The Day My Father Died ~ Maxine Rosaler

 

The night before my father died I had a dream that he had gone to see a new doctor who told him that he was going to have another heart attack.  The next morning he called me at five o’clock to ask me to take the six-sixteen train out to Oceanside to stay with my mother, who was suffering from an ear infection; he said he’d pick me up at the station.  I wanted to tell him about the dream, but instead I told him that I was too tired to take such an early train.  I could have gone–I knew I wouldn’t be able to fall back to sleep–but I was twenty-three years old and struggling for my independence.  I wanted to try to live my own life, miserable as it was, and I spent the three hours of freedom I had allotted myself, lying in bed, listening to the slow, even ticking of my alarm clock, waiting for the time to pass.  How many times have I since imagined myself meeting him at the station, telling him, Please, Daddy.  Don’t go to work.  I had this dream.

“Mommy and I are both sick and trying to take care of each other and not doing a very good job of it,” he had told me on the phone that morning.  He had been trying to get hold of me all night but as usual I was nowhere to be found.

“But, Daddy, how do you feel?” I asked.

“The same as usual,” he said.

 

The last time I had seen my father was two weeks before on Father’s Day. I had brought a friend out with me, something I seldom did, (my mother, who never liked any of my friends cornered me in the kitchen and asked me didn’t my friend have a father of her own?), and the only time I got to spend alone with him was when my friend went upstairs to call the father that she did in fact have.  Daddy was lying on the couch in the living room, on his back, in that pose I so clearly remember–hands under his head, eyes open, staring at the ceiling, his tongue slowly exploring the surface of his teeth, occasionally straying to wiggle the bottom row of loose teeth, a game that had been a reliable source of amusement for me when I was a child.  The couch was under the window then, still covered with the nubby green upholstery that my mother had gotten on sale at Gimbel’s when I was ten.  I knelt beside him and asked him wasn’t he afraid to die.

“Oh, I don’t know.  I don’t think it would be so bad,” he answered.

“But, Daddy, I love you so much,” I said and I buried my head on his delicate chest, which was ticking away like a time bomb.

“I know you do, darling,” he said.  “But you’ll get over it.”

 

The train ride home to Oceanside in those days was for me a journey through great sadness and when at eight o’clock–three hours after my father’s call–I dragged myself out of my apartment in time to take the eight-forty-five, my heart felt heavier than usual.  It wasn’t until this year–over thirteen years since my father’s death–that I have been able to take that ride without that horrible sick feeling tugging at the pit of my stomach.  Sometimes I wonder where it has gone.

It was a hot summer day, muggy and dirty, and Penn Station felt like a gigantic oven.  As usual, I ended up rushing down the stairs into the dark tunnel, hoping I would be able to make it to the train before its dozens of doors simultaneously slammed shut in my face as they sometimes would, like a conspiracy.  Although I was a smoker then, I could never bear to sit in a smoking car of the Long Island Railroad and I had to weave my way through four cars, wrenching open eight sets of heavy sliding doors before I could find a car where everything from the air down to the plastic weave of the seats, was not saturated with the stale odors of tobacco smoke from the rush hour just past.  My father had a four-pack-a-day habit.  I don’t know how many he averaged during those last years when smoking, along with butter, salt, sugar, coffee and so many of the other things that gave him pleasure were forbidden him.  The train going toward Long Island was nearly empty at this time of day, and except for a group of four black women dressed in cotton shifts with scarves tied tightly around their heads–apparently on their way to clean houses in Valley Stream, Lynbrook, East Rockaway, Oceanside, Island Park or Long Beach, I was the only one in the car.  I found a pair of seats facing each other, where, after the conductor had collected my ticket and moved on to the next car, I put my feet up and looked out the window and watched the backyards and billboards of Long Island passing by.

