White Gloves ~ Laurie Levy

           

Two women are sitting on the couch, another is perched on a chair adjacent to the couch, and Rock Hudson, grinning, is draped along the back of the couch, braced on his splendid right elbow. The women are all looking straight ahead, smiling into the camera.

The older woman on the couch, Mrs. Edwards, is silver haired, utterly composed and pleased.  She has the kind of face about which people declare, “She must have been lovely when she was young.” She was. She knows it and thinks she still is. She is. Over her chignon lies a little blue straw hat. She has met many celebrities and enjoys them.

The other woman on the couch, Mrs. Glass, a brunette wearing a beige wool hat that looks like a button mushroom, is two decades younger. She is attractive, a bit stolid. She appears to be bustling, even seated.  She has children at home who are proud of a mother who works. She too is pleased to be on the couch, not attracted to Hudson and probably pondering what she is going to make for dinner when she gets home.

The third female, in the chair, is 23, not long out of college. Her look is a cross between  deer-in-the-headlights and look-ma-I’m-dancing.  She can’t believe she is having her picture taken with Rock Hudson lying across the back of the couch.  She is wearing magenta lipstick, a trademark of women her age in the fifties.  She looks as if she might need a lip wax. She is not quite old enough to be  considered beautiful, which will begin when she is about 25 and  will continue until she’s about 28.

All three women are wearing suits, unobtrusive ’50’s jewelry, and pumps.

The occasion is a cocktail party Universal is throwing in New York for their new film, The Magnificent Obsession, which stars Hudson and Jane Wyman.  Universal believes it’s going to be a block buster and this party in the New York office is for the press.  Wyman isn’t present, but Hudson has flown across the country, living and breathing handsomeness. He knows that the women on the couch – the Movie Editor of Parents’ Magazine and the Editor of Parents‘ teen subsidiary Calling All Girls — are awarding Movie of the Month prizes to the new film, and he and Universal are appreciative.

 ***

Possibly my glassy-eyed state in the photo was due to the fact that I was seeing up to three movies per day, which made me very happy.

I  had not been educated at Mount Holyoke to watch movies. It was just another lucky break.   My first was to win the Mademoiselle Magazine college contest in 1953.  Among my co-winners were Sylvia Plath and my friend Dinny Lane, now known as Diane Johnson. The 19 co-winners and I  were flown to New York to put out the college issue of the magazine during the month of June. Then, thanks to a graduation present from my parents,  I went off in July on a National Students Association tour to Europe  — college students aboard a rusty World War II battleship. The voyage en route was enlivened by a chance to work on the ship’s student newspaper. One issue was headlined, “Ship Continues To Sail”. I considered this brilliant, and wished I had thought of it.

After all that fun, I went home to Iowa and sat on my bed with the eyelet coverlet and had asthma until I convinced my father (still known, long years after his death, as the nicest man in Mason City) that my destiny demanded that I explore newspaper work in New York.

“What about the Mason City Globe Gazette?” my father wanted to know. Or, if that was too docile, how about the Des Moines Register or, if I must go so far away, the Chicago Tribune?

No.  It was de rigueur for midwestern girls like me to go to New York (there was a resurgence about that time in the popularity of books by St. Paul’s F. Scott Fitzgerald).  Nothing would do but Manhattan.  My father said, OK, he would give me enough money to support me for three weeks.  If I hadn’t found a job in three weeks, it was back to Iowa.

So there I was in the third week, desperate, with three roommates waiting on east 83rd street for the next month’s rent.  And I answered my twentieth ad and finally got a job, hired by a lovely man named Oscar Dystel at  Parents’ Institute. This was the umbrella company then for four children’s magazines (Humpty Dumpty and Children’s Digest  were two of them), the teen bible Calling All Girls, the dowager Parents’ Magazine, and one or two more publications.

I was a coffee girl, file clerk and general girl friday for the editors of the children’s magazines, helmed by a fun-loving group of burly men, which at the time I wasn’t savvy enough to find  incongruous. I adored the men and they seemed to adore me; we found everything similarly amusing.  I sat around re-reading Fitzgerald and writing short stories (I was taking a post-graduate creative writing class at Columbia at night) and I never had such a good time in my life, although I suffered from the fact that I made terrible coffee. The one unmarried editor, Duncan, took me on coffee dates to places in the neighborhood to try to instill the techniques of correct coffee creation, but I never improved.

I loved the whole Institute. I loved the location at 52 Vanderbilt Avenue, so close to Grand Central Station, less than a block on Madison to the Hotel Biltmore on East 44th , where I would meet my dates under the clock.  I loved the whole building, the heft of it, the history and importance of it.  I loved the people, and I loved the fact that of all of New York this was where I had been hired.

One day, I heard that the movie editor of Parents’ Magazine was looking for a new assistant.  The qualifications were that she be a good writer and adore movies.  I had been the feature editor of  both my high school and college newspapers and had grown up in the darkened environs of Mason City’s Cecil, Palace and Strand Theaters. All of my baby sitters read Photoplay and Modern Screen, so naturally I spent early grammar school devouring every movie magazine I could find,  and I had, of course, aimed to become a star myself from a very young age, so I thought I qualified.

On my lunch hour, I traveled to a higher floor and met the editor of the Parents’ Magazine Family Movie Guide, Catherine C. Edwards.  When I entered her office, I was nearly paralyzed with panic, but the desperation, perhaps, gave me a certain star quality.  I wasn’t usual.

Still, I don’t know if I would have been approved so quickly  if she hadn’t told me she had come to New York from Des Moines.  I said, “I’m from Mason City.”

I was of course hired.

She was in her late fifties, although she looked younger on good days.  One of my duties was to book her very regular appointments at Georgette Klinger on Fifth Avenue and her skin reflected this care. She was a client of the skincare queen herself, and that crystalline complexion was the result. In contrast to most women in New York, she did nothing to color the gray hair which she wore in a bun or chignon; she used makeup well, and she usually looked like someone’s stunning older aunt, but she was a bit too austere to be an Auntie Mame.

She generally wore a tailored hat and white gloves.  She wore them at screenings, and in the office.  She kept extra pairs of white gloves in a desk drawer and changed them when they went gray.  Her hats were small, straws in summer and wool felts in winter, and tilted toward the back of her head, and she usually forgot she was wearing one.

She saw all the A (and some B) pictures, and I saw all the C-Z pics.  That was why I was shuttled off to see things like Creature From The Black Lagoon in 3-D.   When she was in doubt about which A picture would be awarded our monthly Family Medal or Special Merit Award  I would be included in a screening and asked for my opinion.  She grew to trust my views.

Our job was to rate movies for Adults, Children and Young People (this meant teens and pre-teens); she took care of the adult end.  Besides bringing me in on really good films, she wanted to further my film knowledge.  She sent me off to museums, to old movie palaces like the then-Thalia that ran ancient movies (a festival of Chaplin or Buster Keaton films), she gave me magazines like Cahiers du Cinema and film books from her private collection.  She taught me about directors like Truffaut and Malle and other auteurs and the Italian realism of Rosellini; we adored “Paisan.” She deeply regretted that she had never met Orson Welles, with whom she once shockingly admitted she would’ve run away to sea. She wasn’t kidding; she didn’t kid.   There was very little she didn’t know about movies, and she was bound to mold me in her image.  The mutual love of movies firmly united us. We were consumed with our responsibility.

I wrote capsule reviews of my movies, usually a long paragraph; she typed her own. It was my job to read the galleys monthly which took long hours, as we covered every film every month.  The tedium of proofreading pages of short reviews was not tedious to me and I doubt it was to her.  In those days, there was no national rating system, PG -13, R and so forth, and thus parents throughout the country read our Movie Guide to check if such and such was appropriate viewing for little Sally and  brother Billy.  Parents’ was a very popular magazine, the Movie Guide a large part of that popularity. Truly, Mrs. Edwards felt that she had a mission, and so I felt that, too.

She coddled me. She found me a kind dentist when it was necessary to remove my wisdom teeth.  I never heard her use the word feminist, though she was aware that she was one of very few women in the magazine critics’ group who moved from screening room to screening room, most of them on Broadway or seventh avenue, throughout the day, and she surely was the only one who covered all the movies; most of the critics picked just a few of the plums monthly. There was the man from Time, and the man from Life. There was even a male reviewer for Seventeen.  Two of these men asked me out but I usually was desperately in love with men closer to my own barely post-pubescent age, and Mrs. Edwards allowed me occasionally to bring one of the latter along as a date for the better evening screenings; she called it getting a male viewpoint, but I never thought she paid that much attention.

None of the other male critics ever had an assistant like me who saw and wrote about so many movies, but I didn’t know any better how to make a point of this, and I never would have dreamed of leaving Mrs. Edwards like the girl before me had – she had unbelievably gone off to the west coast to take some kind of studio job and “further her career,” as she had informed me.  She and Mrs. E. had been friends, but never as close as Mrs. E. and I were.

Mrs. E. had been married once, but he had died long ago.  She’d never had children.  Her family was sparse, and most of it far away.  She lived alone. I was too oblivious to see that she was lonely.

She almost never took a sick day.   But, one afternoon while I was reading galleys, she told me to come with her, as she felt so ill — she had a terrible migraine — she must go home, she was almost blinded, and she couldn’t manage by herself.  Following her directions, I got us on the right subway, and when we came to the right stop – I think she lived in Jackson Heights – I found us a taxi to her apartment building.  She had a beautiful homey apartment, very large, many shelves of books, lovely ancient furniture and art,  and while she took off her hat and gloves and swallowed some Empirin compound #3, I made tea.

She lay on a couch in her living room and finally she slept.   I stayed there for four hours, made  a sandwich for her dinner, put some applesauce in a lovely little dish printed with roses and sprinkled some cinnamon over it. I wandered the apartment, intuiting something Miss-Haversham-ish, examining the books and family photos. One displayed  a girl in pigtails on a tricycle in Des Moines; she looked like a blond version of me at that age; another, in a silver frame, showed her with an older navy officer I took to be her husband, who gazed at her the way I think she wished Orson Welles would have looked at her. I examined the frame; it was sterling and highly polished.

