who never lectured again. Then he’d opened fire on the students in the auditorium. Sitting ducks.

As I read about that first school shooting since the Virginia Tech carnage, I did not know where I was. My focus shrank to the news article and my own body. It was as if I were riding a wave of earth that had knocked me off balance. Despite all we had learned from the shooting at Virginia Tech, it could still happen somewhere else—how could that be? That meant other teachers and administrators could miss the signs. More people simply going about the business of being college students could disappear in a few horrible moments.

Yet my own feet were still under me. I could feel my heartbeat. This time, it wasn’t my school. Not my student with the gun. Not my friends, colleagues and students killed, injured or grieving. The people in their desks before me now were laughing like children, giggling over how to write directions that their neighboring groups could follow. I turned off the computer and walked among them. Each body in the room was wonderfully, vividly, miraculously alive.

*

Today the Yakima River is much higher than it was when I last floated it. When I watch the water move swiftly past the boat ramp, I get a little tense in the gut. It’s not at flood stage—a time when it sometimes carries dangerous logs and debris downriver, but it’s not slow, either.

Stories passed down by local Indian tribes explain the relationship between the river and the rock in terms of a fight between Beaver and Coyote: Beaver, who lived in nearby Lake Cle Elum, was drowning animals on a regular basis, so Coyote went to the lake to stop him. Beaver dragged him underwater, where the struggle between the two produced so much commotion that the banks of the lake collapsed, and the river pushed through, escaping into and cutting through the canyon.

Geologists, however, unlike the Native Americans of yore, now suggest that rather than cutting down through the canyon, the river predates the canyons. Its meandering structure shows it’s been there for a long, long time, and that the thousand-foot ridges above it “grew” as a result of something called uplift. All this is easier to understand when you watch the locally famous CWU Professor Nick Zentner’s videorecorded lectures, but here’s the short version: movement of the earth’s crust, now detectable in stations all over the Northwest (called the Pacific Northwest Geodetic Array or PANGA), shows a clockwise rotation that is faster on the southern and western coastal edges than it is in central Washington. The slowdown here opposed to the push from elsewhere produces ridges.

Imagine, for example, you have two hands full of PlayDoh. One hand remains stationery while the other pushes the PlayDoh toward the stationery hand. The material rises and folds between the two hands unless you move the stationery hand at the same rate and direction as the other. The geology here in the Yakima River Canyon is further complicated by the aforementioned faultlines. Recently, geologists have found evidence that these faults may run beneath the nearby volcanoes in the Cascade Range (e.g., Mt. Rainier at 14,411 ft; Mt. Adams at 12,281 ft). If this is true, the East side is at greater risk for earthquakes than was previously thought, since any slippage on the West side could shake us here as well. Even if we didn’t suffer as much damage, most of our food and supplies come from the West side, so we’d be in serious trouble.

Still—these things happen in their own geologic time, often measured in billions of years. Many people ignore Washington’s regular earthquake drills. Most, I would bet, don’t keep the recommended jugs of water on hand and three-day food supply ready. They understand that a big quake might happen—but probably not to them. We don’t want to think about such things. We’d rather go blithely about our business. I swam laps as the shooter went in for the kill. Yes, I had read about Columbine. Sure, I understood that we had troubled students among us, and I did what I knew how to help them, but at the end of the day, I was preoccupied with my own life, as ordinary people are. What happened at Virginia Tech wasn’t a thing I had yet imagined. Even if I had attended gun control rallies, donated to mental health services, and offered my students my cell phone number for times of distress, I couldn’t always see when the slippages would occur, bringing the earth down on my head.

*

Kaya is the lynchpin here, the axis around which this wheel of friendship turns and the organizer of this event. We have landed in her life one at a time, depositing ourselves like sedimentary layers. She’d originally met Connie because, in a newspaper article featuring Kaya’s novel-writing career, Kaya had said she was new to the area and looking for friends who liked to paddle. After they got in touch, Connie and she had floated in boats with others together down the Green River in Utah. I’ve heard them laugh over their memories—including nude bathing and dressing in pirate costumes. Sue, a former Wild-lands firefighter who’d been Kaya’s heroine at a summer camp in 1987, had introduced Kaya to Minda who’d been a belly-dancing teacher then. Kaya had met Dolores while she was walking her dog around town. I’d become acquainted with Kaya through mutual writing interests, after which we became hiking buddies. Her friends from separate times and different places have all come together as cancer forced this upheaval in Kaya’s life, exposing the strata of her past.

Sue has made chocolate cupcakes for Kaya’s birthday, with raspberries on top. We sing happy birthday, Connie the music teacher harmonizing, then eat the cupcakes gracelessly, laughing at the chocolate icing that sticks to our fingers and drips on our clothes. Kaya’s mouth is ringed with it, but the cornflower blue of her eyes is dark with emotion, then moist with tears of gratitude.

*

The first time I saw Kaya after her breasts had been removed in March 2018, we met for a hike in the desert hills near Wenatchee, Washington. She wore a red scarf over her bald head and zipped her jacket against the chill. In the near-empty parking lot after we hugged, she’d raised her shirt briefly to show me the remnants of her once-full breasts, marked by healing wounds.

“Why couldn’t they cut them straight?” Her voice was thick, her throat clogged with rage and grief.

Normally a strong and confident hiker, now as she walked up the trail, she carefully avoided the many rocks and depressions. “I really really don’t want to fall. All I need now is a sprained ankle.” She stopped to rest and breathe, gazing out across the yellow-brown landscape of dry grasses and brittle brush punctuated by black basalt, recovering herself.

When we arrived at the ridgetop, she’d climbed nearly 1,000 feet in elevation in a couple of miles, and the City of Wenatchee was laid out before us on a flat plain where the Wenatchee and Columbia Rivers meet. She pulled off her scarf to expose her hairless head and asked for a picture. Strangers were about—also taking each other’s photos on the hill–but among them, Kaya was unashamed. Proud that she’d made it to Saddle Rock. Grateful to be alive. Her smile was genuine.

*

Standing on my paddleboard now, I have an expansive view of the Yakima River, a tributary of the Columbia, named for the indigenous Yakama tribe. It’s 214 miles from headwaters to mouth and drops an average of nearly 10 feet per mile. Where we are, just downriver from Ellensburg, I could easily swim the width of the river. The section we’re paddling is mostly rated Class I (flat) with a minor riffles. The flow is about 3,400 feet per second. It will take us just over three hours to go about 13 miles.

On the paddleboard, instead of being eye-level with a brushy riverbank from the cockpit of a kayak, I’m above it, able to see up and over to the hillside or the road. When the wind is at my back, I barely have to paddle, but when the river’s direction changes, and I feel it in my face, I sometimes have to kneel to decrease my resistance.

The blue of the water contrasts with the pale yellow of dried grasses and light green of sagebrush and willows. Columns of basalt and rockslides interrupt the flow of otherwise rounded hills and folds. It’s July now, so the hills are yellow and brown, but in May, they’re green, punctuated with yellow balsamroot and blue lupine flowers, and in winter they’re often covered with snow. Still, on this warm, dry day, it’s hard to believe I’m in the same region as I was last winter when, one icy day on campus, someone reported shots fired at CWU. I was working at home (I often teach online) and received the emergency alert on my phone. Immediately I checked Facebook for more information. There, people listening to police scanners said they’d heard reports of shots in multiple campus locations, including the building that housed my colleagues in the English Dept. It was after 5 pm, so I hoped they’d gone home, but still I felt the surge of fear, memories surfacing from Blacksburg in 2007, when the campus went on lockdown.

On the morning of April 16 that year, I’d come out from the community pool where I’d been swimming laps and was feeling refreshed by that, as usual. I’d left my cell phone in the car and was surprised to see several voice messages. I heard my ex-husband, locked down on campus, and my boyfriend, from his office near campus, both tell me there had been a shooting, they were fine, but I should stay away from campus if I wasn’t already there. At that point, the number of casualties was uncertain. I drove home and locked the doors of my brick rambler a mile from campus. I don’t remember when I first heard the body count or details of the shooting—I only recall that blow to the solar plexus and feeling of disbelief as I awaited the names of victims and the killer who had shot himself in the face. The next morning, Sunday, I was sitting at the dining table preparing to go out to breakfast, when my ex-husband—also a Virginia Tech professor—called to say the murderer had been an English major we’d both had in class. I remember sitting with the phone at my ear, my limbs suddenly heavy. It was as if the world around me had shrunk to a box of air containing only my body, and the force of gravity had increased tenfold.

I remembered his broad-shouldered figure in my office doorway. His signature ball cap. The rectangular wire-rims. The mouth that sometimes worked hard to utter words he couldn’t speak.

Months earlier, I had urged him to seek help. I’d discussed him with administrators since he wouldn’t talk in class. I’d been advised not to require him to go to class but instead to tutor him one-on-one. I did so three times. Lop-sided conversations. I offered to walk with him to the counseling center—he refused with a shake of his head. Afterwards, I communicated with him by email, again offering to connect him with counseling. No response. Though I didn’t know that he’d already been hospitalized because he’d threatened suicide, that he’d been in trouble beyond the English Dept. for stalking, I worried about his isolation. It wasn’t the other students’ faults—they had tried to include him in required groupwork, but he couldn’t or wouldn’t cooperate.

After the shooting, there was much speculation about his psychological state. At one stage in his life, he’d been diagnosed with a form of autism, social mutism. Some speculate that he was psychotic—unable to perceive reality—or bipolar or schizoaffective, but he had the presence of mind to organize and focus, planning and accomplishing murders, and mailing manifestos. An immigrant from Korea, he’d been bullied as a child. Many people are victimized as children, of course, and not all grow up to be murderers—but who knew what cataclysmic events had shaped him? what fractures he carried within that could, with new pressures, cause the avalanche of circumstance that would carry others to their deaths?

Immediately after the horrific event, the media and FBI arrived—further frightening us. Yet in other small hamlets around the globe, classrooms of teachers and students, churchgoers, health care workers, mothers, fathers, sons and daughters sat down to write us notes of condolence. They sent flowers and banners. They offered assistance and signed with love. Like others in shock and distress, I walked through the displays of support at the Student Union, undone by the kindness of others. Recalling the collages of banners, notes, cards, and flowers brings tears to my eyes still.

The non-shooting event at CWU, on the other hand, was over in about three hours. I’d been completely derailed from my work as I helplessly watched social media for information. Many students and some faculty were as traumatized by those hours huddling in lockdown as if there had been an actual shooting. But in truth, no one had fired a shot. It had been a giant misunderstanding—someone had misheard and then communicated that been shots were fired, and the report was called in to the police. Once one report is out, apparently people think they hear shots elsewhere and call officials with more reports. Those listening to police scanners then share those reports as if they’re actually facts. In the end, the supposed shooting was a non-event. Yet feelings, including mine, were triggered. Students who’d never thought anything could happen to them now understood viscerally that it could. In that way, their illusions of safety were forever changed. It was a very real fracture in the fabric of their lives. A sudden slippage along a fault.

My own aftershock from that slippage occurred a month or so later. I’d had a cold that was settling in my lungs and I felt heavy, depressed, without ambition. I sought help from an acupuncturist. She took one look at me and said, “Oh, I see a lot of grief.”

“Really?” I hadn’t been aware of any particular loss.

After she put in the needles and left the room, I—not typically a woman who weeps–found myself sobbing. Do you know how hard it is to breathe when you can’t move because you have needles in your back, you’re face down in a hollowed cushion, and snot is collecting in your nose? Images of the shooting 12 years prior were surfacing. I hadn’t been in any of the rooms where people were killed and injured, but I imagined bullets cutting into them, puncturing vital organs as they cowered under their desks in fear. Many were not yet 20 years old.