What was I thinking about just then, less than six hours before my father was going to die?  I was thinking about him.  I don’t remember exactly what I was thinking about, but now the image of the ashtray piled high with cigarettes on his desk in his office in the World Trade Center flashes into my mind.  I was going through the first of many periods of unemployment and had gone to visit him there to work on my resume.   My father, who worked as the advertising manager for the same company for over thirty years, would create grandiose phrases for me to put on this resume that he and my mother dreamed would gain me entry into an illustrious career in publishing or advertising or radio or TV.

The idea of getting a job in business–even in one of those glamorous industries–made me sick to my stomach.  This was something my father (who used to say that he “licked stamps and sealed envelopes” for a living) could never understand.  Why would a bright, charming girl such as myself want to live a fringe existence?  Didn’t I want to participate in “the action and the passion” of my times?

That day he came up with,  “Seeking a position where I can learn while growing and grow while learning,” a phrase that made me squirm with embarrassment.  But I let Cindy, his secretary, type it up and I didn’t say anything about it, or about the pile of cigarettes in his ashtray.  I didn’t say anything either when he took me to look out his window on the fifty-seventh floor (his age just then) to point out the landfill where he told me an apartment complex was to be constructed.  He said that he and my mother would move there when it was ready.  That way he would be spared the commute, which was becoming more and more difficult for him, and he would be able to continue to work.

I wanted to say, Daddy, I want to be an actress, I want to be a writer, I want to be a waitress, I want to be young. I wanted to say, Daddy, did you smoke all those cigarettes today?  Don’t you know they’re bad for your heart?  I wanted to say, Daddy, why do you have to keep on planning your life around that job you hate?

 

That commute on the Long Island Railroad–and all that went with it–encapsulated for me how my father had misspent his life.  His mornings began with the harsh, invasive rhythms of WINS News. Then there was the first cigarette of the day, before he even got out of bed, followed by his loud, hacking cough over the bathroom sink as he brushed his teeth.  There was never enough time.  A breakfast of Kellogg’s Special K and liquid artificial sweetener and skim milk, then one long last gulp of instant coffee (the rattle of the cup against the saucer traveling through the ceiling to my bedroom, where I slept upstairs) and one last long hot drag down to the filter of his Marlboro just as my mother, still in her nightgown, had started honking the horn of the Ford station wagon that she had just backed out of the garage into the street to drive him to the railroad station.

My father always told me that he never minded the commute–he said he enjoyed it.  He said that the forty-two-minute ride was the only time he felt truly entitled to relax.  He would spend the train ride reading, or doing the London Times crossword puzzle, which he could polish off in less than half an hour.  I was always very proud of how smart my father was–how smart and clever and wise.  He was handsome, too, like a movie star.  When I was in kindergarten, the teacher had had the class bring in pictures of our fathers when they were young.  My mother gave me a picture of my father in his army uniform and filled me with pride to see it leaning on the rim of the blackboard along with all the black-and-white photos of the other fathers, none of them half as godlike or beautiful as mine.  I was almost as proud of my father’s handsomeness as I was of his charm and elegance and grace.  I loved bragging about how he had had the highest Regents average in the history of Far Rockaway High School, and that he knew all of Keats and all of A.E. Houseman by heart.

His friends, too, seemed to have that same aura of refinement, that same sophisticated New York sensibility, that I hoped that I could one day claim for myself.  One was a lawyer for movie stars in Hollywood, another was the music critic for the New York Herald Tribune.  I always wondered why my father’s friends, none of whom my mother told me were nearly as smart or as talented as he was, had all found their place in the world whereas he had not.  The pride I felt in him was always mixed with the painful awareness of how he had wasted his gifts. Whenever I saw him with that group of commuters he called the “five-fifty-niners”–after the loudest, noisiest and most crowded train home–I would be struck by how misplaced my sweet, elegant Daddy was.  While they sat sprawled in their seats, their ties undone, their sleeves rolled up, drinking beer and telling dirty jokes and playing gin rummy over a platform of newspapers they had fashioned over their laps, my father sat quietly by the window.  I wanted to be like him in every way—in every way except in how he had lived his life.