She had a large collection of exquisite perfume bottles on her dressing table.  I’d never noticed that she wore perfume. She was so tailored I never thought she was very feminine but, in her apartment, she was.  I dabbed on a tiny bit of “Joy.” After a while I returned to her impeccable kitchen, perched on a stool and read a Norman Mailer paperback I had in my tote bag – green and printed with Mount Holyoke griffins — until she awoke.  Her headache was a bit better.  She took another Empirin with codeine. It had been one of her worst migraines, and she didn’t usually give in to them, but she was grateful for my coming with her.

I said it was nothing.  I wish now I had stayed longer, cared more for her.  I forgot to tell her about the sandwich and applesauce in the refrigerator.  I was young and thoughtless.

It was late, but I had a date – I always had a date – and I called him and told him I’d meet him.  She asked me to call her from the jazz club, so that she could be sure I had made it on the subway into Manhattan.  I know she wanted me to stay; she said faintly that it was good to have company after such a migraine, but I also think it was because she was afraid for me out alone at night.

But I was all right.  I was always all right.  Just as I was always in love.

I loved my job.  I was now writing an additional review of a leading movie of the month for  Calling All Girls.  So in addition to the mothering from Mrs. E.,  I was now doubly protected:  from the beginning, the editor, Mrs. Glass, impressed me as one of those terribly competent women  who wants to be sure everyone, both at home and at work, is all right.

I slipped through Manhattan enveloped by a protective glaze, like a specimen under one of Sylvia Plath’s bell jars.

Among Mrs. Edwards’ regular publicity perks was meeting the occasional movie star. So this is what led to the evening of  the cocktail party for Rock Hudson, and since The Magnificent Obsession was not only going to be a Parents’ medal winner, but  also the movie of the month for Calling All Girls, we all were invited.

The hotel suite was lavish, the drinks (I always ordered a weak gin and tonic) were cold, there were cigarettes in crystal holders.  Mrs. Edwards and Mrs. Glass did not smoke. Rock and I did.   He talked to all three of us lengthily before the photo was taken, at which time he stretched out along the back of the couch. Mrs. Glass said later that she was surprised he hadn’t taken a tumble for me (people talked like that then) and Mrs. Edwards said she had heard “he doesn’t do that.”  I couldn’t imagine what she meant.

 

The Academy Awards in 1954 were split between an event in an auditorium in Hollywood and one in New York.  Among the New York contingent up for awards was a group behind Judy Garland’s A Star Is Born.  Garland herself was in the hospital, having just given birth to her son, but the NYC crowd in the auditorium that night was rooting loudly for Garland. I was Mrs. Edwards’ guest, and I sat there reveling in the fact that I was here, and groaning with disappointment when Garland lost to Grace Kelly for The Country Girl.  Mrs. Edwards took me to a reception that night where I met a man who became  my number one boyfriend. He had gone to Princeton. Strangely, a day later, I  met another man who had gone to Princeton. I loved these Princeton men probably because they seemed to embody F. Scott Fitzgerald. The second one, who had an apartment in Brooklyn,  became my favorite.  Oddly, for a partially unsophisticated girl from Iowa and Mount Holyoke, I seemed to have few, if any, compunctions about flings and affairs.  I thought for a long time my promiscuity was rather out of touch with the mid-’50’s (though I learned later that it wasn’t).   I never dreamed that anything untoward would ever happen to me, and it didn’t.

But it did happen to a dear friend, who told me one day that she was pregnant and that she was going to Puerto Rico for an abortion.  He wouldn’t marry her.  Like another friend to whom this had happened in college, she was unafraid and she didn’t want a baby then.  It was an expensive trip, a difficult abortion performed by a rotten doctor, and the whole experience was ghastly. Just as it had happened to my college friend.  Years later, they each married and had children, thank God, but at the time everyone was beyond upset.  When Roe vs. Wade happened,  these were the people I called long distance, joyous for them and me and all women. No more horrific trips to Puerto Rican doctors.

It seems very strange that people thought no one took chances in the ’50’s. I think they took more chances than anyone has taken before or since, but I was just lucky.

Then it was over.  In 1956, Mrs. Edwards was talking about me taking over her editorship.  She would retire in a few years, she said, and I would step in.  But I had become engaged to a man who had come out of the army and into my life and he was bound for law school and he was from Chicago.

“Don’t go,” Mrs. Edwards pleaded. ”Can’t he go to law school in New York?”

He thought not.   And so, like most of the ’50’s women, I was off to  where he was.

I packed, there were parties, I said my goodbyes (including bedroom finales with the Princeton boys) and I saw my last screening and wrote my last review.

Mrs. Edwards hugged me so tightly I could smell the Joy. She had tears in her eyes.  “I don’t know what I’ll do,” she said in full hearing of the girl whom I had trained for my job, poor thing.

All the way to the airport, I cried.  My white gloves were drenched.

“What’s wrong?” the cabbie said, concerned.

“I’m leaving New York to go to Chicago to be married,” I sobbed.

The cabbie nodded.  “I don’t blame you.”

We flew over Manhattan on our way west and it looked exactly like the opening shots in a technicolor musical comedy usually distributed by MGM or 20th Century Fox.  The curtains parted to reveal the orchestra playing the excitable composition that introduced  How To Marry A Millionaire.

Of course, later, I found it wasn’t like that at all.

 

 

Joan Wilking

Joan Wilking’s short fiction has been published in The Atlantic, The Bellevue Literary Review, The Barcelona Review, Other Voices, The Mississippi Review, Ascent, The MacGuffin, Hobart, The Huffington Post, The Santa Fe Writer’s Project Journal and many other literary magazines and anthologies online and in print. Her story, Deer Season, was a finalist for the 2010 Nelson Algren Short Story Competition of the Chicago Tribune. Her essay, Too Soon, is upcoming in the May 2014 issue of Brevity. She lives in Ipswich, Massachusetts, overlooking Ipswich Bay.

What Blixie Bimber Taught the Potato Face Blind Man ~ Joan Wilking

 

 

I’m standing in my new neighbor’s kitchen watching my two-year-old, Benji, size-up her two-year-old Avram. She’s cradling her baby, a peach pink little girl named Elizabeth, and complaining about the landscapers.

“That putz of a developer swore the sod would be in by the time we passed papers and what have we got? A half acre of bare dirt. Four hundred and fifty thousand dollars and we don’t have a yard the children can play in.” She looks out the window above the sink. “The weatherman is predicting rain. It’ll be one big mud hole out there.”

She shifts the weight of the sleeping baby. Avram eyes the book Benji is holding – a welcome to the neighborhood present I brought for him. The Linskys are southern California transplants. The book is about snow. Avram reaches for it and for a minute I think my Benji will put up a fight, but he gives the book up graciously. Avram grips it with both hands and plops down on the floor. Benji plops down next to him.

“Thanks Marilyn,” Tamara Linsky says, “Avi loves books.”

Avram runs his plump hand over the cover illustration, a whimsical watercolor of a snowman.

“You sit. I’ll read,” Avram says in a voice that sounds more ten-year-old than two-year-old.

Benji patiently watches Avram open the book to the title page. He scans the picture and the few words and turns the page, then the next, and the next, and the next, with increasing speed, until he’s paged through the entire book. It’s picture book, appropriate for toddlers. He glares at the pages before he slams the book closed. At the bang of the covers, my Benji jumps.

Avram looks up at his mother and scowls.

“This is not a good book. There’s nothing interesting in it to read.”

There is something so mini-man in the way he says it that it strikes me funny and I let out a little laugh. The kid glowers at me. Benji struggles to stand. He toddles over and wraps himself around my left leg.

“Don’t be rude Avi,” Tamara says. “Say thank you to Benji.”

“What for?” Avram says. “There aren’t enough words in this book.”

He holds the book out to Benji, but Benji won’t let go of my leg so Avram drops the book on the tile floor.

The only hint that the Linsky’s brand new kitchen is inhabited is on the refrigerator. Colorful alphabet magnets, identical to the set on our refrigerator, cover the bottom half of the stainless steel door. At the center, in a clear space, the letters have been positioned to spell out, Avram’s House. Avram stands up and walks over to the fridge. Tamara smiles at me weakly. She juggles her sleeping baby from the crook of one arm to the other. The baby smacks her lips. Benji squeezes my calf tighter. I try to shake my leg a little, hoping he’ll loosen his grip, but he doesn’t budge. Avram scrambles the letters on the stainless steel door with both hands, clears a fresh space and starts to reposition them.

“He’s been a little cranky the last couple of days,” Tamara Linsky says. “I think it’s the stress of the move.”

“Of course,” I say. “Children act out when their routine is upended. The change of scenery alone must be disconcerting for him.”

Avram methodically selects letters and places them in the clear spot. Then he steps back and says, “There.”

Where it once said, Avram’s House, it now says, Avram wants you to go home.

***

That night, I tell my husband about the Linsky’s brilliant boy.

“It figures,” he says. “The husband is some kind of a hot-shot mathematician. He teaches at MIT.”

He takes Benji into the powder room off the kitchen to wash his hands before dinner. I listen to them playing with the water and wonder how big of a mess he’s letting him make. I call into him.

“The kid’s the same age as Benji and he can already read. It was spooky. He was spelling out full sentences on their fridge.”

Throughout dinner I watch Benji sit happily in his high chair, enjoying his food. He’s a good eater my Benji; scarfs down his salad with the same gusto he chomps on his piece of pizza. And he’s a gentle soul. Not nearly as aggressive as Avram Linsky. According to all my baby books Benji is right on schedule developmentally. I’ve checked Spock and Bettleheim. Nowhere does it say he should be able spell out words and phrases on the refrigerator. I try to remember when I learned to read. I think I was around six, already in school, when letters ceased to be shapes on a page and coalesced into people, places, actions and ideas. I don’t remember struggling to learn, it was more of an organic thing. My sister, the family brainiac, was reading at four and everyone thought that was amazing.

***

The next morning Tamara Linsky is at my door early. Her baby is strapped to her chest and Avram is waiting, leaning forward on his big wheel on the flagstone walkway behind her. He’s a sturdy looking kid, big for his age, with what my mother used to call high color and thick dark hair. Tamara is in jeans and running shoes. She looks younger today than yesterday.