Also, I vividly remembered the shooter’s face—his rounded cheeks, his stuttering lips and vacant eyes. Later I learned he’d called himself Zero. He’d written stories in which his child-protagonists were always victims. In one of my literature classes where he’d been present, we’d read Toni Morrison’s Beloved, a novel about a slave woman who kills her child rather than give her up to the white men pursuing her. Re-reading his essay about the novel after he’d committed his own murders and killed himself, I couldn’t understand how he could articulate humanistic ideas–including empathy–and be unable to practice them himself.

I can’t now even give him the courtesy of a name—I don’t want his final act to bring him notoriety. I still can’t fathom what he did, can’t put together the pistol-wielding maniac in the video he’d mailed to NBC before the shooting with the silent young man I’d known who hid beneath his ball cap and didn’t make eye contact from behind his silver wire rims but cared enough about his writing to keep showing up in my office.

The acupuncturist returned. Surprised by my reaction, she hastily pulled out the needles and handed me Kleenex. “No one grieved for him,” I said. “He did a horrible thing, but he was a victim, too, and I was his teacher.” There. Twelve years later, I’d finally allowed myself to feel the things I’d kept shut away until they were finally jarred loose by a thing that hadn’t actually happened.

*

Paddling in the Yakima River now, I feel a primordial pull toward the wet, cool, life-giving currents and aquatic surface beneath which trout hide in the shadows of rocks. My muscles relax. As I watch geese float downriver, or paddle in the shallows, I forget to think about whatever might, in off-river life, trouble me.

Ahead of me in her red kayak, a grin visible beneath the red hair and straw hat, Kaya calls out to more strangers that it’s her 50th birthday, that she’s a cancer survivor. As a result, there are two more choruses of “Happy Birthday.” The first is sung by two fishermen sitting on an island drinking beer. The other, a little less harmonious but no less sincere, comes from the only other flotilla we see on our three-hour float: a group on inflatable toys—rafts and inner tubes. Bighorn sheep also make their appearance close by as if to salute our passage. Car horns honk and people hoot and wave at us from the road that parallels the river. A train engineer blows his horn several times as if in tribute to Kaya.

*

I don’t know everyone on this float as well as I know Kaya, but I do know that Minda was once in a terrible car accident. Kaya visited her in the hospital when her jaw was wired shut. Now she’s married, mothering a baby, and powering her end of the canoe. Delores, a strong paddler, recently nursed her elderly mother through heart surgery. Connie, like Kaya, has had cancer. She and Sue sing harmonies as their boats float close.

As I watch these women handle their crafts, I consider how each of us copes with our losses. Maybe our fault lines are designed to give so that we don’t break. Our worlds shake, and if we’re lucky, we learn new ways to appreciate the changed landscape. It’s good to be among people who count themselves fortunate to see a bald eagle in a tree, a great blue heron rising awkwardly from its fishing, or the quick scuttle of mergansers on the water’s surface. These are women who laugh as they paddle madly to snag “river booty”–deflated inner tubes or lost drybags caught in the brush—before the river carries them past.

Downstream, we see more evidence of geologic events: landslides, layers of ash and volcanic basalt from eruptions as we navigate the river’s snaky curves. Professor Zentner says rivers originating on flatlands “meander” as they age. They experience a continual “shifting of channels.” He tells us to imagine a snake on a flat tabletop, the way it slithers around until it has covered every inch of that tabletop. You can still see evidence of the old river channels when you look at–for instance–the Mississippi River from an airplane. However, since it’s no longer flat in the Yakima Canyon, and ridges have “grown” around the river, such evidence is harder to see.

The reason rivers meander more and more over time is because as rivers curve, the water on the outside of the curve carves away soil in what is called cutbanks while the slower water on the inside of the curve deposits soil, filling in the river. Thus the river moves around until its meanders are so severe that they turn back on themselves in noose-like coils called oxbows. Eventually those oxbows are cut off from the rest of the river channel as the soil fills them in, and over time, as the river cuts off its own oxbows, it straightens itself out again. We pass a formation that looks like a giant crater but actually, according to Professor Zentner, is the impression left of an old oxbow.

Some of us are glad the sediment fills in and cuts off the oxbows of experiences—shootings and cancers, divorces, and car accidents. Others have the desire to meander back to their places of origin, even if they never left their hometowns, because the views they grew up with have changed.  In any case, we’re all on a journey toward that place where all rivers connect. The sea receives the tributaries, offering no judgment as it erases their names.

As we near the take-out, we all remark that the journey is over too soon. We dip into the river one last time, take group pictures, then load up boats and gear. Later there will be dinner at a Mexican restaurant. We’ll make Kaya wear a ridiculous sombrero as we sing happy birthday once more. Eyes wet and voice quivering, she’ll speak words of gratitude. Each woman here will return to her temporary earthly duties—whether in classroom, hospital, library, or home. Within us we’ll carry whatever has altered us, just as the landscape does. When I return to the day’s journey along the meanders of memory, the currents will push me back toward the original channels—but finally I’ll leave even that diversion, traveling as I must toward that great and mysterious place of connection where our stories merge.

Bank Run ~ Lawrence Coates

 

This happened in 1899, when the century was about to turn, twenty-five years after the city of Forge was incorporated and named after its founder and first family, twenty-five years after Richard Forge Sr. had pooled resources with the wheat farmers in the area, all the big landowners, to found the Bank of Forge.  Wheat prices had been falling throughout that summer.  On a trading floor in Chicago, men who had never seen the Central Valley of California shouted the prices that would be paid, and the falling prices were reported in the Forge Argus, and in the Stockton Bee, and in the newspapers that came in by train from San Francisco.  The out of town papers also reported a bank failure in the town of Lux, a cotton town to the south.  And a rumor grew that when the crops were sold, and the crop loans couldn’t be met, the bank would fail.

Richard Forge had been a young man when the bank was founded, a young man among the other young men in the region who had broken ground and found it good for wheat, and a leader among them.  He had been the one to direct and order the town’s incorporation, the one to lay out the streets on a grid, the one to foresee the need for a bank.  But he had not foreseen that some of his friends, the original investors in the bank, would begin quietly to withdraw funds when rumors started.  And he had not foreseen that the wires requesting capital through Western Union would be read by the operators, and be repeated, and feed the rumors.

By mid-morning on a Friday in August, a Friday that had begun like any other, the cool, marble-floored lobby of the bank began to fill with people, all come to withdraw their savings. When someone finished a transaction at one of the eight brass-barred teller windows, people surged toward that window, and some began to shout and push.  In his office, Richard Forge heard that customers were all making withdrawals, and he came into the lobby.  He had talked to the ruined bank president from Lux, who told him that once the line reached into the street where it could be seen by all and become a mock and a show, the run was unstoppable.  Once that happened, the president said, the bank run would grow monstrous, and swallow the bank.

He asked everyone waiting to form a line that doubled back on itself, but by noon the bank lobby was full, and the line for withdrawals grew out through the doors, out onto the hot and narrow sidewalk.  Men and women stood in the line, faces drawn and anxious, passbooks curled and damp in their sweated hands.  They clung to the storefronts on the west side of Central, leaned into the thin cliff of shade, shuffled forward a step at a time.  When the end of the line reached the barbershop, the barber finished the man in the chair, and turned his sign to Closed, and joined the line himself.

Then Richard Forge hoped only to get to five o’clock before the bank ran out of funds.  He told his tellers to count out money two or three times, to slow withdrawals.  He had back room employees stand in line to ask for their money in pennies.  Anything to slow the run, so that the brass teller windows could shut, and the tall bronze doors between the granite columns could close, and the weekend intervene – anything to make time enough for rumors to calm, trust recover.  He left the bank once for Western Union to send a wire, to again plead for funds, and returning he paused at the top of the broad stairs leading to the bank’s entrance.  The line of people extended down Central Street, past all the small, glass-windowed shops – past Fabian’s General Merchandise, and the Forge Saloon, and Ludwig’s Cigar Store, the Oddfellow’s Lodge, Gullo’s Groceries, Andersen’s Plumbing and Hardware, past the offices of the Argus, crossing streets and ending finally just south of the railroad tracks.  Hundreds of people.

At quarter to five, Forge stood in his office and smoothed down his blue, Brooks Brothers suit.  He adjusted his tie in the collar of his white shirt – one of the white shirts laundered and starched for him by the dozens several times a month – and made sure his diamond stickpin was in place.  He shot his cuffs, checked the gold cufflinks monogrammed with an F.  Then he took his hat from the rack and strode out into the lobby.

They were all men and women he knew, all residents of the small city or the surrounding farms.  He had opened accounts for them, given them loans, taken their deposits, made their payrolls.  These were farmers, engineers and firemen and conductors and mechanics, the barber and the blacksmith and the schoolteacher, saloonkeepers and maids and haulers, and the plain, firm-chinned ladies in high collars and white gloves who ran their households with strict budgets.

He walked along them, all the faces he knew, and nodded and smiled.  Most refused to meet his eyes, looked down, muttered.  Some looked past him at the large grandfather clock, looked at the line ahead, tightened their mouths.  He smiled and began to talk to no one in particular, light, jovial, unconcerned.  “No need to worry.  I’ve been in touch with the reserve bank in San Francisco.  Plenty of capital to fulfill each and every demand.  It will be here Monday morning before opening.  Plenty of cash on hand.”

He put on his hat and passed through the doors, out of the cool marble interior of the bank and onto the street, and many faces turned toward him, worried, hopeful, shined with perspiration.  He greeted people by name, kept up the same patter.  “No need to worry.  An influx of the bank’s reserves, currently held in San Francisco, Monday morning.  You’ll see me greeting the 6:10 train myself, to supervise the transfer of funds.”

“Should we just go home for now?” a carpenter in overalls asked.

“Well.”  Forge took his watch from his pocket and frowned.  “I’ve got every teller working, but I don’t know that we’ll get to everyone.  Monday morning, though.  Business as usual.”

“I’m waiting.”  Kent, a wiry and mean-eyed harness maker spoke with a bitter smile.  He had come directly from his shop, and he still wore a leather toolbelt hung with awls and shears.  “I’m waiting, and if you don’t make good today, I’ll be here bright and early on Monday.”

“Monday morning will be fine, Mr. Kent.  Normal business hours.”

“Yah.”  Kent shifted the chaw of tobacco in his lip and spat a thin stream of juice into the gutter.  “We’ll see.”

Richard Forge Sr. was sweating by the time he returned to the bank lobby, and he took off his hat and wiped his forehead with his pocket handkerchief.  The lines had advanced, and those who succeeded in making a withdrawal tucked it away carefully and then stole out of the bank, as though ashamed of getting away with something while others were still at risk.  Forge smiled at them politely, to let them know that there was nothing untoward in requesting a withdrawal.

Then the grandfather clock began to chime, one two three four five, and all the tellers did as they had been instructed, and completed the transaction of the person at the counter before swinging the brass bars of the teller’s cage shut.  Those inside the bank had hoped that they, at least, would be able to withdraw their money, and as the small cage doors were shut and locked, they moaned, and the line broke down, and people began to mill about in the lobby, and some shouted demands that their money belonged to them, and they had a right to it that day.

Forge walked to the rear of the lobby, beside the gate that led to the back offices, and he held up his hands for quiet.  The bank detective stood beside him, dressed in a blue uniform with a billy club dangling from his belt.  When Forge had the attention of all, he repeated what he had been saying all along.  That the bank would be open normal hours on Monday.  That the bank’s reserves were coming from San Francisco.  That all requests for withdrawals would be met.  Then he passed through the gate and locked it behind him, and left it to the bank detective to slowly disperse the crowd and lock the bronze doors that led to the street.

Richard Forge Sr. did not go home that evening.  He retired to his office at the rear of the bank building, a cool and spacious office he had designed for himself when he had the building constructed.  Bookshelves in dark-stained wood extended to the ceiling, filled with volumes of history, classics, memoirs of leading Californians, as well as books on the businesses of agriculture and transportation, the twin pillars of Forge.  A thick Webster’s on a dictionary stand in one corner, a globe on a stand in another.  One wall with a large map of the county that showed every road, every field, every waterway, every railroad line.  On another wall, the plaques of appreciation from the California Bankers Association, the Southern Pacific, the local fire department.  The framed proclamation he had read aloud from the gazebo in the town square on the occasion of the twentieth anniversary of Forge’s incorporation.  In the center of his office was his large walnut desk, carved with spiral columns on the corners, matching walnut chairs facing it for conferences, and against the wall opposite, a long divan upholstered in green velvet.