 

My father never undid his tie until he had finished his dessert and had assumed his position on the sofa.  Years after his death I met his brother Georgie, from whom he had been mysteriously estranged for over thirty years.  Georgie’s wife, Molly, did most of the talking during my visit, and one theme she kept harping on was the little known fact that while my father might have been a genius his little brother Georgie was brilliant.  She told me how close they were in those early years, and how when they were all living in the Muriel Arms in Far Rockaway my father used to come to their apartment almost every night after dinner. “He didn’t say anything to us–he knew our home was his home–he would just come over and head straight for the couch.  That’s the way I always remember him.  Lying on his back on our couch.  Thinking.”

 

During those hot summer months in New York the sidewalks themselves seemed to exude a rank sweat, and when I got off the train at Oceanside the memory of the stink of the hot city that I had just left brought something new to my attention:  Oceanside had the hint of sea breezes in the air.  The quiet struck me too.  When I visited my parents I always took the rush hour train; even when I wasn’t working I would never go before the workday was done, for fear of drawing any further attention to my perpetually unemployed state.  The station looked very different at this time of day–there were no lines of women in hair curlers and Cadillacs waiting to pick up their husbands;  there were no little children running to meet their daddies and proudly relieving them of the load of their briefcases.

Everything was so flat, uncomplicated and quiet.  I walked past the dry cleaners on the corner, the yellow brick VFW building, with its American flag blowing gently in the wind, and the telephone poles (the highest things in Oceanside).  I passed the maple trees and the rows of houses, all identical to each other except for the color of their shingles and except for the fact that some of the kitchens and living rooms had been installed on the left side, and the others on the right.

My father liked doing things around the house and on Saturdays he would often engage the services of my sister and me; he wired every room of the house with speakers and there was always music playing.  He had a big record collection–mostly jazz, and vocalists from the forties and fifties, and musical comedies, and these would keep him company during those endless hours he spent sitting at his desk in the downstairs den, in front of a yellow legal pad and a row of sharpened pencils, writing ads for light fixtures and electrical appliances and window shades.

My sister and I knew all the words to the songs that always filled our house with  music and on car trips my father would lead us in sing-alongs, or he would entertain us with songs that he had made up out of the many elaborate stories and legends he would tell us.  I loved those stories and it was a long time before I realized that much of the world I loved was fictional.

One of my favorite stories was the one about how my father had lost his belly button on the boardwalk when he was a little boy.  He had to look all over for it.  He went up and down the boardwalk, and then down the wooden steps to the beach and finally out into the street, asking all the passersby whether or not they had happened to notice a missing belly button anywhere.  I can still see the row of jalopies parked near the sandy sidewalk and I can still smell the ocean and I can still feel the thrill of my father finding his belly button, just in time, just when the old man who was selling belly buttons out of a pushcart was about to sell my father’s belly button to a fat, redheaded boy with a row of crooked teeth.

 

My father had recently pointed out to me that while the other streets in our neighborhood were built on a straight line, ours had a slight curve to it.  He told me that it always gave him pleasure driving along that curve and seeing how the trees had all grown up so nicely.  We were on our way back from the funeral of his secretary’s mother.  My mother had to stay in the city to go to the dentist, and I went along with him to keep him company until Queens, where he was going to drop me off at the F train, and I would take the subway back to my apartment on East 33rd Street.  But it made me so happy just to be with him; I wanted to stay with him longer, so I told him that I had to go home to pick up some job-hunting clothes.  I know he was happy to be with me too because when we pulled into the driveway we sat in the car for a few minutes, finishing up our conversation, and he told me that I was a pleasure to be with and that it was a gift to be such good company.

 

In front of Boche Kaplan’s house, I realized that I had forgotten my key.  Boche was an artist who always dressed in men’s shirts and slacks, which made her an anomaly in Oceanside.  One year she and my mother designed a Japanese rock garden together in the little patch of land that separate our two houses, but within less than six months the weeds and stray blades of grass started peeking through the pebbles.  I lingered there for a while to see if I could find any of the thousands of white pebbles that Ruth and I had towed away from the swamp in our toy wheelbarrow years before, but not a single one of them remained.  All those pebbles, every one of them, had been brushed away by the wind and the rain and the snow, or pulled into the ground by the dandelions and weeds and grass that now covered Boche and my mother’s handiwork.