“We’re headed out for a walk,” she says. “I thought you might like to join us, to show me the lay of the land around here, so to speak.”

“I’ve got a carpet cleaning company coming at eleven,” I say.

“Great. It’s only 9. You’ve got plenty of time.”

Benji attaches to my leg again and stares up at me, frowning.

“What do you say buddy? Want to go big-wheeling with your new friend?”

“Nup,” Benji says.

I give his shoulder a nudge.

“That’s not nice. Sure you do.”

Tamara, the baby and Avram wait outside while I unearth a wheeled ride, a horse that’s wedged under a mound of unused skis and sleds in the garage. It has no pedals. The kid sits on it and wheels it with foot power. I can’t imagine my son been able to coordinate pedaling or even being able to reach the pedals of a big wheel at his age. Ordinarily I’d put him in the stroller. I doubt he has the patience or stamina yet to make it through a long walk without eventually wanting to be carried. The prospect of carrying him and the horse doesn’t appeal to me, but Tamara Linsky looks confident enough to venture out with her two so I’m game.

Benji straddles the bright yellow plastic horse. He’s grown since the last time we took it out. It looks too small for him now. Avram takes off and zooms ahead of us. Tamara runs after him, shouting at him to stop, to wait for us to catch up. Benji stays close to me. It’s the end of August. Already the air has the cool snap and smell of fall.

Tamara inhales deeply and says, “This is what I’ve been looking forward to, the change of seasons and having some room to breathe. Where we lived in California the houses were very nice but they were all built right up next to each other. The outside wall of our neighbor’s was built on the lot line of our yard.”

“The Zoning Board would never let you do that here,” I say.

Avram has charged ahead again. Benji has given up riding his horse and handed it to me. Thankfully it’s light. He runs ahead a little but doesn’t seem keen on getting too close to Avram.

It’s quiet this morning. There’s no traffic. Our street ends in a cul-de-sac but you never know who might be pulling out of a driveway without looking. The houses are what I call phony colonial, slightly different styles depending on what custom features the owners can afford. Ours is pretty basic. Some of the houses on the larger lots have massive columns on either side of their front doors and fan windows over them. Our street is Hollyhock Lane. When I think of a lane I think of a country road not a suburban subdivision, and although I’ve tried to grow them, hollyhocks won’t take in my yard. They get leggy and fall over. Each of the streets in our development, Perennial Park, is called a Lane or a Terrace or a Place and is named for a flower: Delphinium Lane, Daisy Terrace, Poppy Place. Pretty silly when you’re trying to give directions.

The boys stop in the middle of the sidewalk. Avram’s voice rises above Benji’s sniffling. I run ahead, not surprised that Benji has burned out on walking.

“Too tired,” he says. He’s sweaty and his face is bright pink. Avram rides, circling around him, taunting, “Baby. Baby. Baby.”

Tamara Linsky says, “Avi, cut that out. Be nice.”

Elizabeth is awake and starting to fuss. I kneel down next to Benji to comfort him. He throws his arms around my neck. It’s a struggle to stand up holding him and the plastic horse.

Avi pedals past me, head down, knees and elbows flying, chanting, “Baby. Big baby.”

Tamara Linsky stands next to me stroking the top of the baby’s head.

***

Tamara’s kitchen looks a little homier this morning. There are sleek stainless steel canisters on the counter, a bright blue enamel teapot on the stove and dirty breakfast dishes in the sink. Yesterday’s refrigerator message has been replaced. It now says, Avram doesn’t like it here.

It’s ten fifteen. The carpet cleaners are due in forty-five minutes. I was reluctant to accept Tamara’s invitation to come in and Benji keeps saying, “I want to go home Mama.” But Tamara was insistent.

“Coffee?” she says. “Or should I put water on for tea.”

“Coffee’s fine,” I say.

There’s a pot already brewed. Avram stands next to his mother, bouncing up and down on the balls of his feet, nagging.

“Snacks. I want a snack,” he says.

Once again Benji has been hiding behind me. When he hears “snacks” he ventures out. My boy has a good appetite.

“How about some popcorn?” Tamara says.

Avram runs over to a cabinet, opens the door and pulls out an unopened box of microwavable popcorn. He tears the top off and pulls out one of the packets while Tamara moves a chair in front of the microwave. Avram motions to Benji to follow him as he scrambles up onto the chair, opens the door of the microwave, puts the popcorn in, closes the door, pushes 3, 3, 0 on the number pad and the start button. Benji looks bewildered. I pick him up. Position him next to Avram on the chair and stand behind them so they won’t fall. Tamara sits at the kitchen table nursing the baby. She’s set the table with two mugs of coffee, silver spoons, paper napkins, a pretty blue flowered creamer and a matching sugar bowl.

The corn begins to pop and the boys gleefully mimic the noise. When the timer reaches thirty seconds Avram begins to count down. Benji tries to count along with him.

“…10, 9, 8, 7, 6, 5, 4, 3, 2, 1,” and Avi shouts, “Done.”

With the baby still at her breast, Tamara gets up, pulls a plastic bowl out of the cupboard and hands it to Avram who drops to the floor with it and the bag of the popped corn. Benji squats next to him and watches as Avram tears the top off the bag to let the steam escape.

“Careful,” he says to Benji. “Very hot.”

They wait until Tamara says, “Okay boys. Dig in.”

Avram shakes the popcorn into the bowl. Benji is shy in the neighbor’s unfamiliar kitchen. Avram eats the popcorn by the fistful. Tamara and I sip our coffee. The baby is asleep again. She has a thatch of dark hair and a round face that reminds me of the porcelain Geisha doll my mother kept on a high shelf when was I a little girl. Once I pulled it down and the little black wig fell off. I caught hell for that.

The boys eat quietly. I can’t quite get my head around the fact that I just watched a two year old use a microwave to pop corn or that his mother is sitting across from me acting as though there’s nothing unusual about that. Tamara and I sip our coffee in silence until Avram gets up and brings her a single unpopped kernel. He turns it around and around between his thumb and index finger before he hands it to her.

“How does this work?” he says.

I think about the story I might tell if Benji had asked me the question – something magical about fairies trapped inside, yearning to escape to fly free in the world.

“Inside each unpopped kernel,” Tamara says. “There’s a little bit of moisture. When the kernels are exposed to heat, the moisture, which starts out as water, converts to steam. Steam takes up much more space then water. As it expands it cracks the shell of the kernel, cooks the insides so they fluff up, and the result is popcorn.”

Avram picks the piece of popcorn off of her palm and scrutinizes it.

“Boom,” he says. “An explosion.”

Benji sits on the floor. He hasn’t listened to a word. While Avram was learning how to blow up the world, he took the opportunity in his absence to finish the popcorn.

***

My husband insists that such precociousness isn’t necessarily a good thing.

“Those kids are always the ones who turn out weird,” he says.

We tell each other stories about the “gifted” kids we knew growing up. He tells me about a boy who blew up a tree in the middle of his parents’ lawn when he was nine. I tell him about girl who was doing calculus in the second grade but was fat and lisped and had no friends. I make more popcorn and try to explain the science to Benji, but he’s not interested.

***

Friday morning it’s raining. Tamara Linsky calls and invites me over for coffee. Her kitchen smells delicious.

“Yum,” I say.

“I’m making cardamom ginger muffins,” she says. “They’ll be done in few minutes. Avi loves them with a little tangerine marmalade.”

Avram sits crosslegged on the floor looking through a pamphlet. I pry Benji off my leg and encourage him to sit beside him. Avram holds the booklet up. It’s a fire safety manual.

“You have to have a plan,” he says and reads aloud:

You should be able to find two ways out from every room in your home. The first way out should be a door. Every way needs to be planned and practiced with grown-ups. Before opening any door in a fire, feel it first. If it is hot, there may be fire on the other side. Try to get out another way. Stay low to the floor when escaping a fire. Agree on a safe and easy-to-remember place outside the home to meet your family after you get out. After you get out, call 9-1-1 or the fire department. Stay outside no matter what. Don’t go back for anything!

So eerie watching a toddler, the same age as my own son who still seems like such a baby to me, read. What’s even eerier is how much I dislike the kid for it. I try to see him as cute but I can’t. Every move he makes, every word he utters comes off as condescending. I know how irrational my reaction is. I have to keep reminding myself; he’s a two-year-old.

A buzzer goes off and Tamara slides the muffin pan out of the oven. She turns them out onto a platter and sits back down to wait for them to cool. On top of a pile of pamphlets about our town’s recycling policy, trash pickup schedule, and emergency numbers, is a pair of window decals, black and red profiles of a fireman’s helmeted head. There’s an identical decal on one of the windows in Benji’s room, a gift from our local fire department.

“I see you got your Welcome to Rowley kit,” I say.

“Avi’s fascinated. Last night he insisted we have a fire drill. We made a plan and picked a meeting spot. He wanted to wait until Benji was here before he put up his sticker.”

Avi overheard her and asks, “Now. Can we do it now?”

“How about muffins and milk first,” Tamara says and then to me, “They’re best when they’re still warm.”

She halves four muffins and slathers them with marmalade, puts two on plates for us, the other two on paper napkins for the boys, and pours them each a glass of milk. Benji looks surprised when she hands the glass to him. At home he drinks out of a plastic sippie cup. I watch him take careful sips.

The muffins are warm and moist and fragrant with ginger, a treat after the mealy blueberry muffins I usually buy at Stop ‘n Shop. The tangerine marmalade has a sharp citrusy tang. There’s no label on the jar. I figure Tamara probably made the marmalade, too.

Benji eats all of his muffin and drinks most of the milk. When they’re through Avram grabs the decals and we follow him upstairs. He carefully climbs the steps holding onto the handrail. Benji scampers up them on his hands and knees.

Tamara takes one of the decals from her son and says, “Show Benji your room.”

We follow them down the hall.

“I need to check on the baby,” Tamara says.

The nursery next door is a frothy mix of pink and white striped wallpaper, eyelet lace curtains, and a big upholstered rocker and ottoman that glide. The baby is napping in the crib. While Tamara peels the film off the front of the decal and presses it to the window glass I watch the baby sleep and wonder if she’s a little genius. Too early to tell.