He sat in the office chair, leaned back, looked up at the maps on the wall above the divan.

There was no one left to contact, and he wondered if one of the men in the Western Union office had read his urgent pleas that day – pleas that had gone unanswered.  Then he knew.  Of course his wires had been read.  The run would continue Monday.

There were papers and ledgers scattered on his desk, and he took some time neatening them up.  Mrs. Hall, his secretary, normally did filing at the end of the day, but he had told her to go home.  He knew where everything belonged.  He placed the many mortgage documents the bank held into cabinets in the outer offices, and the crop loan documents under the names of those landowning families, his friends and investors, with whom he had done business for decades.  The ledger books were filed on one of the lower shelves within his office.

Then he went to the wall safe, a small safe that he used rarely.  He spun the dial right to a number, left around twice to another number, right to a third number.  Then left, and the bolts slid into their cylinders and the door opened.  Inside the safe was a revolver, a Smith & Wesson with filigrees on the handle chased with gold.  It had been a gift to him from the city council on the occasion of that twentieth anniversary speech, and he had fired it once only, to signal the beginning of fireworks later that evening.  He took it out and closed the safe and spun the dial to lock it, then returned to the chair.  He leaned back, put the barrel of the gun in his mouth, set his teeth onto the unfamiliar hardness of it.

He took it out suddenly and stepped to the coatrack, where he kept a scarf for days that turned unexpectedly cold.  He took the scarf, a warm plaid in red and green.  Sat again in his chair and wrapped the scarf carefully and tenderly around the back of his head.  Put the barrel of the gun again in his mouth.

*

Richard Forge Jr. boarded the first train he could back to Forge after he heard the news, a night train pulling freight that left at midnight from the Oakland yards.  He climbed into the caboose, still in his business suit, and tossed his grip in the corner.  On the small platform at the back of the car, he felt the steam engine gather the weight of the cars to it, hesitate for a moment, then begin to haul them all.  The train gradually snaked its way out of the yard, clacking slowly over switches until the eastbound rails narrowed down to three, to two, to one.  Then the train picked up speed, and Richard gazed back at the red signal lights of the railroad and the glary white lights strung on wires above the loading docks, and he saw them dwindle. Behind him in San Francisco was his wife, Joan, the daughter of one of the big wheat farmers, and his son Noah, only five years old, growing up far away from the town named after his family.

The train bore Richard through dark valleys and up into the Diablo Range, and he stood on the platform and felt the wind in his hair, smelled the soot from the burning coal, saw the summer stars.  As the train crested the summit and passed into the Central Valley, he felt a burden waiting for him – the town named for his family, the bank with his family name carved into granite on the façade.  At times, in San Francisco, he had wished he was not his father’s son, he had wished that he and Joan could just make a good and prosperous life in the city, as their friends did.  A place in Cow Hollow.  Tickets to the opera.  Lowell High School for Noah someday.  But his father had always told him that he would be the bank president someday.  His father had directed him to Cal, his father directed him to work at Wells Fargo in the City, and learn the business, and make contacts.  And now he was returning to Forge, and to the bank, and he felt his father’s dead hand still directing him, to take up the task he himself had failed, and Richard both missed his father and bitterly blamed him for abandoning him.

*

On Saturday, Richard left his mother in black mourning in the care of his two older, unmarried sisters.  He went straight to the bank, not stopping at Casselman’s Funeral Parlor where his father’s body was being prepared for visitation, and spent the day in the outer offices with Mrs. Hall and one senior employee.  He didn’t want to work in his father’s office.

He learned that the bank held paper on nearly all the land surrounding Forge, mortgages and crop loans on all the wheat fields that shipped their crops through the Forge depot.  Yet he could also see the owners of those fields, some of them original shareholders in the bank, beginning to siphon funds out of the bank as wheat prices dropped.  They were afraid that the prices would be so low that the crop loans would default, and they were shielding themselves from their own failure and putting the bank at risk.  And keeping their money where?  Maybe Wells Fargo.  Maybe Bank of Italy.  Maybe in their mattresses.

Then he found the record of Henry Goodling, Joan’s father, his own father-in-law.  Henry farmed a thousand acres of wheat, and Richard remembered how satisfied his father had been when he and Joan decided to marry.  The son of the banker marrying the daughter of a big landowner.  The way things were supposed to work.  Henry Goodling had withdrawn his money, just like every other large landowner.

Word of the withdrawals had gotten out.  It always does somehow.  A run begins with a trickle.  And Richard saw his father, unwilling or unable to see himself betrayed, bewildered at how the rules had changed, still thinking that appearing in a good three piece suit flanked by the granite columns of the bank’s façade was enough.  The man who had always seemed a giant to Richard looked now shrunken and weak, a paper man, torn down easily by men who had been his friends.

“Those bastards,” Richard said.

*

Richard called the meeting on that Sunday morning.  He summoned all the shareholders, the big landowners, the owners of the largest hotel and the general store, and also one non-shareholder – Skipper Cook, the railroad boss, the Southern Pacific’s top executive in Forge.  Richard told them to skip church that day, the Presbyterians and Methodists and Lutherans and Catholics could do without their presence for one Sunday, though if the congregations wanted to send a prayer or two their way, it would be welcome.

Richard chose to have the meeting in the president’s office, that same office where his father had turned the revolver on himself.  The shareholders came wearing suits dark and sober, dark ties, white shirts with stiff collars so that each had to hold his head erect.  Some of them still wore the thick moustaches or beards common twenty years ago, though now their hair all was gray or white.  They greeted each other with quiet voices, then saw the young Richard standing behind his father’s desk, and one by one they offered their sympathy, said how sorry they were to hear of his father’s passing.  When Henry Goodling shook Richard’s hand, Richard nodded his head unsmiling.

As the shareholders sat, they looked at the wall behind the desk, at a white hole drilled into the plaster, white cracks spreading from it into the dark green paint.  Not even covered up.  And there, pushed against the wall beneath the bullet hole, the death chair, the very chair in which their old friend, a man of their own age, had died.  While they looked, Richard paced behind the desk, unstill and waiting, and the men sat stiffly and cast their eyes from the bullet hole, to the chair, to the son of the man, pacing.  They were older men, as old or older than the man who had killed himself in this office, and though they were solid in the chest and leg, strong from farm work and farm food, they had each felt the finger of death brush their cheek when they heard about the suicide.

Richard wore a light camelhair coat from a men’s store on Post Street, the only one in the office not dressed darkly, and he had a list of names on the desk blotter that he checked off as men came in.  When all were present, he greeted the last and asked Mrs. Hall to leave and close the door.

The men had expected a quiet meeting, they expected to speak with quiet respect about the man, Richard Forge Sr., whose family had given the city its name, who had founded the bank and been its president for twenty-five years.  Despite the peremptory tone of the summons to the meeting, they also expected respect for themselves, their years and experience, deference from the man they still thought of as Junior.  They expected to talk to him about how to cushion the blow from the bank’s failure, that now seemed inevitable to them, as inevitable as the funeral procession that would follow from the church to the town’s cemetery.  Some had imagined they would be asked for advice, and were ready with counsel.

They were not prepared for the accusations the young Richard launched at them.  He paced back and forth and accused them by name of fearfulness, cowardice, lack of faith.  He accused them of pulling out their money because they didn’t believe in their crops, and hiding their money in pillowcases, and huddling over their little piles like scared children.  He told them that they had caused the bank run, starting it slowly weeks ago.  Did they think that no one would notice that all the big men in town were drawing down their money?  Did they think no one would talk?  People always talked, and now everyone from the schoolteacher to the barber wanted their money out of the Bank of Forge.

Pop Simmons, the oldest man there, stood up from his straight-backed chair.  He took his pipe out of his suit pocket and pointed the stem at Richard.  “Ain’t a man here did a thing wrong,” he said.  “Not a thing wrong in taking out your own money.”

“You, Pop.”  Richard glanced down at a paper on the desk.  “You want me to tell everyone how much you took out?  You were one of the first.”

“Don’t care if you do,” Pop came back.

“And how many years did my father carry your mortgage, and roll it over, and give you the money to buy what you need every spring?”

“I’m a shareholder.  I helped found this bank.  Your father didn’t do that, the bank did.”

“The bank did,” Richard agreed.  “And right now, I’m the majority shareholder.  So when I speak, just take it that I’m the bank.  I know two figures.  The money you took out, and the dollar amount on your mortgage.  And they don’t match, do they Pop?”

“So what if they don’t?”

Richard tapped his finger on the table, tapped right on the name Theodore Simmons.  “I can sell your paper tomorrow.  Sell it cheap to Wells Fargo.  I know a trader there who gobbles up paper on Central Valley land.”

“You can’t do that.”

“The hell I can’t.”  Richard looked around the room, looked at all the old men sitting back, suddenly calculating.  “Each of you, think about it.  Think about those two figures.  And then think about someone other than a Forge holding your paper.  You think anyone else is going to roll over your paper when you’re growing wheat?”

“Your Daddy wouldn’t have done that.”

“Pop, why don’t you sit down.  I sell that paper, and you can either make a pauper out of yourself hanging onto that piece of dirt, or else lose it and keep your clutches on that money you’re so keen to hold.”

Pop opened his mouth, but closed it without speaking.  He put his pipe back in his pocket and sat down, and Richard began to pace again.

“Pop is right.  My Daddy wouldn’t have done that.  And that’s why he didn’t have any answers when the bank began to fail.  And everyone here – except Skipper – helped that failure along.  And failure led to that.”  He jerked his thumb over his shoulder to the wall, to the bullet hole in the cracked plaster.

“We all thought the world of your father,” a grower named Wilhelm Pruger said.  “None of us thought it would end up like this.”

“That so?” Richard said.  “So none of you feel like you had a finger on the trigger?”

“We all thought your father was a great man,” another grower said, and everyone mumbled agreement.

Richard shook his head.  “Once upon a time, he was.  But not when he died in that chair.  He was a man who couldn’t look ahead.  Just like none of you looked ahead when you pulled out your money.”

He leaned forward, palms on the desk, and looked at Wilhelm Pruger.  “You, Wilhelm, what are you growing on your land?”

“Me?  Wheat.”

“Howard, you?”

“Wheat.”

“You?”

“Wheat.”

“Henry Goodling?”  Richard looked at his father-in-law.  “You growing wheat too?”

“Yes,” Henry admitted.  “Wheat.”

“So it’s wheat all around?”  When everyone nodded, Richard smiled.  “You all have God damned wheat on the brain.  Dry land farming, when there are artesian wells not fifty miles from here and a gorge for a dam site up the river.  Skipper, what’s the coming thing in railroads?”

Skipper, the railroad boss, had been leaning half-seated against the broad bookshelf near the globe.  He was an outsider, not from one of the old Forge families, a salaried employee of Southern Pacific sent out to manage the railyard and coaling station, and he was not part of the past history that joined everyone else in the room.  But he had a hundred men under him, and he spoke for the railroad, and his words carried weight, and now he pushed himself upright and faced the circle of men.

“The coming thing?  Cooling cars.  Shipping fresh back east.”

“Right.  And wheat shipments from our silos?”

“Level, or falling.”

“So if we’re looking ahead, what should we be producing?”

“Row crops,” Skipper said.  “Beans, sugar beets asparagus.  Maybe some tree and vine crops too.  Walnuts, wine grapes, raisin grapes.”