Boche’s husband Max died a year after my father did.  He was in the hospital for two months in intensive care and Boche and her daughter Lisa slept in the city that whole time on a sleeper sofa in her nephew Joel’s apartment.  Max Kaplan was a very nice man;  we seemed to have a special affinity for each other, I think partly because we both shared the same funny name.  The only thing I remember about those seven days we sat shiva for my father was the look in Max’s eyes, staring at me as I sat crying on my little cardboard box.  Of all the friends and relatives who stopped by to pay their condolences that week, and to eat the food my Aunt Selma had supplied in such abundance, Max’s was the only face I can recall seeing; his was the only face I managed to bring into focus.  He looked so sad for me, and worried too.  Max had already had two heart attacks by that time.  It occurs to me now that perhaps he wasn’t thinking about me at all just then; perhaps he was thinking about his own children and how he wouldn’t be around to help them, and see their lives take shape.  Max was the next in the long line of deaths of husbands of our neighborhood, of which my father led the pack.  After a brief reprieve of less than a year, one by one, the husbands and fathers all started to die, all of heart attacks, and all before the age of sixty.

With each new death a widow was born.  My brother named these widows the “newlywids”; all of them, even those living in the Ocean Lee Housing Development ten blocks away, would seek out my mother for comfort and guidance.  She was the pioneer, and for this reason, I suppose, the expert.  It got to the point that whenever word would come to our house of another man’s death my mother would throw her hands up in the air and groan, “Why me?”

 

My mother always hated it when I forgot my key.  It was just one of the many signs of how irresponsible I was. Bracing myself for a scolding, I rang the bell.  Soon, I heard the familiar thump-thump-thumping down the stairs.  When she opened the door, I was relieved to see that she wasn’t in a combative frame of mind.  Her curly brown hair was mashed in ringlets against her head and she was wearing a pink nightgown with puffy sleeves.  She looked remarkably like the adorable little girl whose pictures were packed away in cartons in the upstairs crawlspace that Ruth and I would spend hours looking through, and as I followed her wobbly climb up the stairs I began to look forward to spending the day with her.

Even more than my father, my mother deplored my lack of direction, and she was relentless in her efforts to correct it.  She would call me every morning at eight and, with the sleep still in her voice, she would ask me to recount my plans for the day.  At eight o’clock I was still in the delicious depths of my morning sleep, but I always knew it was my mother calling, so I would shout a bright hello into the receiver to camouflage any signs of grogginess.  I always managed to come up with one account or another of a day filled with job-hunting activities.

“Hurry up,” she said to me in her cute baby voice as she wobbled faster up the stairs.  Top Hat’s just about to begin.”

My mother has always been a big movie fan, and Fred Astaire was her favorite movie star.  Whenever one of his movies was on television, she would let us stay up and watch, no matter how late it was, as long as it wasn’t a school night.  During commercials she would tell us stories about what a bad girl she was when she was growing up.  She bleached her hair.  She smoked cigarettes.  She played hooky from school with her girlfriends and spent the day at the movies or at one of her friends’ houses playing bridge.  She was always very popular, always the leader, and she seemed to take special pride in this and in the fact that she could make anyone feel at ease.

Edward Everett Horton was trying to explain to room service that he wanted a raw steak delivered to Fred Astaire’s suite when my father phoned for the first time that day.  It was his habit to call my mother from his office several times a day; there was always something he had to tell her or something he wanted to talk about.  When she got off the phone she reported to me that Daddy had just gotten the idea of contacting an old army buddy of his, Abe Jacobson.  He was very excited about it, she told me.  Abe Jacobson was a doctor and my father said he was one of the smartest men he had ever known.  He was going to ask Abe to refer him to a heart specialist.  If anyone would know of a good doctor, Abe would.