In Avram’s room Benji’s expression is rapt as Avram reads from an old volume of Carl Sandburg’s, Rootabaga Pigeons:

One morning when the big white clouds were shouldering each other’s shoulders rolling rollers of a big blue sky, Blixie Bimber came along where the Potato Face Blind Man sat shining the brass bickerjiggers on his accordion.

He looks up from the page and turns to Benji.

“Isn’t that the stupidest thing you’ve ever heard?”

My Benji’s face is a blank. Avram’s room has captivated him. Benji still sleeps in a crib. Avram has a toddler bed. Mobiles of dinosaurs, the solar system, insects, and butterflies hang from a ceiling wallpapered with a dark blue map of the stars. Built-in bookshelves cover one wall. They’re full. I spot a dictionary, a thesaurus and an encyclopedia as well as children’s books and poetry. In the corner, a blackboard stands on a child-sized easel. Written in a confident but obviously immature hand is: Avram’s New Room.

***

After he affixes the decal to a windowpane Avram wants to see what it looks like from outside, so we leave the sleeping baby in her crib and trek downstairs, back through the kitchen, out the door, onto the front lawn. The rain has stopped. The landscapers have finally arrived. They’ve sodded half of the lawn. We stand on the wet carpet of fresh grass about ten feet away from where one of the workmen is unrolling a strip of sod while another workman tamps it down. They look up and wave.

Tamara turns her back on them and says, “Damned developer.”

She picks Avram up under the arms and holds him high so he can get a good look at his window. He claps his hands and says, “Good. Very good.”

I’m annoyed that the boy’s lips are so red.

Benji points to the decal in the window of his room across the street and says, “My have one too.”

***

My husband is an electrical engineer. He went to college. So did I. I’ve always thought we were pretty smart, that we’d have smart kids. But apparently smart comes with different degrees. I guess we’re what would be considered cum laude while the Linskys are summa cum laude plus a PHD. I don’t know why it bothers me, but it does. It’s not like Tamara Linsky has ever said anything that enlightening. In fact she doesn’t say much at all. Overall her company has been a bore, but her kid fascinates me. The other day they came over and I dumped a hand full of change on the table just so I could watch him tally it up, six dollars and twenty-seven cents. While he divided the change into neat stacks of quarters, nickels and dimes, Benji kept trying to put the pennies in his mouth.

My husband says, “Give it a little time. The novelty of the whiz kid will wear off.”

I confess. “I keep finding myself comparing him to Benji, which I know is ridiculous. Benji’s a normal two-year-old. That kid is a freak.”

My husband says, “I don’t know if I’d go quite that far. He’s still just a two-year-old. Kind of a dangerous one from how you describe him. He’s all info in, but he has no life experience to color what comes out. So he reads and he comprehends what he reads up to a point. But does he understand subtleties and consequences? I doubt it.”

My husband is a bright man. We sit in our living room, looking out the bay window, admiring our yard. Our lawn is a nice dark green. We seeded it ourselves when we moved in. It was just about this time of year. If you want a lawn that will last, you want to seed or sod it in the fall, before the first frost but after the worst of the summer heat is over. The new sod at the Linsky’s is a yellower green than our grass and it’s perfectly even. It looks more like Astroturf than the real thing. The beds around their foundation are empty except for a blanket of bright orange mulch. I hate orange mulch. Their shrubs, a couple of flowering cherry trees and a maple, she told me, are supposed to be delivered tomorrow. I tried to warn Tamara about the maple. It’ll drop seeds that will sprout all over the place in the spring, but she’s enchanted with the prospect of the colors it will turn in our New England autumns.

***

In the middle of the night my husband and I roll into each other and wake up just long enough to smell something.

He asks, “Smoke?”

And I answer, “I tested the alarms a couple of days ago.”

He shakes himself awake and gets out of bed. I sit up and sniff. Definitely smoke. My husband walks to the window and pushes the curtain aside.

“Oh my God,” he says.

I can hear the distant wail of fire engines.

***

The Linskys are standing in the middle of our front lawn. Tamara is holding the baby. Her husband, who I’ve never met before, is holding Avram. He’s a small stocky man with the same dark hair as his son. He’s wearing pajama bottoms and nothing else. His back and chest are covered with thick wiry hair. Tamara’s baby blue nightgown has spaghetti straps. One strap has slipped off her shoulder. Her feet are bare. I run back into the house and bring blankets out to wrap around them. The husband mumbles thank you. More fire trucks scream onto our street. I walk over to Tamara and ask if she wants me to take Elizabeth. I try to drape a blanket over her shoulders and around the baby but she shrugs it off. I can feel the heat of the fire. Flames shoot out the windows and draw a line along the peak of the roof.

I start to ask, “How did it…?”

Tamara says, “Don’t.”

She stares at Avram. He’s grinning. Her husband can barely keep hold of him. Every time the flames leap Avram laughs, claps his pudgy hands and his thick bowl cut hair bounces. He twists around in his father’s arms and presses his hand to his cheek.

“The book was right Dada,” Avram says. “Everyone gets out just fine if you have a plan.”

***

My husband wants me to offer them our guestroom,

I say, “Let the Red Cross put them up in a motel. I don’t want them in our house. I don’t want their kid near our kid. Not right now.”

We try to go back to bed but can’t sleep. I press my nose to the back of my husband’s head.

“We reek from the smoke,” I say.

He rolls over to face me. He’s smiling.

“Shower?” he says.

We stumble through the dark to the bathroom. I snap on the light. It’s painfully bright. My husband turns it off. He hugs me from behind.

“Let’s do it in the dark,” he says. And then. “Aren’t you glad we don’t have a Whizz Kid?”

We shower together, long and luxurious, the first time since before Benji. He soaps me and I soap him. The washing turns to lovemaking and the sex feels better than it has for too long a time.

“We should do this more often,” my husband says as we rub against each other.

By the time we’ve dried off and redressed in clean P.J.s, dawn has crept up on us. Where the sky meets the horizon it’s the same shade of orange as the glow in the smoldering ruins of what was once the Linsky’s house.

“Remember how we used to be able to stay up and party all night long?” my husband says.

I kiss his forehead.

“I’ll make some coffee,” I say.

Benji’s is awake, singing. Every morning he sings to his stuffed animals before he calls for me, wordless, tuneless, sweet songs. I crack the door and peep in. He scrambles to stand up and I’m so taken with his sleep swollen face that I want to hug him and never let go. I lift him out of his crib and twirl him once, twice, three times around the room. He laughs. Then he sniffs the air.

“Smells funny,” he says.

He slept through the whole thing.

I carry him to the window and point to what’s left of the Linsky’s house. It’s a smoking pile of blackened char surrounded by a screaming green lawn. Before they left, the firemen jury rigged a fence around the ruin, black and yellow striped hazard tape strung on metal stakes they stabbed into the ground.    “What happened, Mama?” Benji says.

He presses his palm to my cheek to make me look into eyes the same way Avram did to his father in the middle of the night.

“An accident. But it’s okay. Everyone is all right.”

He looks at me, quizzically concerned and I realize that it never would have occurred to him that everyone might not be all right. I carry him downstairs into the kitchen to put the coffee on. I hold him tighter than I usually do. He squirms until I loosen my grip and put him down. While I start the coffeemaker and drop a couple of slices of bread into the toaster, he stands in front of the refrigerator staring at his alphabet magnets. With a sweep of his hands he knocks most of them onto the floor, stands back and lets out a delighted laugh. I watch him bend over to pick up a handful and wait to see what he’s going to do with them. One by one he sticks them on the door. They make little clinking sounds as each of the magnets adheres. He steps back to admire his handiwork. I kneel down next to him and kiss the top of his head. His hair is warm and silky and smells of baby shampoo.

“Good work,” I tell him. “Very, very good.”

BtfSpLk, it says.

Sandell Morse

Sandell Morse’s work has appeared in numerous publications including, Creative Nonfiction, Ploughshares, the New England Review, Fourth Genre and Ascent. Her essay, “Circling My Father” won the Michael Steinberg 2010 essay award. “Hiding,” published in Ascent, was named a notable essay of 2013 in Best American Essays, 2013. New work appears in the current issues of Calyx, Stone Voices and Ploughshares.

MaryEllen Beveridge

MaryEllen Beveridge’s was a finalist for the 2013 Flannery O’Connor Award for Short Fiction. Recent short story publications include Crab Orchard Review and Limestone Journal. She is a graduate of the Iowa Writers’ Workshop and teaches at Emerson College in Boston, Mass.

After Daniel ~ MaryEllen Beveridge

 

 

 

Helene Adams guided the car haltingly into the garage and shut the engine. She held the steering wheel and turned her profile toward the street, listening. Crickets hummed weakly in the grass. A light wind moved through the leaves on the trees, making a sound like paper being bunched in a nervous hand. Helene felt the effort of her concentration. Even her own house, in the early evening, seemed absent of sound, asleep behind closed doors and pulled shades. She shifted her grip on the wheel and was aware of a deep, hidden tremor in her hands. Turning on the car’s interior light, she checked her reflection in the rearview mirror. She adjusted the mirror and looked into the small silver rectangle so she could see behind her, down the driveway and to the street beyond. All of her senses were involved in listening, in waiting. A bough tossed under a streetlight. There was nothing in the mirror. Nothing else.

Taking a light sweater from around her shoulders, Helene lifted the grocery bags from the back seat and entered the house. “Hello, hello,” she called to the upstairs and to the closed door to the basement. There seemed to be nothing, no one. She stood in the center of the kitchen in the silent house. Victor had placed a pitcher of martinis in the refrigerator to chill. She poured herself a drink.

The sum of the contents of two bags of groceries had little to offer toward dinner. Helene lifted a tin of coffee, a box of cocktail crackers, and a bottle of vermouth from one of the bags.  She took down three china plates and gathered three place settings from the chest of silverware that had been a wedding gift from Victor’s parents. Now there were other groceries on the counter, and the bags were folded and put away. She held a can of French onion soup under the electric can opener and spooned the soup into a saucepan. Then she arranged slices of turkey from the delicatessen on a platter. The family, through tacit agreement, left her alone during the preparation of dinner. She was a good housekeeper but she didn’t believe she had enough flare as a cook to be an example for Allison. She’ll have to learn another way, Helene thought. She put a head of broccoli in a small pot and drank another martini while the broccoli simmered. But how men abhor cold food, she sighed. She centered a sprig of parsley on the platter and called her family to dinner.