“Thanks, Skipper.”  Richard turned back to the growers.  “I can’t bring back my father, but I can try to save his bank.  Right now, I can get Wells Fargo to recapitalize this bank if we invest in an irrigation district.  We’ve got water right below our feet, and the new centrifugal pumps can get it out.  Some of you have senior rights on that river water, and we’ve got a dam to build.  You’ll all sign contracts to buy the water, and you’ll plant what Southern Pacific can ship.”

“Wells Fargo won’t do that for nothing,” Pop said.

“That’s right.  Afterwards, they’ll own half the bank.  But I figure half of something is better than all of nothing.  Don’t you, Pop?”

“I guess it doesn’t matter what all I think.”

“It matters.  I’ve got to have all of you thinking that this is the time to grow, to invest.  Or else the bank will go down and this town will dry up and blow away.  And I’ll sell the paper on your lands, all of your lands, for what I can get for them.”

Richard was sweating in the hot and gloomy room, and the overhead fan spun slowly and moved around the heated air.  He took the kerchief from his coat pocket and wiped his brow.

“Why don’t you all go home to think about it,” he said.  “We’re going to throw a black ribbon across the door tomorrow, and put out a sign saying we’re opening at three.  If you’re in, I’ll expect to see you there.”

The men stood up slowly, stiffly.  They were older, in their fifties and sixties, and knew only one kind of farming.  But they all had sons and daughters, Richard’s age or younger, and their children were in their mind as they slowly walked to the desk, shook Richard’s hand, and walked out.

Henry Goodling was the last to leave.  “Sorry again about your father.  None of us expected this.”

“No.  Of course not.”

“I only wanted to protect myself.  And my land.”

“Of course.”

Alone in the office, Richard glanced down at the list of names, thought about how well he’d done in scaring men who were already scared.  And though he hadn’t shown it, he was scared himself.  He still had to go to the Western Union office.  He’d asked for an operator to work Sunday.

The light coming in through the curtains seemed dense and weighted, tinged with red.  He felt the presence of his father’s ghost in the office, and he wished he could talk with him.  He was going to try to make the deal his father hadn’t thought possible.  He needed to talk about it with someone, share it, he needed someone to tell him he was doing well, and he couldn’t think of anyone else whose word would matter except his father’s.

*

On that Monday, two tellers draped black velvet crape across the tall bronze doors of the Bank of Forge, a black velvet bow poised above the long door handles.  The town sign painter had hand lettered a sign informing all that, out of respect for the passing of the bank’s founder, Richard Forge, the bank would remain closed until three p.m.  The sign was placed on an easel and displayed between the columns at the bank’s entrance.  A crowd of people had gathered by nine when the sign was posted, those who had been turned away on Friday, and they muttered in small groups.  Everyone knew that Richard Senior had shot himself in the head.  It was impossible to keep such a thing secret, and it convinced everyone that the bank was indeed going under and could take their money with it.  They looked at the sign mistrustfully, wondered if it was just a way to put them off awhile longer in hopes they would go away.  Those who had come first remained in the doorway, determined to be first in line when the bank opened – if it opened.  Some others wandered down the street and looked through the black wrought iron palings and across the neat and green yard to Casselman’s Funeral Parlor, where the visitation was already taking place.

Inside the funeral parlor, Richard sat in the front row of the visitation room, beside his mother and two sisters.  Before them, on a bier draped with black velvet, the dark walnut casket was displayed.  A cross hung behind the casket, a silver cross suspended before black drapes, and candles and flowers were spread on the steps leading up to the bier. They had brought over and displayed the painting of Richard Senior that had hung in the bank lobby, a painting that showed him proud and prosperous, dressed in his best three piece suit, standing before the bookshelves and the county map in the office where he had shot himself.  The painting was how Richard’s mother wanted to remember her husband.

The casket was closed.  Harold Casselman had shown Richard the restored face of his father, the best his art could do with the violence of his death, and Richard made the decision without consulting with his mother.  He hadn’t wanted her to see the face.  When he’d arrived on the late train, he found his mother frightened and confused, and he promised her he would set things aright, and she clung to him and clung to him.

Now he sat, stiff and upright, keeping vigil, and women came and went about him, dressed in black, walking with a quiet swish of their stiff black skirts.  They entered from the back, but neither Richard nor his mother nor his sisters ever turned to see who it was had come.  They took up a gold pen to sign the visitation book, came forward to lay flowers by the portrait and casket, turned and whispered condolences to Richard’s mother.  They took his sisters’ hands in theirs for a moment, gloved hand pressing gloved hand, nodded at Richard, then took a seat in the row of chairs behind them.  Once seated, there was stillness until the next arrival.  They did not talk, all concentrating on the task of seeing a soul out of the world and, they hoped, redeemed.

When Richard heard the clock tower above the courthouse ring noon, he stood up, squeezed his mother’s hand, bowed his head toward the casket, and walked out into the thick and heated air of the valley.  His cabriolet was brought around to the porte cochere with his horse already in harness, and he shook the reins and started down the curving way, through the wrought iron gates.  The small crowd at the fence recognized him, pointed at him, and their voices grew loud, but he ignored them as he turned left onto Central Street.  When he passed the bank, he saw the line formed outside, the knot at the top of the stairs within the shade of the columns and pediment, and men and women extending down the sidewalk, pressed against storefronts to shelter under the shade of awnings.  These recognized him too, and he waved at them.  They watched, gaped, as he passed the bank and continued to the railyard.

Skipper was waiting for him under the metal canopy on the freight dock, and he pulled out his pocket watch when Richard walked up to him.  “The 1:20 is on time.”

“Good thing.”

“I hope this works.”

Richard looked back down Central Street.  A few of the curious who had been outside the funeral home, or who had been at the tail end of the line outside the bank, were wandering north toward the railroad tracks.

“I’m sure it will work,” he said, though he wasn’t sure at all.  Some depended on those gawkers, and how they acted.  Some depended on the landowners, those old men afraid of change.

While they waited, an open haywagon rounded alongside the loading dock, drawn by a matched pair of Percherons.  The driver, a man who had been grown when there were only horses and mules and oxen to work the valley, was dressed in clean overalls, and he saluted Richard with his coiled bullwhip.  Richard nodded at him, then turned.  A train whistle sounded across the hot and rainless plain from the direction of the Diablo Range.  A black speck grew above the vanishing point of the railroad tracks.  Then the plume of steam grew visible, and then the round blunt face of the engine above the cowcatcher.  The whistle blew again, and the bell above the engine clanged, and the engine grew enormous as it slowed into the station, huge and black and dwarfing the men on the dock.  It passed them, slower still, the brakes smelling hot, steam vapor enveloping the engine as it continued through its own self-created cloud, until it expelled a great hiss and sigh and came to a halt.

Richard and Skipper walked toward the caboose, and then Richard saw William Tower, a banker he had worked with in San Francisco, step from one of the railcars onto the dock.  William shook hands with them both, then drew the back of his hand across his forehead and looked around.  “So this is Forge,” he said.  “Christ, is it hot enough?”

“Never been here before?” Skipper asked.

“I don’t go past the Embarcadero if I can help it.”

A Pinkerton Detective stepped out of the car behind William, a beefy man in a blue serge uniform and bowler hat, carrying a shotgun.  He inspected Richard and Skipper with hard little eyes.

William ignored the Pinkerton and let Skipper and Richard into the car.  Two other Pinkertons stood at one end, each cradling an identical shotgun.  Behind them was a pile of white canvas bags, stacked nearly to the ceiling of the car, with the name Wells Fargo stenciled on each one.

“Quite a sight, isn’t it?” William said.

There were contracts and receipts to sign, formalizing in principle the agreement that Wells Fargo would take an ownership stake in the Bank of Forge, and would finance the creation of an irrigation district contingent upon contracts being signed with local landowners and the Southern Pacific, in exchange for a certain sum with which to recapitalize the bank.  And there would be more documents to sign in the future, studied by lawyers on both sides before signatures were affixed.  When sufficient guarantees had been exchanged, William and Richard shook hands.

“Hard to believe you pulled this off,” William said.  “But when I first met you on the adjustments floor, I knew you were a comer.”

“It was this or nothing,” Richard said.

“It’s too bad your father couldn’t see this deal.”

“Yes.  It’s too bad.”

“I was sorry to hear about your father.  We all were, at the office.”

“Thank you.”  Richard took his watch out and snapped open the cover.  “Let’s go.  The bank opens in an hour, and the people outside are waiting for a show.”

Outside the car, six yardworkers stood in a knot, keeping at a ten-yard distance as instructed by the Pinkerton.  William gave the word, and the Pinkerton gestured with his shotgun, and the yardworkers filed into the railcar.  One of them whistled in admiration.  “Oh Lord,” another said, “I will never see that much money in my lifetime.”

“Stow the gab,” Skipper said, “and get it loaded.”

The yardworkers spread out and formed a human chain, passing bags of bound cash out of the car, across the loading dock, and into the open bed of the haywagon stationed opposite the railcar.  The Pinkertons spread themselves out along the line, all large men in blue with stiff bowler hats, shotguns looming over the lanky workers in coveralls.

A ring of townspeople had gathered near the loading dock, waiting in the sun as Richard had disappeared into the railcar.  Now, as the first bag of money thudded into the haywagon, they moaned slightly, a soft exhalation of breath as they witnessed something miraculous, something they had hoped for, and yet something they could never actually touch.  The bags of money became a river, a waterfall, as William stepped down into the wagon to count them off, and the crowd watched the bags mound up higher than the wagon sides, visible through the shafts of the hay rack around the wagon bed.  How high would it go, they wondered, though it already rose high enough in their minds that it would purchase each of them a life free from want and worry.

Richard stood on the dock and watched the sacks of money, and he knew he was being scrutinized by those wasters on the ground below him, and he kept his face stolid and impassive, a banker’s face.  But inside, he felt an unaccountable glee.  It was working, and he felt like tickling himself and laughing out loud, and he wished his father were here to admire the triumph that mounted with every sack in the wagon bed.

The yardworkers passed the last sack across the loading dock and into the wagon bed, and the Wells Fargo man gave a thumbs up, ignoring a call or two from the crowd to throw one bag a little further, nobody would miss it.  The Pinkertons took up positions in the corners of the wagon, standing with their shotguns in the crook of their arms, and then Richard descended from the loading dock with Skipper at his side, and the crowd parted for them as they made their way to Richard’s cabriolet.  He had his horse pull in front of the draft horses, and then the wagon driver uncoiled his whip and cracked it in the air above the ears of the right hand horse, and the horses started forward into their leathern collars and rattled the trace chains and drew the wagon piled high with money behind them.

Richard shook his reins smartly, and they formed a small parade the six blocks from the railroad station to the bank.  Down Central Street, Richard in the cabriolet with the Southern Pacific represented in the seat beside him, followed by the horse-drawn wagon with the wealth of the world on display.  The crowd of onlookers who had been at the station followed along on foot, drawn by the magical attraction of money, and they were joined by others along the way, the numbers of folk swelling, an impromptu triumphal procession in celebration of wealth and the town’s future.  A festival mood grew as the money proceeded down the street, a sense that the ruin of the bank that had seemed inevitable that morning would not occur.  Rather, the opposite was happening, evidenced by those sacks stamped with the magnificent name of Wells Fargo.  The bank would survive and prosper, the town would thrive, they all would live.

As the cabriolet and the wagon passed in front of the bank and turned into the alley beside it to offload, those who had been in line before the crape-bedecked door stared and wondered, and soon heard the story of the 1:20 train, the special railcar, the Pinkertons, the sacks of cash.  They had been in line for hours in the blanketing heat, and most of them stayed in line, unwilling to leave before they were certain of their money, disbelieving the spectacle that had passed them by, mistrustful of the joyful mood of the parade that had turned into a moil of people below the bank’s granite steps.  The clock on the courthouse had rung 2:30, and the sign on the easel still said the bank would open at 3:00, and most of those in line chose to remain.  If Richard Forge Sr. had been telling the truth, and the reserves really had come from San Francisco, why had he taken his own life?  They would wait, and would see their money in their hands.

Richard walked into the center of the bank’s marble floored lobby.  All about him, his employees worked with a quiet intensity.  Within their brass teller cages, the tellers were making ready their cash drawers, while beyond the gate at the rear of the lobby, loan officers stood inside the open vault, pressed into service sorting stacks of banded cash.  Richard had spoken to every employee, especially the tellers, informed them of the attitude they were to have:  Be cheerful, pleased to be of service, don’t show any hesitation in giving someone every last dollar they have in their passbook.  It’s only when they see and know they can have their money on demand that they’ll trust us to hold it for them.

He looked at the grandfather clock, looked above it where his father’s portrait had hung, a large rectangle with the paint slightly less faded.  He knew that even now, the bank didn’t have enough cash for every depositor.  The bank usually kept three percent of its deposits on hand, and today it might have ten percent.  He thought it would be enough, though he still wasn’t sure.  He needed the landowners.

The bank detective stood near the bronze double doors with a ring of keys in his hands, ready to unlock it from the inside.  The Pinkertons were also ranged about the lobby, silent and watchful.  Richard looked through the plate glass and cross hatch of bronze, saw the strained faces of people peering in.  The grandfather clock began to toll three, and the bank detective turned the key and drew the doors open and collected the black ribbon, and Richard stepped forward.

He put his hands up to the press of people, and the Pinkertons and the bank detective closed ranks behind him to keep them from rushing forward.  There was a brief surge of bodies that then fell back as Richard called for quiet, quiet please, he had an announcement.

“I appreciate you, all of you, waiting while we paid our respects to my father, who gave so much to our city.”  He spoke with a clear and articulate voice, and his voice carried.  At the mention of Richard Forge Sr., some in line clutching a passbook looked down, a little ashamed.  “Now.  We’re going to serve everyone.  But we’re going to have two lines.  One for those of you making withdrawals.  And one for you making deposits.  So if you’re making withdrawals, stay in the line you’re in.  If you’re making deposits, line up here to the left.

The Pinkertons stepped aside, and the first in line, the wife of a mechanic and mother of six named Mrs. Hanson, came in, a little cowed by having to pass through that gauntlet of large men dressed in blue.  She kept her black beaded snap purse tight between her two white gloved hands and went to a teller cage.  Others followed, quiet and well-behaved, walking between the files of armed men.

Meanwhile, word passed down the line of what Richard had said, and some took it as a joke.  Was anyone there to make a deposit?  No.  They were all there to get their money.  And they wondered if his short speech was just another ruse.

Inside the bank, orderly lines formed at each teller cage.  The loan officers had cash drawers full and ready to exchange with the tellers when their funds ran low, and the tellers were working slowly and methodically, giving each patron exactly as much as requested.  Many left one dollar in their account – just in case – and left with a hundred or a hundred and fifty stuffed in their pocket or purse.

Outside, Richard stood at the top of the steps, and greeted by name many of those who entered the bank.  And then he saw the first of them, and he smiled because it was Pop Simmons, and he was carrying a pillowcase.  Pop marched awkwardly alongside the line of those waiting to withdraw money, awkward in a suit and vest and tie, and he barely grunted in response to those who greeted him.  He walked up the steps of the bank to where Richard waited in the shade of the columns, the pillow case weighted and incongruous, bouncing against his shin.  They shook hands, went inside the cool and shaded interior of the bank, and Richard rapped on the one teller cage that had remained locked.  As the people in line to withdraw their funds turned to watch, a teller opened the cage and Pop swung his pillowcase onto the marble counter and spilled out a heap of filthy banknotes.

The teller took some time to separate the bills into stacks of common denomination, and the stacks were high and visible to all, and then each stack was counted twice before the teller summed it up and wrote the new sum on the bank’s paper and in Pop’s passbook.  The line to withdraw advanced, and those in line at that time watched the teller pick up each stack of bills, and riffle it, and place it into his cash drawer.  Pop shook hands again with Richard and walked out of the bank and down the line, fisting his now empty pillowcase.

Wilhelm Pruger followed, and Howard Mackey, and Gad Watkins.  One by one, the growers and landowners and businessmen of Forge, the men known to all, walked down the line carrying cash in satchels and boodle bags and feedsacks, and they deposited their money in public fashion.  Gad Watkins came in with his son Josh, a man Richard’s age, and the two of them talked while Gad watched his deposit counted.  “I convinced him,” Josh said.  “It’s progress, isn’t it?”  And Henry Goodling came in with his son as well, Richard’s brother-in-law, Todd, who smiled and punched Richard lightly on the shoulder as though they were still in school together.

After making their deposits, they walked out with the light and empty bags as proof.  And as they walked back down the line, they told anyone who asked that the bank was recapitalized, the bank was sound.  Hadn’t they just seen that wagon full of money?  They might have been worried a little, but no more.  Richard Junior had taken over, a good businessman, a man you could trust, and everything was back on an even keel.

The line on the street began to break apart, as those toward the rear, who had heard four o’clock ring on the courthouse bell and judged themselves unlikely to get in that day in any event, found reason to take the good men at their word and consider their money in the bank safe.  Then others, tired of standing in the heat of August, and thinking of the job they had left for the day, or the children left in care of an aunt, decided it was fine to trust the bank again.  Now those who were near the foot of the steps, who had been waiting longest and feeling smug in thinking that they would get their money while those behind would not, found themselves at the end of the line, with no one behind them.  Those with a foot on the steps remained, but the line would soon be entirely within the lobby.

Then, as Richard stood at the top of the stairs, smiling and pleased, Mrs. Hanson walked up to him, clutching her black-beaded purse, and asked if she could re-deposit the money she had taken out earlier.  He said of course, and led her in to the same teller cage where men had emptied out thousands of dollars from sacks and pillowcases, and watched over her benevolently as the teller took her ninety-six dollars and wrote in her passbook.  Another man, who had just taken out his money, looked stupidly at the stack of cash in his hand, then walked across the lobby and stood behind Mrs. Hanson to re-deposit it as well.

By the time the courthouse bell rang five o’clock, there was no line down the steps, and the lobby was empty.  The exhausted tellers and all the bank’s employees were still filling out paperwork, and Richard thanked them all and wished them all a good evening.

He went back to the president’s office, his office now.  And the ghost was waiting for him in the office, sitting in the chair beneath the bullet hole, wearing the three piece suit, the diamond stickpin, the gold cufflinks.

The chair creaked.  The ghost seemed to be looking at him, though its eyes were shadows and it was impossible to be sure.

Richard hesitated.  Then he stepped around the desk and took the chair, the president’s chair, the death chair, and he sat right where the ghost was sitting.

Later that evening, Richard would have dinner at the Bohemian Hotel with Skipper and William Tower, and Fritz would bring out bottles of Eclipse Champagne, and they would toast beating the bank run, toast the future dam and irrigation, toast the coming boom.  Later that evening, he’d send a telegram to Joan and tell her to call workmen, that they would have to move back to Forge.

But just then, he spun the chair around and looked at the cracks spreading out from the bullet hole.

 

 

Lawrence Coates

Lawrence Coates is the author of five books, most recently the novella Camp Olvido.  His work has been recognized with the Western States Book Award in Fiction, the Donald Barthelme Prize in Short Prose, the Miami University Press Novella Prize, an Ohio Arts Council Individual Excellence Award, and a National Endowment for the Arts Fellowship in Fiction.  He currently directs the MFA program at Bowling Green State University.

Mothering ~ Gary Fincke

1

The morning after, the Sunday newspaper calls me “a friend who stopped by to check on the recent stroke victim.” Not the half of it, not even ten per cent, leaving out nearly everything that put me in those still-anonymous shoes.

So, listen. By 10 a.m. Saturday, after Linda Warren didn’t answer when I called at 9 and then again at 9:30, I was dressed and out the door. Since her husband Hank’s stroke going on six weeks ago, she’d never not answered my morning call. There was the chance she hadn’t heard the landline because she was busy in the bathroom with Hank or herself. She could have been running late with her schedule because she’d had a hard time getting Hank put together, the muscles on his right side so clumsy now he couldn’t button a shirt or tie his shoes, but I wanted to be sure this wasn’t something more. It’s never a good thing, frustration.

By then it was sunny and fixing to be the best early April weather of the year.  Nice enough, anyway, for me to think about a long walk after I’d made my stop, locking my door and bringing along my key ring where I’d added the one for the Warren’s front door after Linda had given it to me in the middle of February. So I could come and go at their place. So I could help with things after Hank had what she kept calling his “incident.” And I walked slowly, giving the two of them another minute’s time to be ready to welcome me.

Still, there wasn’t an answer when I knocked and then rang the bell.  Which is what the key was for. Which is how I walked in on such a thing that can best be described as “never in a million years,” though not the half of that either, not by a long shot.

2

Monday doesn’t ask me for anything more than the weekends do these days, but when it comes, I haven’t been out of the house since I’d let myself into the Warrens, seen what I’d seen, and said my piece to the police.

By the looks of the newspaper, neither have any reporters.  What’s new according to them?  Hank Warren is still unresponsive, in critical condition at the county hospital, but the doctors aren’t releasing additional details.  The police still have a person of interest for the crime, but they’re not commenting further. Both of those items could have been had for one-minute phone calls, and for sure, there’s no sign that someone might have persisted past “fine, let us know when you’re ready.”

One good thing about that—my name’s not public yet, though maybe it’s worse waiting for it to be shouted from half the front porches in the county at six a.m., my small role in a story where everybody, before they read any further, knows what will happen. It’s like the way I remember reading Shakespeare fifty years ago, knowing all those people with their names in the titles, no matter how much they talk and talk in pretty language, are very shortly going to be dead.

3

Since Hank and I had retired five years ago, whether Thursdays were hot or cold or in between, Linda always made iced tea for after our dollar-a-stroke golf or during our nickel-a-point gin rummy, and then she busied herself someplace else in the house.  “Big time gamblers,” she said. She always had a book to read. A new one every time I stopped by.  Even the thick ones were over and done with by the next week. “You two have your stories.  I have mine.”

Hank and Linda had lasted longer in marriage than me and my two wives put together. I’d managed twelve and eighteen years, and they were going on forty-five. “Hank’s my best friend,” Linda would say. “I’ve been lucky.”

They’d never had kids, so there wasn’t even that cliché of staying together for the children to fall back on as reason. Sometimes I thought them lasting was more surprising than most of the childhood-traumas-as-sources-of-issues I heard from troubled students from my working years, but then I’m not being a counselor when I think on marriage.

Hank was the one who labeled my work as mind-massages for the masses. He picked at my stories the way sports fans second-guess coaches.  To tell the truth, I loved egging him on. Two weeks after his stroke, when I finally half-relaxed around him, I mentioned a student who had sued her college because it failed to account for her allergies to escalators, tall people and cactus.  I wanted Hank to laugh and maybe forget himself for a few minutes.  This student hadn’t attended the college where I worked. Both of us were free to joke about something that seemed to make satire out of my job. “She’d be safe in here,” I added, encouraging him by pointing out how he and Linda were short and didn’t own a cactus or have an escalator in their small, one-story, two-bedroom house.

Hank didn’t smile.  “My mother always made me retie my shoes before she’d let me step onto an escalator,” he said.  “She told me never talk to big people I didn’t know. Those aren’t allergies. Those are fears. If you pay attention to that drivel, you’ll spend your whole life making the weak feel important.”

“What about cactus?” I said.

“That’s just common sense.”  He looked at me as if he expected me to apologize for gullibility, but then he went on. “There wasn’t any of that overthinking in driver’s ed. Kids wouldn’t last a day on the road thinking like that.”

“Allergic to bridges,” I said. “There’s some drivers that are.”

“They can walk then.”

“Or live in Kansas.”

“A clear head,” Hank said. “Anticipation. A lot of what used to be called horse sense.”

“Sounds right,” I tried, but Hank seemed pensive.