Victor knocked on his daughter’s bedroom door. Over the sound of the phonograph Ali called, “Come in.” Victor opened the door. In the wallpapered room a pegboard was decorated with the ribbons Ali had won at summer camp for excelling at rock climbing and first aid. A small table set against a dormer held her two brothers’ high school track, basketball, football, and baseball trophies, brought by Ali to this place of honor from their old bedroom. A set of pom-poms was crossed like a warrior’s spears on the bed, the long strands her high school colors of red and gold. Her ink-scarred maple desk, with a matching chair and a metal folding chair pushed under it, held a stack of school books and notebooks. Ali had placed a piece of graph paper at the center of the desk and a No. 2 pencil beside it. Above the desk hung posters of the solar system, the periodic table of the elements, and the Beatles with their strangely girlish haircuts. The room was under laid with color and frill, Helene’s idea of the feminine principle–a pink bedspread and curtains, a white carpet scuffed by sneakers and penny loafers, and lamp shades with pleats and bows. Victor sneezed once in protest; the excess of color and cloth seemed to him like a fate waiting to claim his daughter.

Ali sat on her bed, apparently doing nothing except hypnotically combing her fingers through her long brown hair. Victor, holding his martini glass, shut off the phonograph. A Beatles song, “Eleanor Rigby,” wound down to incomprehensibility. Victor raised an eyebrow at his daughter. She tried to mimic him, but raised both eyebrows and one corner of her mouth, then slid off the bed.

Victor put down his glass and switched on the drafting lamp that had been his birthday present to Ali two years before, when she turned fifteen.  Father and daughter seated themselves at the desk and Ali opened her algebra book. “Miss O’Malley has us doing word problems,” Ali said to her father. “She gave us a set of exercises and we have to use lines to solve them.” She looked at her father, her mouth pursed in mild dismay. Victor scanned the open pages of her textbook. “Ah,” he said, on seeing the familiar lines. “What’s the first question?”

Ali read: “‘Bob wants to talk to Sally. Sally is driving home in her car at 30 miles an hour. Bob starts to drive 10 miles behind where Sally started to drive. He is driving at 40 miles an hour. How long will it take Bob to catch up to Sally?’”

Parallel, nonparallel, perpendicular, Victor thought; curved, parabolic, straight. Then there was the big one, the skew line, where in three-dimensional space two nonparallel lines never cross. A line exists in proximity to another but is forever without connection. It was a fact of math he still struggled with. Why the proximity if never the connection? Victor turned to his daughter. “Tell me the equation for a straight line,” he said.

“It’s y = mx + b.”  Ali looked up at her father, whose silence affirmed her answer. She began to solve the problem of Bob and Sally by drawing on the graph paper two perpendicular lines that formed the shape of a cross. She drew an x at the horizontal, and wrote “Time (min.)” under it. At the vertical she drew a y and wrote next to it “Distance (mi.).” She stopped and bit her lower lip.

“What is b in the equation?” Victor prompted her.

“It’s the y intercept,” Ali offered. “The distance each car is starting from.”

“Good,” Victor said. “What is the y intercept for Sally?”

“Zero,” Ali said, looking up again at her father before plotting the paper.

“And for Bill?”

“Negative 10.”

Victor nodded. She plotted that.

“Now,” Victor said, “what is m?”

“Slope,” Ali said, finally. “The angle of the line.” She paused again. Her father breathed quietly next to her. “Slope is speed,” she asserted, “the rate of miles per hour each car is traveling.”

“Good,” Victor said. “And where does your answer lie?”

“On the x axis,” Ali said. “Because where the lines cross is when Bob and Sally’s cars intercept.”

“Good,” Victor said. “Very good.” He turned his glass in his hand while Ali began to work through the equation in her notebook. She was not brilliant by any stretch, Victor thought, but she was above average because of the innate capacity of her mind. Victor had sat beside her at her desk while she had fretted over addition and subtraction, long division, and eventually, finally, the relational issues of numbers, the elegantly unfolding questions that could lead to equally elegant answers. He admired her belief that she could arrive at an answer if she worked hard enough. He used to say to her: Everything could be translated into variables and placed into an equation. Then one only had to solve it.

Ali put down her pencil. “It’s going to take Bob sixty minutes to catch up to Sally.”

Victor looked over her calculations. “Well done, Ali,” he said. “What’s next?”

“‘Sally sees Bob’s car behind her ½ mile before he would have overtaken her,’” Ali read.  “‘She speeds up to 65 miles per hour. Bob speeds up to 70 miles per hour. How long does it take Bob to catch up to Sally?’”

Victor looked at the question and frowned. Ali wetted the tip of her pencil and plotted two more straight lines to form a perpendicular.

Victor sipped his drink and, watching his daughter work, thought, She is not beautiful, her jaw is too square, her eyes set a mite too close.  Even with her brothers gone from the house, who had taught her how to pitch horseshoes and throw a fast ball, she has not learned the charm of her sex. A difficult thing, perhaps, a young lifetime in subtle warfare with a pink room; a father and a mother…  He looked at the equation Ali had set up. She was nearing its solution.  Time, distance–math provided the answers. But the question bothered Victor: Why didn’t Sally want to talk to Bob? Victor’s drink was gone. He put the empty glass on Ali’s desk.

The light in the room was changed. Victor stood at the window and pulled back the curtain. The sun had recently set. The horizon was streaked with purple and yellow that dissipated into a darkening sky like drops of color in a water glass, until the sky was a starless bowl inverted over the curve of the earth. Beyond the light of the patio was the lavender dark of the back yard. The lawn was unbroken except for a statue of the Virgin standing in front of a row of arborvitae. The statue disturbed him. The lawnmower moved poorly around it, and it had become for him a sort of adversary. He often neglected to shear the grass around it, and the statue had assumed for him the quality of a reproach. The Virgin herself he regarded with the instilled reverence of his upbringing. He thought, Dear God. But the whole vocabulary of faith–sin and salvation, fall and redemption–remained abstract, so unlike his work at Sikorsky Aircraft, where slide rule and complex math became engine thrust, rotations per second, the blind terror of war and of rescue; the story of our labors, however imperfectly conceived. Grasping the frilled border of the curtain, he watched Venus appear like a faceted rhinestone beside a pale sliver of moon.

Victor crossed the room and looked at his daughter’s work. She had achieved the solution. She beamed up at him. She had four more questions to solve but he thought she would be all right. He squeezed his daughter’s shoulder and, taking his empty glass, descended the two sets of stairs to the basement. Adjusting the overhead light at his workbench, he applied a screwdriver to an old garage-sale Zenith radio in an attempt to get it to work. He put the screwdriver down, opened a drawer, cleaned and filled his pipe, and struck a kitchen match against the workbench. The tobacco curled and smoked under the flame of the match. Victor drew on the stem and the taste of hickory was in his mouth and nostrils. He sat back in his chair and puffed on the pipe. He had driven that afternoon to the flight hanger to see a helicopter in the SH series brought out to be tested, and it rose from the landing strip and flew out toward the Sound, its rotators turning marvelously, thrum, thrum, thrum, like the heartbeat of an athlete, its tail straight and sure. He would tell Helene at dinner. He checked the draw on his pipe and lit it again.

Later while refilling his glass from the pitcher in the refrigerator he looked at his wristwatch and wondered at his wife’s absence, and the old thought surfaced once again, a wish, a fear, a prophesy, that one evening she would not come home from her job as a teller at the People’s Bank on Main Street, or that she would vanish and return as he had once done, but, unlike himself, she would remain beyond reach. He would continue to go to bed after the nightly news and fall asleep turned toward the bed on the other side of the night table, and Ali would go to college and move away as her brothers had done, and he would grow old in rooms vacated one by one by his family; he would spend more time over his workbench at abandoned radios that one day he would repair (how, he wondered, could he make helicopters fly but not make a radio work). He saw the headlights of his wife’s car make a double arc through the kitchen window as she swung it onto the driveway, heard the engine die in the garage, and waited. She did not come. Out of delicacy and tenuousness he returned to the radio on his workbench.

Helene regarded the bottle of vermouth on the kitchen counter. Had her calls to her daughter and husband been heard? She called again. Victor came up the basement stairs and kissed her cheek. She was pouring a glass of milk for Allison, and she turned her face away from him. Ali thundered down the stairs into the dining room. She poured iced water from a sweating pitcher into the family’s drinking glasses and did not look up when Helene entered the room.

Victor broke the seal on the bottle of vermouth. He prepared another pitcher of martinis and left it in the refrigerator to chill until Ali went upstairs again after dinner. Lately it seemed that they were either low or running out of one thing or another on the liquor shelf almost continuously, and he wondered if he should worry privately or discuss with his wife an appetite for mixed drinks that had accelerated steadily since their younger son, James, had left home. At least we have this in common, he thought, putting the bottle away.

At the dinner table Victor bowed his head and said, “Bless us, O Lord, and these your gifts, which we are about to receive from your bounty. Through Christ our Lord. Amen.” He lifted his head and the polite, slightly reckless clatter of silverware against china began. He watched Helene bring a spoonful of soup to her mouth and remarked to himself her elegance, even in this, like the unselfconscious grace of her walk, which had attracted him to her immediately, a girl Ali’s age moving uncertainly into womanhood. Helene, touching her napkin to her mouth, seemed unaware of him, folded into herself, guarding secrets, the great female gift and preoccupation, though what she guarded so that arrived out of each ordinary day he couldn’t imagine. He wondered what they would do when Ali left home and they were alone in the house with no one else but each other.

“They brought on two new men to our department today,” Victor said, his voice to Helene like an abrupt knock against a door. “Sweet talked them away from Boeing. I bet they got one big bonus. They’re supposed to be involved with the new project on distance and fuel capacity. Of course that’s making Ed pretty mad.”