“You have your pine trees and grass seed,” he said. “Maybe you ought to sue the golf course for your lousy scores.”

“There’s medicine.”

“For goddamned sure. I’m stuffed to the gills with it, but none of it says ‘right-side hemiparesis.’”

“Lucky us,” I said, meaning it, but Hank looked bothered, his eyes fixed on the carpet by Linda’s empty chair as if he’d spotted crumbs from the oatmeal-raisin, vanilla, or anise cookies she baked every week to put out for us.

4

The story is still front page on Tuesday, but now there are two columns embellished with human interest, Hank and Linda’s neighbors talking, their pictures to the side.  All three neighbors say the same thing.  Such a shock.  A devoted couple.  Linda the nicest person you could run into when you stopped in on business at the borough office. Linda so devoted to her job as secretary she never once complained about having to attend all those public meetings that dragged on forever because townspeople thought they had something that needed listening to. Linda, according to one, a possessor of a good soul whose anise cookies at Christmas and Easter not only were decorated with Christian images but tasted as if they were baked in heaven.

Hank, I thought, would agree with that in a slanted sort of way. “Arguing with Linda,” he’d told me two weeks ago, “is like arguing with Jesus. All you earn is shame.”

He had fans as well. “The sweetest little man” is how one of Hank’s former driver’s ed. students describes him.  “So gentle.” She’s my daughter Kelyn’s age, thirty-five, but I don’t remember her being in our house.   She’s shown standing with three little kids and a baby in her arms, and I wonder whether her husband is as out of the picture as my Kelyn’s.  The yard around her house, I notice, has the same well-kept look as Hank’s and Linda’s.

I’d say we live in a neighborhood where violence is as rare as a tornado or a Democrat elected to office.  The paper says the last murder in the borough was twenty-four years ago, a two-year-old child, and I remember at once how a young father had thrown his boy against the wall of his apartment.  “Because he cried and cried and wouldn’t stop,” the baby-tosser had said.

Hank’s condition is still described as critical. What’s included, just after, are two sentences that name me as the frequent visitor who discovered Linda’s dead body and Hank’s unresponsive one.  I lay the paper down on the kitchen table, put on a coat, and drop my keys in the pocket.  I don’t want to be home when the phone starts ringing, not even at 6:30 when some I know might call.

It’s still half dark, so when I pause a few steps from the crime scene tape that’s still up and intact, I finger the key Linda had given me, nearly pull it and the others from my pocket before I push myself down the block to keep from playing the fool.

By seven o’clock the sun has broken through, the morning brightening so intensely I start to think I’m being watched from houses where people live who recognize me.  I imagine being stopped at the end of a driveway, a small crowd gathering to ask and ask.  I take the shortest route back home, one that doesn’t go past the Warren’s house.

Two messages are blinking on the phone, and when it rings for the twentieth time before noon, I lock the door and drive off to see a movie.  Tuesday afternoon, the one o’clock showing of 10 Cloverfield Lane has three other customers, each of us alone, each sitting in a center seat at least four rows apart.

All along I think John Goodman’s character is right to be hunkered down in his bomb shelter because the aliens have arrived. Not because it makes sense to believe him, but because I’d seen the earlier Cloverfield movie, the one filmed with a hand-held camera so I felt like I was right there, where it felt real because things turned out badly.  Walking out, though, I wish I had Hank Warren to tell that Goodman acted “movie paranoid,” not much at all like my troubled students, who mostly stayed inside themselves the way I’d learned to do around my daughter since she’d turned overbearing after I’d retired, equating that natural event with senility.

I brought up one of those students to Hank about three weeks ago, a case more than seven years old so when I changed the boy’s name and considered the time that had passed, I decided confidentiality had expired like my old income tax records.

The referral, I told Hank, had been made in person to me and my colleague Rachel Faust by a professor.  He’d never heard or seen anyone picking on this student, he’d said, but the boy had begun to send him email messages claiming persecution and humiliation, saying how much he hated everyone, including him, for allowing it.

“The first time,” the professor said, “I answered by email and suggested we talk, but he didn’t show.  The second time, I asked him to stay after class, but he walked right out.  The third time I came to see you because I find myself watching his hands when he enters the room.  I pay attention when he reaches into his backpack until he extricates a book or a notebook.  Even worse, he always sits directly to my left so I have trouble keeping him in sight. I’d be dead in a heartbeat if he wanted it that way.”

We did our jobs, I told Hank.  We talked the student through the “situation,” and Rachel set up weekly meetings with him after he seemed more at ease with a woman than with me.  For a while, Rachel reported “promising progress.” A few weeks later, though, that boy walked out of class and into the bathroom just across the hall so everyone in the class could hear him slam the walls with his fists and yell, “You fucking pussy” over and over, as if, the professor said later, he was admonishing himself for not shooting me and whichever students he held a grudge against.

Hank’s expression didn’t change.  “Another professor brought the boy to the counseling center that day,” I said.  “He was teaching in an adjoining room and hurried to the door, which turned out to be unlocked.  He led the boy outside and walked him straight to Rachel Faust.”

By then Linda had shown up with two big tumblers of Arnold Palmers, what she’d started making after Hank’s stroke, diluting the tea with lemonade to cut down on Hank’s caffeine. Hank didn’t reach for his, and Linda waited while I sipped and said, “Good batch.”

A moment passed.  Linda hovered.  Hank stayed quiet in a way my mother used to call “down in the dumps.” Like nothing could rouse him.

Linda glanced my way.  “How’s your girl getting along these days?” she said, and Hank sat up like he’d heard a cue from a prompter.

“That daughter of yours was a humdinger,” he said.

The word sounded so suggestive I didn’t know how to answer. Finally, Linda chimed in, “Whatever do you mean by that, Henry Warren?”

Hank smiled at me. “What? She never acted up around you? Speaking her mind?”

Linda shook her head and disappeared into the kitchen; I said, “She’s feisty.”

“A humdinger. She had herself more spirit than brains when she first got behind the wheel.  A heavy foot. Like a boy almost, how she went at it.”

“She’s always been her own self.”

“That’s another way of putting it,” Hank said, and we both went silent for a few beats too long. The year before, Hank had asked three months running about my daughter right up until her divorce became final. “I kept hoping for some gumption from that man of hers,” he’d said when I gave him the news.

“She says it’s for the best,” I’d said, and Hank shook his head as if he was disappointed by the final episode of a thirteen-week mini-series.

Linda, when I’d told her about the settlement, said “She needs a shoulder,” and I imagined a much younger Linda baking and coddling for a few weeks while some boyfriend showed himself more and more to be a prick.

Hank turned animated, like his old self that would be ready to play a round of golf in forty-degree weather just because the calendar said Spring. “I bet you counseled some of my young drivers over the years,” he said.

“Not that many townies attend, so maybe not,” I said, but Hank didn’t slow down.

“Or maybe you’re doing right by them, keeping mum.”

“Maybe.”

“I’m here to tell you I remember them when I read about their crashes and their DUIs.  How they acted at the start.  How you could set your watch to inevitable. You do that with yours?”

“Mine scatter.”

“So you never know the sheep from the goats?”

“Not often.”

Hank lifted his glass left-handed, took a sip from his drink, and frowned. He put the glass down carefully, but it nearly tipped, some of the amber liquid splashing onto the table. “Fuck’s sake,” he muttered, glancing toward the kitchen, and he turned toward me. “Those kids all expect something they’ll never get, every last one of them, so you’ll never be surprised.”

Right then it was a relief to have Linda come back in with a plate of her Easter season anise cookies that meant she was joining us, that an hour had passed, maybe more, so she could spare a few minutes for small talk before I left. “Here’s your favorites,” she said, giving me one and placing one beside Hank’s barely touched Arnold Palmer. She sat in her chair that was always protected with a shawl she’d bought years ago from an Amish woman who sold along the highway south of town.

“You hear how she has the hospice in her voice now?” Hank said.

Linda looked stricken, but Hank kept on. “She likes me being laid up. Like it’s good for me to be dependent.”

My cookie, I noticed, had two lilies embossed on its surface.  There were crosses, doves and the face of Jesus on the others. I sat there deciding what I could say so that Linda wouldn’t speak.  As it turned out, a moment too long. “A little time off never hurt anybody,” she said, biting into a cookie.

Hank pushed his cookie away from his glass until it looked as if it was meant for somebody who was expected to join us.  “Hear that?” he said.  “That’s the speech you get after your nurse decides she knows your time’s up.”  He lifted his glass and moved it beside the uneaten cookie.  “Arnold Palmer should be ashamed of himself having his name on this kids’ stuff.”

“Now, now, Hank, you know why,” Linda said.

“See?” Hank said.  “See what I mean?”

On the phone the following morning, Linda volunteered, “He’s not as bad off as he thinks he is.” I could hear the television turned up loud coming from the living room where, by the sound of the dialogue, Hank was watching an old movie on the Turner network, sitting, I was sure, in his tan lazy-boy. “He can walk and talk and all that. Just slower with everything is all.  I keep telling him he’s seeing just a yellow light.  Caution. You need some of that when you’re seventy, stroke or no stroke, but he’s already slammed on his brakes.”

“A stale yellow,” I said, but I heard Hank hollering from the living room, and Linda managed just “Excuse me” before she hung up.

5

I sleep in on Wednesday, the bleak weather keeping the light from the bedroom.  When I rouse myself, I leave the newspaper lie outside in its rainy-day plastic wrap until I finish a cup of coffee.  Which is why I don’t get up from the dining room table while the phone rings at 8:45, figuring it’s one of the twelve who left messages the day before. But when the voice mail kicks in, it’s Kelyn leaving a message from two hundred miles away to tell me she’s coming to visit to make sure I’m ok.

“Why wouldn’t I be ok?” I try, picking up, and she’s off and running. “Word gets around fast, Dad,” she says.  “Yesterday I got seven text messages saying you walked in on a murder scene.”

“You don’t have to come,” I say. “I’m fine.”

“It’s no problem.”

“I don’t need anything,” I say. “Stay home.”

Though I’m sure it’s moot, I hang up and manage a six count before the phone sounds again. She drops right back into her second-hand news. “This morning I got five texts that said it was your friend Hank Warren who’s the murderer,” she says. “I thought you said he had a stroke and lost most of his right side,” letting me know what to expect in the plastic-protected newspaper before I retrieve it. “I’ll be there tomorrow night. I’ll leave the girls with my friend who loves to have them, no questions asked.”

“I have questions,” I say, but the line is already dead, nothing to do but pick up a little to keep her from starting a lecture. I empty two shopping bags of boxes Kelyn had brought as “a cheer-up present” the last time she’d visited. Altogether, there are two full outfits: a new shirt, a pair of pants, a sweater, even a warm-up suit and what any sensible person would know was nothing but an extra pair of tennis shoes. Before she’d left, she’d filled two plastic bags with old clothes of mine and said she’d help out by dropping them off at the Goodwill bin on her way out of town.

The story’s been moved to the Local section, a good thing, because the first half of the front section has been dampened by water leaking under the plastic wrap. No matter what people were thinking before, now they know this was not a home invasion. Hank is the “person of interest,” the sole suspect. There is a picture of Linda, a recent one, because she’s wearing the glasses with the new frames she bought in January.  Hank, it says, stands accused of bludgeoning his wife to death, beating her multiple times with a hammer found at the scene along with two empty vials of prescription drugs.

There’s no sign of a neighbor or old student talking nice in this article.  There’s no sign of me except my name repeated in a cut-and-paste paragraph, nobody, not yet, interviewing me so I could tell them there are situations where you find out how many ways the world sticks to you. Seeing’s just a part of it. Hank’s clothes covered in blood.  Linda’s body on the living room floor nearly hidden under a blanket. There’s silence, too, Hank so still slumped in his lazy-boy that I leaned down to feel for a heartbeat in his throat warm to the touch and faintly pulsing.  Smell?  Blood soaked into the carpet, the worst.

And the glass of white wine by the kitchen sink, nearly full, and me, without thinking, picking it up and sipping before I dumped it down the drain and ran water over it and set it back to dry, thinking, right then, that I’d walked in on something absolutely and purely inexplicable. Unless Hank Warren survives to tell his tale  Unless he beats the odds of tragedy.

6

Two Thursdays before the murder, as I told Hank about another seven-year-old case, he seemed to perk up. I took it as a signal to elaborate on a student who, despite having been hauled into the student life office for multiple offenses, proved to be friendly when he came in to talk. With his phone, he’d secretly taken pictures of his resident assistant and a few other students who lived in his hall and posted them on Facebook with the headings “asshole” and “douchebag” and “dickface.” When some other students “liked” and even shared those pictures, it became fan-club-like, something more than nuisance when it tuned out he’d also made crude drawings on notebook paper of those students, each identified by name in a caption below their bodies being stabbed and bleeding.

The boy, I said, had left the pictures sit in plain sight on his dorm room bed long enough to be discovered by the resident assistant, which is when Hank interrupted. “That sneaky one from last week is the danger,” Hank said. “The stabber artist is just showing off.  He’s a little wuss.”

When I smiled, Hank snorted. “You and your ambition. You should have stayed in the high school where people know what needs to be done. The college left the sneaky prick stick around, didn’t it? And dumped the kid who drew cartoons.”

“Uh-huh. Before you could say “fantasy,” it was a real mess. I did my best to mitigate the inevitable. I wrote a letter expressing my sense that this boy wasn’t a threat.”

“Not your call?”

“Rachel Faust’s, but student life had already decided.”

“A woman’s going to vote against blood every time.”

“What a counselor you’d make, using gender as the first criterion.”

“If I was prejudiced, I wouldn’t have passed any of the girls who never stopped talking while they were driving.”

“I know one of them,” I said, and for once, Hank laughed aloud and spouted the names of three students, all boys, he’d refused to have in his driver’s ed. car.  “One time only offenses,” he said.  “Talk about your dickheads, six years apart coming through, the three of them, but each was hopeless, so I said, ‘Ask your fathers to teach you this one thing.’  No doubt about it, those boys were always a danger to themselves, but in a car, they were a danger to others, so absolutely no more. Nobody complained or called the principal. Those fathers had to know exactly why I wouldn’t have their sons in the car ever again.”

Hank took a couple of quick breaths, panting like he’d just finished a dash down the block and back, before he settled in the lazy-boy and closed his eyes.  I waited a minute, feeling like I was being tested, but though it had been nearly an hour, Linda didn’t bring in the Arnold Palmers, so I made my way to the front door, turned to look back just to be sure, and found Linda coming into the foyer from the kitchen.  “Good for you, letting him feel smart,” she said.

“I didn’t want to get him worked up.”

“Thank you for that as well. I know he has his ways, everything either right or wrong.  A boy’s way of seeing never quite left him.”

“Nuance isn’t his friend,” I said.

“That’s why I’m so happy you’ve kept coming by every week since the incident. You’re a prescription, and he doesn’t even know it.  He gets a dose with his tea and lemonade.”

“Or without,” I said, and she looked back into the living room.

“I’ll make his tea straight again next week.  Maybe normal’s better even if it’s pretend.”

“Normal’s what you make of it.”

Linda stepped closer to me, nearly whispering. “You know what Hank has said at least once a week for thirty-five years every time he’s angry over nothing?  ‘Driver’s ed. is a fool’s job.’”

“Everybody has doubts about what they do,” I said, but she wasn’t finished.

“Not like Hank when he got going.  ‘Anybody can drive,’ he’d say. ‘Just look around. It’s easier to drive than to print your name.  It’s like the only math you need can be counted on your fingers.’ Everybody said Hank was a great teacher, but I’m the one who knew all that time that he hated that nobody thought he was smart.”

7

Today is the Thursday I was going to tell Hank Warren about the woman who was allergic to mauve. She claimed pale purple shortened her breath. It’s warm enough Linda would have talked him into sitting outside on the screened-in porch, the only change they’d made in that house since they’d moved in when I was still working with Hank at the high school.

I thought it would be good for him to mock me for even mentioning that one with a straight face. But what I really wanted was a prelude to telling him and Linda about my daughter’s allergy to gold, how the impossible can be fact.

The night Kelyn turned twenty-one, a friend at a bar bought her a special liqueur speckled with gold dust.  As soon as she swallowed, her throat shut tight. She gasped and wheezed; her friend begged the bar for a doctor; strangers stared and did nothing until the seizure somehow passed.

“Like children watching a magician,” I said when she told me, and she answered, “I could have died a metaphor, the woman with an allergy to gold” before we walked outside, the day clear, just before sunset, as if we needed to dare both the light and dark.

8

The last Thursday before the murder I told Hank that the dagger and blood boy became my Facebook friend. He doesn’t post often, I told Hank, but a couple of years ago he posted himself and a girlfriend in caps and gowns graduating from another college. And when Facebook dropped in one of those You’ve Been Friends for Seven Year photos as compulsory nostalgia, it was the picture of me he’d posted right after I agreed to be his friend. I’m slouched in the school snack bar, and inexplicably close to me is a stuffed panda that belonged to his then-current girlfriend.

“There’s a thing called play therapy,” I told him. “Way back when we were kids, Life magazine had an article about it, a psychiatrist using a boy who heaved clay against the life-sized scrawled drawing of his brother, the body chalked on the wall like the dead.  The patient declared he was happy now, and though not exactly in love with that hated brother, he’d stopped screaming, ‘I want to kill you!’”

“See?” Hank said. “The know-it-alls were wrong.”

“I message him from time to time like he’s an outpatient,” I said.

“All you have to do is wait for the other guy to snap,” Hank said.  “Then you can message your old friends from student life and give them a Facebook poke.”

Linda walked past the doorway with a book, but she didn’t say anything.  Without the Arnold Palmers or the straight ice tea or the cookies, it felt as if I’d just arrived.  Hank rapped on the arm of his chair like a teacher. “Listen,” he said, “can you remember the time when you wanted your mother to stop touching you.  You know.  Fixing your collar or smoothing your hair.”

“I guess there was a time,” I said.  “Maybe when I turned thirteen or something like that.”

“I was ten,” Hank said.  “It was my birthday, and she kept fussing with my hair, taking her own comb to it like I was a simpleton.  I had friends about to arrive, and she kept saying “birthday boy” like she’d never seen me before.  As soon as the doorbell rang, I ran my hands through my hair so it fell all over the place before I answered.”

9

When I open my door, Kelyn throws her arms around me, but I feel myself stay rigid for a second before I move one hand onto her back. “You poor thing,” she says, “having to see all that and him your friend and such a nice, gentle guy.” When she doesn’t let go, I step back, and she says, “Are you ok?”

“You know what drivers ed. story Hank Warren told me just two weeks ago?” I say.  “He wanted me to know that over the years he’d forced three boys out of the car and made them walk back to school.”

“Everybody knew that story when I had him,” Kelyn says, “but nobody knew what made him so angry.”

“Something about putting others in danger, but what I think he meant was they wouldn’t listen.”

“All that tough guy stuff about making kids walk. It was like a myth, Dad.  Like that woman in the Bible who turned to a pillar of salt for not obeying. He must have thought those stories made it easier to teach us.”

“He said you were a humdinger.  His word.  It means you never shut up and drove too fast, too soon.”

Kelyn smiled. “He really was sweet, Dad.  We had to change a tire for a test.  Everybody dreaded it.  There was a boy in my group, a head, you know, a druggie kid, and when it started to rain really hard while he was right in the middle, you know, the tire off, but the other one sitting there, Mr. Warren got out and finished up for him.”

“To be kind or because he had no patience?”

“I don’t know, Dad.  He’s your friend.”

“In that case, because he wanted you to see how competent he was.”

“You mean another myth?  Jesus, Dad, you talk as if you’ll testify against him.  Maybe they’ll find out she had cancer or something. He covered her, Dad, and then he tried to kill himself with all that medicine.”

“Who beats his wife with a hammer if it’s a mercy killing/suicide?”

“He killed her with one blow and the others were just making sure. Or he thought he could kill her with one blow, but the stroke made him swing left-handed, and he had to keep going once he started.  Don’t you hope for that?”

“There’s no reason to hope for the impossible.”

Kelyn starts to stack the old newspapers and gathers one empty frozen dinner dish that sits on the coffee table.  “Look at this place.  You go relax and let me clean up for a while before I take you out for a decent meal.” She runs water in the sink and squeezes detergent into it before dropping silverware and dishes into the soapy water.  “I’ll stay until Sunday, Dad. Help you catch up with things like laundry and shopping.”  I go and sit on the porch and wait for her to exhaust her charity.

When she comes out at last, the twilight starting to fade, she goes to her car and comes back, thankfully, with only her suitcase. “I’ll take it inside later,” she says, “and I’ll make a grocery run after dinner.”

For what? I want to say, but I begin to tell her what I know about Hank and Linda, how the police were waiting to get the full story because all this was such a surprise. “It sounds so open and shut,” I say.  “I keep thinking that all those clues won’t let me see any way but straight in Hank’s eyes. Hank’s my friend, and yet I missed something beforehand.”

“That’s called normal, Dad.”

“Normal’s not enough then. I never even saw your Donny for who he was.”

“Dad,” Kelyn says, “Hank’s not my story. Donny never touched me. He was just 24/7 needy. Mom called him the Wicked Witch of the West’s little brother, a man who’d melt if somebody turned up the thermostat.”

“And now here you are mothering like you have everything figured out.”

“It’s just housework, Dad.”

“Unless a visitor does it. Then it’s called patronizing.”

“You want me to shut up?” she says.  “How’s this?” and she zips her lips together with one finger to make it clear she’s done talking.

I give it a minute. Kelyn keeps her lips tight, but she doesn’t turn away. “Your mother had a way with words,” I say.  “She told me I’d been a counselor so long I’d forgotten who people really were.  She called it hand-holder’s paradox—the more you try to help somebody, the less you know about them.”

It sounds so weak, I look right at Kelyn and start again. “Your mother always hated Donny,” I say.  “From the very first.  Maybe that’s what made her so sure she knew everything about him, but I was always hoping you’d work it out.”

Kelyn sighs, but her shoulders don’t slump, and I feel a surge of panic. “For the girls,” I say and hear my voice crack.

Kelyn turns, her gaze going out across the yard.  There’s nothing I can think of to do but turn as well, looking toward where the darkness amplifies how the forsythia’s annual bright yellow is fading. In a few days, the bushes will be all green and nothing but a hedge-clipping job all the way to October. For a moment, I thought either I would ask her to leave or she would do it on her own accord.

“The thing is, Dad, I did work it out,” she says.

I feel her hand on my arm, and I steady my eyes on the forsythia, allowing my fear and anger to pass. I want her hand to rest there, but it lifts as quickly as comfort.

Gary Fincke

Gary Fincke’s latest collection is The Out-of-Sorts: New and Selected Stories (West Virginia, 2017). An earlier collection Sorry I Worried You won the Flannery O’Connor Prize and more recently, The Killer’s Dog won the Elixir Press Fiction Prize. Other collections are from Missouri and Coffee House.

Controlled Descent ~ Spencer Fleury

 

Time: 1917 hours

Altitude: 34,100 ft

Speed: 480 mph

Position: Somewhere over Nebraska

Cynthia would do bodily harm to a stranger for an ice-cold Coke just now—not that her joints would allow such a thing—but no matter how many times she pushes the call button, no stewardesses ever come. Wait, that ain’t right. Flight attendants. That’s what they are now. The world changes so dang fast these days, she thinks, then tries to remember the last time she flew on an airplane. Probably that time when she and Glenn went down to Florida, and he’s been gone since … well, all right, call it twenty-five years then.

She shifts her legs in the tiny space in front of her. “I know I haven’t flown in a long while,” she says to no one in particular, “but did airplanes always used to be so dang cramped?”