Helene looked across the table at her husband. He was waiting for her to answer, to help thread the conversation along. But she felt disoriented, agitated. She should have put out sliced bread, or rolls; such a meager meal, but no one complained. She turned to Allison.

“We should discuss your party,” she said. “A successful party is always planned well in advance.” Allison was taking a spoonful of mayonnaise from a small glass dish. She shook it onto her dinner plate. “For example,” Helene continued, trying to overlook Allison’s table manners, “how many boys and girls are you inviting? Are you sending cards or making telephone calls? Does the party have a theme?”

Ali crushed the hem of the napkin in her lap. Talking to her mother was harder than math.  It was like looking at an unsolvable equation. “About thirty, I think,” she said. “I’ll just catch them at school. It’s the beginning of the school year, so it could be a send-off.” She was making it up as she spoke, but it sounded all right. So she said, “That could be the theme.”

“Well then we can have as a color scheme your school colors. I’ll get a few decorations to put around the living room.” What am I to do with red and gold, she thought. “Have you considered a menu?”

Victor sliced a broccoli bud with his knife. He put his knife down and picked up his drink. He was supposed to have told Helene something. Something about a helicopter rising tremendously into the sky.

“A menu,” Ali said. “Oh, peanuts, pretzels, stuff like that.  Some Cokes and root beers.”  She didn’t want to host a party. It had been her mother’s idea.

“Well then,” Helene said. “I’ll put them on my shopping list. I’ll get some ice. Now.  When your guests ring the doorbell you should greet them at the door. Your father and I will help you. Take their coats and put them on the sofa in the den. I don’t want to see anyone turning off any of the lights, and no one is to go upstairs.”

Ali’s napkin slid from her lap. It had landed on her foot. She nervously tapped her foot, and the napkin bounced on top of her shoe. She speared another slice of turkey with the serving fork and dropped it onto her plate, then rested her chin in her hands. Already the party was a disaster. All those rules. How could she remember? She looked up at her father, but he was looking at his plate, his eyes unnaturally wide, as if trying to regain his lost place in the conversation. Ali’s knuckles fanned across her mouth.

Helene looked at Victor. Surely Allison was smiling under her knuckles. Amused no doubt at her mother’s presumptions about teenage boys, at her attempts to take precautions. But Victor was eating a broccoli bud; he was uninvolved. Briefly she was alarmed. How does one speak of such things to one’s daughter? Victor had once reported to her that Allison had taken a two-week program called Human Reproduction as part of her biology course; further, there had been the overheard conversation in which her brothers had attempted to decode for her the symbolic language of plugs and sockets. There was the time Helene had walked into Allison’s room with full intentions and Allison looked up at her mother, her eyes cold and removed, and Helene had shut the door behind her and fled down the stairs. But now Allison was in her last year of high school, and Helene wanted to say, It can happen so quickly, and there is nothing you can do when it’s done. She looked at her daughter, not thinking of her at all.

Under her mother’s flat stare, Ali quieted her foot and retrieved her napkin.

But, Helene thought, Allison’s dates (who arrived as if conjured for a prom, a winter dance) seemed pleasant enough, though how could one really know? Do they treat her like her brothers did? She acts no different with them. Helene clucked her tongue at her daughter’s lack of mystery. Perhaps she was better off. She wouldn’t be deceived by romance which was a lie, she would know how to take care of herself. But the body was such an adversary; the heat of young men… Helene lifted her drink, aware again of the hidden tremor in her hand.

Ali tramped up the stairs to her bedroom because slamming doors was not allowed.  Helene had excused her from the dinner table. She had told Ali in dismissing her to brush her hair from her eyes–she gave the impression to the world of all hair and nose and nothing else–and to please learn to stand straight, to carry herself, or she will find herself walking around forever more with a curved spine and sloping shoulders, looking not quite human.

Ali opened her closet door and stood before the mirror, hunching her body and letting her hair fall over her eyes. She took a handful of bobby pins from her dresser and tamed her hair with them. When she was done her hair was pulled back into a tight bun at the nape of her neck, which imitated her mother’s in effect, if not in fact, because her mother still wore her hair in a short careful wave after the fashion of twenty-five years ago. Ali smoothed her clothes and looked into the mirror with the preoccupied air of the late afternoon drinker. “This is what it got you,” she said to the ghost of her mother. “This is what it got you.” She heard her mother’s footsteps on the stairs and stood frozen until the door to her parents’ bedroom softly clicked shut.

Ali brushed her hair into a ponytail, buttoned herself into her cheerleading uniform and grabbed the pom-poms from the bed. She crept past her mother’s door and down the stairs, even though she knew that the closed door signaled the end of her mother’s criticism as well as the end of any further intercourse with the family that evening. Ali shared the evening paper with her father on the living room sofa, breathing the comforting odor of his pipe, while she waited for the blare of the car horn in the driveway.

The sitting room that adjoined Helene and Victor’s bedroom contained a chintz-covered chair, a side table, and a lamp. It was a small room, but it had windows on three sides, and during the day it was full of light. Helene settled into the chair. She had considered using the boys’ bedroom, but it still held their belongings stretching all the way back to their childhoods, and she would not have been able to live with the boy wallpaper and the boy bedspreads. She cherished the family illusion, which began and ended with her, that one or both of them would return. A few lines sometimes reached her. The previous summer James had sent a picture postcard, addressed “Dear Family,” from a trip with his brother Paul to northern Oregon to fish the Clatskanie River.

Helene stirred her fresh drink with her finger and touched her finger to her tongue. She enjoyed a drink in the evening, remembering Victor’s mother, who would not permit it. How difficult it had been to live with that woman, whom she had been required to call Mrs. Adams, as a guest in her home in Highland Park for almost four years, while Victor, after hastily marrying her, had enlisted in the Army and fought in the European Theater Operations under the command of General George S. Patton. At night she said her rosary, moving the small, hard beads under her fingers. When her body became large and round with her first son she prayed for deliverance, though she did not know what that could mean. Victor’s father treated her as if she were a glass vase; actually, as a courteous man would treat a whore. She nursed her son Paul behind her closed bedroom door in shame and joy, long past the point that Victor’s mother thought decent.  Victor’s father would say, looking at her swollen breasts under her house dress, “Stop that now, put on one of your pretty dresses, we want to see you!”

A darning egg lay on top of Helene’s sewing basket and she tried to pick up the stitches on one of Victor’s socks where she had left them the night before. She pulled the needle through in concentration, then set down her work. She looked out the window. The street was quiet. She thought she heard canned laughter from a neighbor’s TV, a car drive slowly by. But all was still and dark. It was nothing; there was nothing but the slow hum of the crickets, the leaves stirring in the night.

Helene prepared for sleep and sat on her bed in her nightgown and robe. She heard Victor on the stairs. He entered their bedroom softly, almost apologetically. Helene got up quickly. He stood near the door frame, observing her. She put her hand at the collar of her robe, and the other hand at her side, and she was still as an animal is still before the attempt at desperate flight. She sat down again, as in defeat, her eyes lowered away from Victor’s.

Victor wanted to walk across the room and take her roughly by the shoulders, to disturb her beautifully ironed nightclothes. He remembered returning to his parents’ house–a war veteran, about to go to college on the G.I. Bill–to his wife, and a son, she had written to him, and looking at them with wonder and terror, secretly appraising his three-year-old boy’s head and limbs, watching the child’s eyes follow him, a large, awkward stranger. Moving his son, Paul, from their room to the spare bedroom after that first week when she wouldn’t allow him to be moved, the son she loved more than Victor. When he held her finally, alone with her in his old bedroom, she strained away from him, her fingernails on his back like talons, as if trying to achieve a purchase on her own life. Then she lay on her side and cried, her belly working in and out in furious anger.

He had been honorable, he had married her, because marriage was honorable, but also because when he first saw her, visiting her cousin on Green Bay Road, he wanted to marry her.  When it was done he didn’t know her and she was afraid of him, as if he had hurt her and that injury would always remain. He returned to a girl who had borne their child without him and was living in a household where his mother called her “Helene, dear,” and neither of his parents would hold his son. He understood then that love lay in sharing the living of one’s life and the construction and recounting of memory–sometimes as ordinary as a hand brushing a fallen leaf from another’s jacket on a country walk–but that love could not succeed when a man and a woman saw their lives together as the long aftermath of an irreversible act. So he courted her with gifts of wildflowers and books of poems and he thought he had won her; at least, all these years, she had remained.

Helene sat on her bed, her hands in her lap, still as a hunted creature. He said quietly, “I heard your car, but you didn’t come into the house.”

She looked up at him.

He sat beside her. He took her hands and unclenched them gently. She was a girl in a muslin dress on the Green Bay Road. “I might have lost you to someone else, if not, if not…” he said, his voice lowered, watching, as he spoke, her eyes lose their focus and drift from his face. “We have so much, we have–”

Who would it have been then. She tried to imagine another man in a room with her, in the night. What would he say and what would he do? She said, “But then you see, the boys don’t call, and Allison…” She leaned against him, smelling the familiar odor of pipe tobacco in his clothing. He did not at this moment want to talk about their children, she knew. He was the man in the room with her in the night, by the accident of a brief desire. Her children didn’t speak to her. They kept a far distance, as if in rebuke.

Victor caressed his wife’s hands and thought about his Ali, so different from his wife, angry sometimes, and withdrawn, but only from being seventeen; not difficult. Did mothers and daughters never get along? “She’s a good girl, Helene,” he said, longing for it to be right between daughter and mother, between himself and Helene. He took a clean pair of pajamas from his dresser drawer and prepared for bed. When he returned she was sitting as she had been. As he turned off the light he saw the familiar terror on her face when he crossed the space between their beds to lie with her. He lay her head against his shoulder and sang to her, a song he had heard in Belfast.

Even in the night, with Victor holding her, guarding her, she felt as if she was being watched. How long. Hoping that that might explain. Maybe it had to do with her absent sons, her daughter. Their vigilance over her failures. She dreamed it, and then it was gone, like a melody, but a shape remained, of something as if seen from afar. Then it was in a familiar room with her, coming toward her. Helene clutched Victor’s arm.

“What is it?” Victor said, coming from the border of sleep.

“I don’t know.” But she would dream about it: a man, a stranger who made her want to cry out.

He encircled her body with his arms. She closed her eyes, smelling his pipe tobacco even on his freshly laundered pajamas, hating their awkwardness together–her refusal of him, his hesitancy only increasing her loneliness. A man, she thought, drifting into sleep, not quit so careful of her, a man who would make her cry out.

The evening of the party, Helene sat in her chintz-covered chair, pushing her stockinged heels into a pair of pumps. She was dressed simply in a gray dress with a cloth belt; she wore a silver circle pin at her shoulder. Already people were coming to the door. The girls Allison had invited were pretty but Helene was of the opinion that they showed too much leg; the boys wore to a one khaki trousers and letter sweaters, if they owned one, a sports jacket if they did not.  Victor hospitably answered the door during the first hour, then retired to the basement, trailing the smoke of his pipe after him. Helene wondered if this was the type of party teenagers were used to, though it seemed instead to recall her own brief social career in living rooms under a watchful parental eye. Some of the girls and boys she knew distantly from pajama parties and school events. Allison, her cheeks in high color, introduced her to the others as they came through the door which Victor had abandoned, or as they came into the kitchen where Helene found herself preparing another tray of snacks without her daughter’s help. She had placed an enameled serving dish on the coffee table filled with hard candies wrapped in red and gold cellophane, which no one ate. None of them smoked, perhaps because Helene had put away all of the ashtrays, and she was comforted to see that they looked healthy and in general not dangerous. They talked in small clusters and danced in the living room to Allison’s phonograph.

Helene mixed a drink for herself and put it with the tray of snacks. She set the tray on an end table in the living room and took a discreet sip of her drink. Allison put another record on the turntable, and couples formed and moved in step across the rug. Helene turned toward the stairs, cradling her drink, and saw a boy looking at her. She saw a young man staring at her. He stood next to Victor’s easy chair, his arms at rest at his sides. She looked at his hands, which were a young man’s hands, but strong, the fingers long and thick but slightly tapered, the hands of a magician, holding nothing but their own power. He was staring at her quite frankly, and she couldn’t read his eyes, hidden as they were behind a pair of wire-rimmed glasses. She no longer heard the revolution of the record on the turntable. It seemed to Helene that in listening, in waiting, she had found silence and stillness, and the boy had come to inhabit it, and she was caught in a moment of terror. Something in her body became taut, like a wire, and she thought she would cry out. She put one hand to her breast. His eyes followed her as she turned away.  They were large behind the wire-rimmed glasses, and she couldn’t read them, distorted as they were behind the lenses.

She sought the sanctuary of her bedroom. The music returned to her ears, and the slow shuffle of feet on the living room rug. She switched on the standing lamp in a corner by the window and looked into the back yard, brittle and still with early frost as if held under a spell, and at the sorrowful statue of the Virgin. Helen lowered herself into the chair in her sitting room and sipped her drink. She took a skirt from her sewing basket and held it on her lap, running her hand over the cloth. The room was in darkness. She took the drink to the bathroom and threw it down the sink. This she did in darkness also, avoiding her face in the mirror, the unnatural puffiness of her cheeks where the effects of the alcohol had begun to show. She let her hands linger on her body, then hid them in the pockets of her dress. She rinsed the glass and then the odor of alcohol from her mouth. She returned to the darkness of her sitting room and tried to think of nothing.

She continued to hear the muffled bass from the phonograph, the high laughter of Allison and her friends; she sought the voice of the boy which she had not heard and which she could not guess at, feeling a headache coming on where the light from the bedroom lamp obliquely struck her face, and then the light was obstructed, and she turned and saw him, a shadow, his shoulders framing the doorway of her sitting room, the light glinting off the wire frames of his glasses.

He stepped down into the room and stood next to her where she sat. She watched him take his arms and shoulders from his letter sweater, quickly, unrestrained, as if he were alone in a room. He gave it to her, and she took it into her lap, feeling the thick texture of it with her fingers, sensing the smell of the wool, the man who owned it; the sweater covered her like a hand. She heard his voice whisper, “It’s ready to lose a button. They’re leather, you see, and expensive to replace.  Here, I’ll show you,” and he leaned familiarly toward her, at the same time without awareness of her, as if in sleep, in a dream, and the moment was without sound or movement and she watched his hand seeming to hover near her, waiting, the gesture already irrevocable. Before she was fully aware of her flight she stood against the windows, facing him, and he leaned over the chair, as he had done while she sat there, blocking her body with his. Then he stood to his full height, leaving the sweater in the chintz-covered chair where it had fallen. She watched not him but any movement he might make toward her, while he took up the sweater from the chair, swung it over his shoulder, again without awareness of her, walked out of the sitting room, and closed the bedroom door as he left.

Helene opened a window. She breathed into the darkness, the cooler air that moved into the room with the night. She heard the front door close and she saw him, from the window, walk up the street to a car with double fins parked at the curb. She waited for the headlights to beam, for the car to move up the street, out of sight and memory. But the car didn’t move. Helene thought she saw the wire frames flash under the streetlight. She left the sitting room and readied herself for bed, feeling watched, feeling the weight of his breath as he spoke to her. She shut off the light and lay still in her bed, turned toward the wall. The party died down below her. Allison and Victor climbed the stairs together, and when Victor entered the room she closed her eyes.  He leaned over her briefly, resting his hand on her shoulder. She heard him prepare for bed and then she heard the sag of the other bed, the movement of the bedclothes as Victor adjusted his body and began to fall into sleep. Helene lay in her bed with her eyes open. In the stillness she heard an engine catch and a car move slowly up the street, gliding invisibly in the darkness.

Helene learned his name when he began calling on Allison: Danny Bates. What was his interest in her daughter, so sudden, without prelude? For two years Allison had jumped and cheered in her short skirts before the bleachers while the boy moved with his team across the court; surely he must have noticed her, and dismissed her, long ago. With Helene and Victor he was polite, almost deferential, while they waited together in the living room for Allison. Victor had assumed an attitude of fatherly camaraderie, inquiring encouragingly about the prospects for his team that season, and trading courtside stories about the magnificent Lew Alcindor, Bill Russell and Wilt Chamberlain. They called him Danny, except Helene who preferred the distance and formality of Daniel, thinking also, secretly, This is the name for a man, Daniel. The lean, muscled body sat in the easy chair that was Victor’s, the hands passive on the arm rests, and Victor did not protest. The face was open, friendly, young. Allison came down the stairs, her color high, and Daniel stood, and Victor and Helene stood, and Helene as if watching a fire, a conflagration, watched Daniel escort her daughter through the front door into the night.

“I use to fear, sometimes,” Victor now said, shutting the door and lighting his pipe, “that Ali would be sister to all men, lover to none.”

“You don’t think–”

“Helene,” he said, crossing the room to the sofa where she sat, “she’s still a girl. We’ve raised her to think carefully about what she does. We’ve raised her to believe in the tenets of the Church.” The statement had risen to a question. Victor knew his daughter less and less now that she was seeing this Danny. She was hiding something it seemed, shielding it from him, from

Helene. It was the flowering of her own womanhood, he thought, something wondrous, from within, but not yet fully known.

Helene watched Allison’s color rise when Daniel came for her, the way she favored him in her heretofore aimless or nonexistent conversations about her days. Helene felt her own face heat with the name that seemed to occupy all the rooms, most of all her own, leaving her feeling agitated, tainted somehow. She blamed it on the fact that she had abruptly stopped drinking alcohol, and she could no longer find refuge in the aloofness it afforded her, the glow that lit each room she entered. Now Victor made half-pitchers for himself and drank stiffly at the dinner table, as if her abstinence baffled him. She ate with violent appetite, hungry always; she felt as panicked as when she was Allison’s age, her desire an enemy, as if she were reliving an old terror. Her body was inhabited by fine wires pulled taut. Allison was gaining a softness, a womanliness Helene thought she was incapable of, and Helene wanted to tear at her. Still there was no sign from Daniel, no gesture of his hands, or the eyes magnified behind the wire-rimmed glasses, not a word spoken casually to her in the still, charged minute that Victor might absent himself from the room, before Allison came downstairs. She felt the color in her cheeks and was ashamed.

Helene sat at the near end of the rows of bleachers in Allison’s high school gymnasium, her coat buttoned to her throat, watching him. She had taken her car keys and left suddenly, a quick word to Victor about a drive to clear her head as he worked in the basement over his silent radios. How odd, Helen thought, to realize that they used to drink together, from before dinner until bedtime, but always alone, in different parts of the house. She sat in the dry heat of the gym. Allison in her school colors jumped in tight unison with the other cheerleaders as they performed a High Punch with their pom-poms in front of the packed bleachers. Helene watched Daniel crouch over the ball, his hands controlling it, cherishing it, until it was time to let it go, and the ball seemed to shoot from his hands like a command.

Helene sat away from the crowd, near the gymnasium doors. She felt the need to close her eyes. She heard cheering, the names of the various players shouted out by young female voices like a call. When she opened her eyes the team was standing on either side of Daniel, the players’ hands loosely cupped over their knees. Daniel stood at the free-throw line, holding the ball in both palms. He marked his aim like a priest about to kiss the holy cross. The gymnasium was silent, overheated, waiting. He lined up the ball to the basket, then turned his hidden eyes to the bleachers and bowed, almost imperceptibly, to her. Before she could comprehend it, he shot the ball and it found its mark. There were whistles and cheers; the stomp of shoes on the foot rails. Helene unbuttoned her coat. The heat was unbearable. Ali jubilantly punched a High V with her pom-poms. She searched the direction of Danny’s gesture into the crowd and saw her mother climb unsteadily down from the bleachers and leave the gymnasium.

Ali sat at the dining room table with her father, Helene having prepared a tray and taken it to her room. All the rooms seemed to Ali small now and without air, her mother’s room the most terrible. She felt the presence of the darkness behind the drawn shades and her mother, inert, lying within it. Her father sat with her over their cooling dinner, his fingers on the stem of his martini glass.

Helene turned on the light and entered the kitchen. It was clean and orderly, the dinner things put away. She heard her husband in the basement. He was turning the dial of a radio; static played all along it. She called up to Allison’s room. Ali’s door opened. Helene waited. Finally she went upstairs. Ali’s face was red; she had been crying, Helene knew obliquely, for a number of days.