Nobody pays her the slightest attention. Somewhere over Iowa, the 777 shuttling them from Columbus to Sacramento turned into a party plane. Even though the seat belt lights have been on for the entire flight, people are getting out of their seats, talking to and laughing with complete strangers, their relief and elation bubbling up and out of them in an endless froth of chitchat.

 “What about you?” someone says to Cynthia. A man, standing in the aisle by her row, looks at her expectantly. He has a receding hairline and a potato-shaped face and wears the kind of grin that Cynthia has always associated with simple-mindedness. “Ever been to California before?”

California—they got a different name for that now too. Western Autonomous Region. The Fox News people like to call it by its initials: the WAR. That’s where she’s going. Off to the WAR.

“I never have,” she says. “Never had the urge to. Still don’t, not that anyone asked me.”

Melanie, in the seat in front of her, turns around. “That’s not true, Mother. We talked about this plenty of times.”

“It most certainly is true. Did you ask before you put our names into that website? Did you ask me if I wanted to uproot myself and drag my life clear across the country? Leave my home? You did not.”

Potato-face clears his throat. “I’m just going to …” he says, trailing off and pointing toward his seat up toward the front. “Yeah.”

“I know there’s nothing to be done about it now,” she continues, ignoring the simpleton’s departure. She closes her eyes, fans herself with her hand.

“Mother, are you all right?” Melanie asks.

“Just a little light-headed is all. Nothing a Coke wouldn’t fix right up, if I could even get one,” she says, and she presses the call button once again.

 

Time: 2043 hours

Altitude: 33,000 ft

Speed: 496mph

Position: Just east of Salt Lake City, Utah

Melanie swallows two more of those pills Doctor Weller prescribed for her a couple months back. In the seat next to her, Danny gives her the stink-eye. She doesn’t have any water to wash them down—what is going on with the flight attendants, anyway?—and she’s not supposed to be taking them anymore. But she has talked herself into the notion that these are special circumstances, that she needs something to keep this whole thing from unraveling on her, right here on the plane. Just like the whole country has been for the last couple years: pulling itself apart, cooking itself down to slag for no reason other than simple spite.

She closes her eyes and takes a deep breath. Right away she feels the tension melting away, and even though she can’t quite shut her mind of the unnerving libretto of the New America—frantic rallies of young berserkers in white polos, screaming bile and hate; or the “Whites Only” signs that seemed to sprout up everywhere at once; or those terrifying slack-jawed baby goons patrolling the streets in their trucks, caressing their guns and threatening you with their dead-eyed stares; or that bomb they found at the newspaper offices down in Dayton—even with all that, she is more relaxed than she’s been in weeks.

She listens to Cynthia behind her, complaining to her neighbor about how her own daughter tricked her into leaving the house her dear departed husband built for her, how this whole thing was just a silly overreaction, and boy wouldn’t they feel dumb in a few months when they all came crawling back home. Fruits and nuts, she’s saying now. That’s what they got in California. Or should I say, Mexi-fornia. Whole place is full of crazy people. Nuts. Liberal left-wing raving moonbats. Always has been. And when I say fruits, I’m talking about—

Melanie slips her earbuds in and turns on some music. There was a time once when she would have interrupted her mother, apologized for her, but those days are long gone. She’s already done more than her share to save Cynthia from herself. It’s true that she didn’t say anything when she registered the five of them for the relocation lottery on the first day it opened, but considering the long odds, she didn’t really see the point. Later, she heard on the news that in just the first two days, over three million people requested official permission to dislocate themselves and cart whatever they could carry with them to WAR, where the country would finally make its metaphorical left-right divide into something real: Liberals on one side of the line, conservatives on the other, once and for all.

The website crashed every few minutes from all the traffic. But she kept trying, and a month later, she got a letter from the Department of the Interior, the agency in charge of the Partition Program. Partition. Like what they did in India back in the 1940s, when the Muslims and the Hindus couldn’t get along, couldn’t live in the same country with each other, and the only solution was to separate the two, like cranky children on a long car trip, and invent Pakistan for all the Muslims to go live in. Melanie wasn’t sure how she knew about this; she might have seen a movie about it once. The whole idea seemed silly to her, that drawing a new line on a map and moving some people around could really solve anything.

But you never know. Maybe it’ll work better this time. This is America, after all.

She gulped down a lungful of air. Ripped open the envelope. Read the words Your family has been selected. There it was. They were going to the west coast. I did it, she thought. I saved the family.

That’s what her mother doesn’t understand. What she’ll never understand. She did this for her. For her and Danny and Cody and Laura.

The sounds of laughter and revelry seep around Melanie’s earbuds and into her consciousness, pulling her back from the brink of sleep. People are dancing in the aisles now, yell-singing songs about California into each other’s faces. It’s a certified party.

She smiles. It’s almost right in front of us now, she thinks, and for just an instant she pictures them all living in a tidy and stylish ranch house on a cul-de-sac, grapefruit trees in the front yard and a mountain range in the back, the entire landscape awash in sunshine like an overexposed photograph before she realizes that the house in her vision is the one from The Brady Bunch. She rests her hand on Danny’s bicep and her head on his shoulder.

“You okay, babe?” he asks.

“I think it’s the pills,” she says. “They’ve never hit me this hard before.”

 

Time: 2201 hours

Altitude: 26,650 ft

Speed: 471mph

Position: North of Sacramento, California, WAR

The seatback monitor in front of Cynthia is showing her footage from the latest uprising in the northeast, a riot in Worcester, Massachusetts: Eighteen dead, three of them police officers. She watches a phalanx of cops in riot gear huddling behind their man-sized Plexiglass shields and shooting gas canisters into the throng of rioters. Thick yellow clouds sweep across the crowd, which shows no inclination to disperse. Cars smolder and smoke in the background.

Annoyed, she switches it off; the monitor defaults to the interactive flight map. They shouldn’t show that sort of thing on an airplane, she thinks. Likely to get people all riled up. But the cabin is calm and quiet now: she can make out a soft-voiced conversation here and there, but it seems like most people are napping now. She’s not surprised. Things were getting pretty raucous there for a while. But eventually folks just partied themselves out.

She contemplates the interactive map in front of her. A little animated airplane slowly ticks off the last few millimeters of a thin red arc stretching from Columbus to Sacramento. Finally. Just about there now. It’s been a long flight, and her knees are starting to ache. Outside and below, a filigree of tiny lights crisscrosses the terrain and rolls off into the distance. Cynthia presses her forehead to the window. She has never seen a city like this before, the lights from so high up. To her mind, cities at night have always been something to avoid, places of danger and vitiation. But from up here, it’s peaceful, mesmerizing.

What would Glenn think of this, she wonders, but only for a moment. She knows exactly what he would think: that this entire chicken-shit scheme was half-baked from the start. He was not a man to tolerate foolishness or quitting, and he no doubt would have considered the entire idea of a Western Autonomous Region to be both of those things. A safe space for precious little snowflakes too weak to fight for what they claimed to value. No place for his family, that’s for damn sure.

No, that place was—is—the house he built for her, almost fifty years ago. It took him the better part of a year. He built it as a surprise, a gift for her, and even all these years later she still remembers the day he first brought her there so vividly: It was a raw, gray morning, and she wore a cream-colored crocheted scarf with matching hat and gloves. She remembers the wet leaves stuck in the windshield wipers of Glenn’s turquoise Ford Fairlane, the faint smell of the stale cigarette butts in the ashtray, the Conway Twitty song playing softly on the radio. She remembers the unpaved driveway, how the mud tried to hold her shoes as she stepped out of the car. She remembers how it felt when she realized what was happening, how her breath caught and she couldn’t quite get any coherent words out for a minute; it was like every Christmas and every birthday surprise she’d ever had, all rolled into one.

They had thirty-two happy years in that house. When he died, he died suddenly, and Cynthia didn’t speak a word to anyone for nearly three full weeks. Melanie thought she might have had a small stroke or something; she had never known her mother to stay quiet for very long. Cynthia spent those three weeks sitting in Glenn’s favorite recliner, watching one of the cable news channels. They were supposed to be living in the future now, but the new century had barely even started and the world was on fire already. She usually watched with the sound off; she could usually get the gist of things just from the pictures and captions. And that gist was, things were different now. Things were different and they’d never go back to how they used to be, not ever again.

I never wanted to leave it, she thinks. But I couldn’t let them go without me. You understand that, don’t you?

She looks at the map again, drags her finger along the arc eastward, back to Ohio. Wishes it was just as simple as that.

Just as her finger reaches Columbus, the screen goes black.

She cranes her neck and looks across her row, at the seat backs on the rows in front of her. All the map screens are black now. Must be about to land, she thinks.

But the plane holds its course and altitude. Below them, the lights of Sacramento gradually thin out, eventually ceding the entire territory to the spreading darkness.

“What’s happening?” she asks, of nobody in particular. “Why aren’t we landing? Where are you taking us?” But there is no one to answer her.

Something is wrong. She knows it. But she can’t quite see it; she can barely hold her thoughts in her mind for more than a few seconds before they slip away. If only I wasn’t so goddamn light-headed, she thinks just before she passes out. If only I could have got that Coke.

 

Time: 2244 hours

Altitude: 13,200 ft and dropping

Speed: 525mph

Position: Over the Pacific Ocean

The innately terrifying sensation of freefall snaps Melanie awake. She blinks a few times, trying to flush the fog from her mind. Her family sleeps in the seats around her: Danny, snoring as usual; Cynthia in the row behind them, her head lolling with every nudge of turbulence; Cody and Laura curled together in the row in front of her.

Outside, she sees the glint of the full moon reflected from below. It is a bright night, and she can see the surface gently ripple and swell. It takes her a moment to realize that they are over water, and that they are descending rapidly.

The cabin is silent. She is the only one awake.

What the hell is going on?

But she knows. Even before she finishes the thought, she knows the answer. It’s why there weren’t any flight attendants.

She wonders what happens to an aircraft cabin that’s been pumped full of almost-pure oxygen for five hours when it hits the surface at several hundred miles per hour.

She wonders why she didn’t just let Cynthia stay in Ohio like she’d wanted. She had been ready to do it at one point, when Cynthia was at her most recalcitrant. I can’t force her to go against her will, Melanie remembers telling Danny. But she couldn’t let Cynthia be the anchor that bound them all to a sinking ship. She would cut her mother loose if she insisted on sabotaging the rest of them, and then bear that cross for the rest of her life.

And then the next day, Cynthia relieved her of that obligation. Melanie was grateful for that, as well as a little surprised that it wasn’t shame she felt for having so seriously considered such a strict and pragmatic act of self-preservation, but rather pride.

Now look at us. I’ve doomed us all.

She wonders if she should wake her family up to say goodbye. This is her last chance to tell them all how much she loves them.

On the other hand, letting them skip the terrible knowledge of their own impending deaths seems like the best way to show them that love.

Not knowing what else to do, she tucks herself into the crash position and waits.

This isn’t a very dignified way to go, she thinks, but at least no one’s here to see it.

 

Time: 2245 hours

Altitude: 0 ft

Speed: 540mph

Position: In the Pacific Ocean

As the plane slams into the water and rips itself apart in the horrible anarchy of force and flame, Cynthia dreams, as she often does, of the house Glenn built for her almost fifty years ago. In the dream, Glenn is still alive. They are in bed asleep when a loud bang rattles and shakes the house to its foundation. Oh my God, I think a truck hit the house, she tells Glenn. He kisses her on the forehead and gets out of bed.

I’ll take care of it, he says, and he opens the bedroom door and lets the water come rushing in.

It’s so cold, she tells him. Why’s it so cold?

Don’t you worry about any of that, he says. Just go back to sleep.

I don’t like it, she says. Make it stop.

It’ll stop in a minute, he says as he climbs back into the bed with her. But you just got to trust me.

All right, she says. I trust you, and she feels the warmth of his body and the surety of his arms around her as the water takes them both.