“What is it?” Helene said.

“I saw you at the basketball game,” Ali said. “I saw him look at you. I said to him, ‘Why?’ He said, ‘I don’t know what you mean,’” Ali’s voice full of horror. “I said, ‘What about me,’ but he had nothing to say, and so you see he won’t be coming here anymore.”

“Allison,” Helene said, but Ali had shut her door.

Helene counted the money in her teller’s drawer and put it in a zippered envelope for the bank manager. She sat in her car in the parking lot and waited. The sun had already set over the Sound. She drove north along the coast. He followed her now; he could no longer come to the house but he appeared before her like the dead who have forgotten that they don’t belong. He stood in line at the bank, his hands empty, and watched her through his wire-rimmed glasses, the eyes large and seeming not to blink as she worked behind the bars of her teller’s window, folding and refolding the same piece of paper, and she looked up again in panic and he was gone. He followed her in his car with the wide fins, his hands caressing the steering wheel, as she drove to the grocery store and the post office, to the dry cleaner and the pharmacy, down farther roads that bordered farmlands and woods where he would find her. His car was quiet, like something that watched and waited, and she felt it first before she saw it, like a vibration, like an image that has become apparent not through the senses but through longing, the wish for the end of loneliness. Her body shook as if in a fever, and she had to pull into a parking lot or a driveway or onto the narrow shoulder of the road and hold the steering wheel, listening for the glide of the car and the smooth adjustment of the tires as it accelerated into a higher gear and passed her car, indifferent as a creature that has inexplicably abandoned the hunt. She raised her head when the shaking had passed and turned her car back onto the road. She looked again into the rearview mirror but there was nothing; there was always nothing. But his face–never kind, even when she first saw it, the eyes disorienting and his jaw now strangely set–was always before her.

After work Helene did not arrive for dinner. Ali scrubbed a handful of Idaho potatoes and Victor placed a chicken in a Pyrex baking dish.

From the coast she drove inland and followed a two-lane street to the center of a town.  She parked in front of a small Catholic church and went inside. Stained-glass windows held images of saints in prayer, bowed and robed men caught in a moment of pure disregard. Incense burned on the altar. Helene covered her head with her scarf and knelt in the aisle, crossing herself. She heard the voices of women knelt in the pews in prayer.

Helene rose and walked toward the confessional. The screen was open but there was such stillness beside her that she did not know if the confessional was occupied. “Father,” she said, and she heard a phlegmy cough, the movement of a robe. The screen slid closed. Remembering, she said, “I earnestly beg Almighty God.” Then, “Bless me for I have sinned, I have not taken communion since my first child was conceived.” She bowed her head, hearing again the voices of the women in prayer. The cubicle was very close. She waited; there was nothing but the congested breath of the man behind the screened confessional, a voice that said, “Continue.”

“There is a boy, a young man,” she said, “for whom I feel–  He has made me aware of my discontent.” Helene looked at her fingers entwined in her lap, the folds in the coat that made her body under it appear shapeless. She stood, feeling her skirt and slip fall around her hips and knees. “Forgive me, Father,” she said. “I take up your time with imaginary concerns.” She excused herself and the shadow of a hand fell on her, making the sign of the cross.

Then he was gone. Helene was free of him. She brought bags of groceries in from the car and began again to pour herself a martini from the pitcher Victor left in the refrigerator and she prepared dinner and ate with her family. After dinner, over the remains of the meal, Victor put his hand over hers and held it gently there. Guiding the car into the garage, she sat in the driver’s seat and listened, and she looked up toward the image of the road in the flat silver surface of the rearview mirror. But there was nothing; there had never been anything.

He had followed her, at a distance then close in, the hands with their rough power firm on the steering wheel of the car that glided silently behind her with the fins of a shark. She heard her own heartbeat, her blood pulsed through her like a current, she was in a fever of terror and longing and she wanted to cry out. But then his car drove past her car, pulled in panic to the side of the road, and she watched his car recede before her. Helene felt relief as if having been delivered exhausted on an empty horizon. But the terror that had kept her alive had been taken away. She looked for him, the man who had willed her to this and left her. She had imagined it all; but no, she knew those eyes now, what lay behind the distorting lenses, waiting for her. She saw them, when Victor held her, when she looked up from her teller’s bars, and she felt herself watched, and she was filled with fear, and she knew he would appear again, she had to believe this, there was nothing else.

 

Alex McElroy

Alex McElroy’s fiction has appeared or is forthcoming in print and online in Indiana Review, Tin House, Pinball, Booth, and elsewhere. He lives in Arizona, where he serves as the International Editor for Hayden’s Ferry Review. 

Anniversary Dinners ~ Alex McElroy

 

 

1.
Grilled Alaska Salmon with apricot balsamic reduction; risotto; local mustard greens; house chardonnay. Stuffed filet mignon with whiskey peppercorn sauce; smashed rosemary potatoes; house merlot.
Fresh baked chocolate chip cookie presented in a cast-iron baking pan. Served a la mode.

2.
Baked swordfish with citrus ginger glaze; organic wild rice; pan-seared asparagus; house chardonnay. Pork tenderloin; mashed cauliflower with truffle oil and capers; house cabernet sauvignon.
Fresh baked chocolate chip cookie presented in a cast-iron baking pan. Served a la mode.

3.
Grilled Wild Salmon with apricot balsamic reduction; mixed seasonal vegetables; two glasses house chardonnay. Spaghetti in traditional Bolognese sauce; garlic crostini; half-carafe house merlot.

4.
Caesar salad with the dressing on the side; bruschetta; house-made linguine tossed with roma tomatoes, spinach, and garlic; club soda; Death by Chocolate cake. Butterflied Cornish Hen with sage-butter; roasted potatoes; ice water; two Percocet seasoned by pocket lint and palm sweat.

5.
Large Pizza, half roasted red peppers and artichoke, half meat lovers; free 2 liter bottle of Coke; one Percocet.
Breast milk.

6.
Large pizza, half roasted red peppers and artichoke, half Hawaiian; free 2 liter bottle of Diet Coke; three Samuel Adams Winter Lagers.
Kids chicken fingers cut into small bites; apple juice.

7.
Grilled Alaska Salmon with peach balsamic reduction; risotto; pan-seared asparagus; half carafe house chardonnay. Seared lamb with wild thyme and flaked peppercorns; mixed local greens with house lemon poppyseed vinaigrette; house merlot; two Samuel Adams Winter Lager drafts; one Percocet.
Fresh baked chocolate chip cookie presented in a cast-iron baking pan. Served a la mode.

8.
#8 Pint Wonton Soup; #16 Boneless spare ribs; #42 General Tsos Chicken with brown rice; #37 Sweet and Sour Chicken with fried rice; one bottle Barefoot Pinot Grigio.
One box Kraft Macaroni & Cheese; whole milk.

9.
Mixed local greens, honey mustard dressing on side; House-made gnocchi with roasted potatoes and shallots; club soda with lime; two guilty sips of Samuel Adams Winter Lager; Death by Chocolate cake. Breaded veal cutlet; baby carrots tossed in mandarin orange glaze; two Samuel Adams Winter Lager drafts; three sips of Makers Mark from personalized flask.

10.
Large Pizza, half roasted red pepper and artichoke, half pepperoni and red onion; free 2 liter bottle of Diet Coke; two bottles of Samuel Adams Winter Lager.
Kids Chicken Fingers and French Fries; apple juice.
Breast milk.

11.
#18 Drunken Noodle with tofu, mild; vodka and water with lime. #22 Pad Thai with chicken, spicy; three Budweiser; two Percocet.
Baked Dinosaur shaped chicken nuggets; Sprite.
Where’s Waldo brand Spaghetti O’s; milk.

12.
Edamame. Miso soup; ginger salad; Salmon Sashimi; Diet Pepsi. Miso soup, ginger salad; Beef Teriyaki; three Sapporo drafts.
Green Tea Mochi Ice Cream.

13.
Ibid.
Red Bean Mochi Ice Cream.

14.
Ibid.
Green Tea Mochi Ice Cream.

15.
Ibid.

16.
Ibid.

17.
Ibid.

18.
Ibid.

19.
Ibid.

20.
Grilled Alaska Salmon with apricot balsamic reduction; risotto; local mustard greens; one glass house chardonnay. Stuffed filet mignon with whiskey peppercorn sauce; smashed rosemary potatoes; full carafe house merlot.
Fresh baked chocolate chip cookie presented in a cast-iron baking pan. Served a la mode.

21.
Grilled American cheese on wheat bread; tomato soup; ice water.
Two boxes Kraft Macaroni & Cheese; ice water.

21.
#8 Super-Sized with Coke to-go; Maker’s Mark poured into Coke.

22.
Mozzarella dippers; Loaded Potato Skins. Santa Fe Wild Ranch Salad with Grilled Chicken; Diet Coke. Big Blue’s Big Bleu Burger with steak fries; two drafts Coors Light.

23.
Chicken Alfredo Lean Cuisine Dinner; half bottle Barefoot Chardonnay.

23.
#4 Super-sized with Coke for here.

1.
Chausson du Fromage de Chèvre; Moules à la Marinière. Truite Sauté Sauce Amere. Pates au Fruits de Mer. One bottle  Charles Heidsieck Rosé Millesimé 1999
Crêpes Suzette.

24.
#7 Large with Doctor Pepper and Curly Fries; Large Vanilla Shake.

Betsy Johnson-Miller

Garrison Keillor has read two of Betsy’s poems on The Writer’s Almanac, and a manuscript of her essays was a semi-finalist in the Graywolf Non-fiction Prize. Her work has appeared in Ascent, Agni (online), Gray’s Sporting Journal, Portland, and the Cortland Review. 

When Your Son Draws You ~ Betsy Johnson-Miller

 


 when your son draws you
a picture of a forest

climb the tree
with its cloud
of leaves

imagine
the shape you wish
to be

bunny
howling wolf
proud ship skimming

across the blue drapes
that let the light
in

there is no sky
in the picture

his drawing is white
and black

it doesn’t matter

listen to your son
invent the rest