For some reason my parents seemed to think that if only they could find the right doctor, everything would be all right.  They used to visit the offices of cardiologists as though embarking on the most scholarly of research expeditions.  My father took the notes while my mother asked questions, which they had organized on index cards, along with lists of my father’s symptoms, and lists of the doctors they’d already been to see, and lists of the medications each of them had prescribed for him, and the various diagnoses he had received.

The second time my father called, my mother and I were busy lying side by side on her bed comparing our legs.  We both have the same heavy muscular legs–Russian peasant legs–and a game of ours was for one of us to hold up her right leg and the other the left and pretend that it was a complete pair.  This time my father was calling to report that he had gotten in touch with Abe Jacobson’s wife.  She said that Abe would be busy at the hospital all day but that she would tell him to call as soon as he got home.  My mother didn’t have to report this conversation to me.  My father’s voice was so charged with excitement that every word he said traveled over to where I lay next to her on the bed.

The third time my father called I answered the phone.  He didn’t seem to be happy the way he usually was to hear my voice; he wasn’t friendly to me at all.  He started right in about my resume, and what I was doing about looking for a job.

“Daddy’s ready to start taking care of himself,” my mother announced to me after she hung up the phone.  “I think he’s finally getting scared.”

The fourth time the phone rang, I was also the one to pick it up.  This time it was Artie Singer, my father’s boss.  I knew Artie, but he didn’t bother to ask how I was; instead he asked to speak to my mother.  She was on the phone for less than a second, it seemed, and then she was out of bed, throwing off her nightgown and rummaging through her drawer for underwear.  “Don’t dawdle, Maxine,” she said to me from behind her tight jaw.  “Hurry up.  We have to get out of here right away.”  But she hadn’t even finished zipping up the back of her skirt before the phone started ringing again.  It kept on ringing as she finished dressing and it was still ringing when we left the house and I think I could still hear it ringing when we closed the door and got into the car.  This is all I remember about the day my father died.  Everything after that is just a blur.

 

 

 

Katharine Coles

Katharine Coles’ fifth poetry collection, The Earth Is Not Flat (Red Hen 2013), was written under the auspices of the National Science Foundation’s Antarctic Artists and Writers Program; ten poems from the book, translated into German by Klaus Martens, appeared in the summer 2014 issue of the journal Matrix.  Her sixth collection, Flight, is due out in 2016.  A professor at the University of Utah, in 2009-10 she served as the inaugural director of the Poetry Foundation’s Harriet Monroe Poetry Institute.  She has received grants and awards from the NEA, the NEH and the Guggenheim Foundation.

The Question of the Soul ~ Katharine Coles

 

Birdsong.  Oboe’s
Breath.  Wind in the eaves, voice

Of the sparrow someone says
Is five notes I can’t count.  Does

The mind breathe or
My lungs.  Throb or

Heart, awash.  Electric,
Stricken, it casts

Itself at the air.  Beats
And will not

Fly.  Wherever might
It go?  Dreaming mind caught

Again in the leaves.
Don’t look down, I know, keep

Paddling, feeling
Pulse as glee.  Moonlight too

Is all the moon’s
Sleight of hand, its sly

Deception. A window.  Eye
Falls on me.

 

 

The Man in the Blue House ~ Thom Caraway

 

He walks the alley, hammer in hand, and taps nails
back into fences. Sometimes he is Dmitri,
sometimes Anton. Other times, he doesn’t know.

He scavenges pallets for the man across the alley,
rebuilds them and piles them in the bed of a pickup.
He yells, accuses no one, You can’t hide! His screams
another note in the white noise of the neighborhood.

At night he tends a fire of scrap lumber
between his house and the neighbor’s garage.
The orange glow lights the alley. Come the winter,
low clouds heavy with snow will glow the same color.

The chickens roost, making small noises back and forth.
A cat is stuck on a roof, yowling hungry all night.
This is how we settle in, October air loose in our mouths.

 

Suzanne Farrell Smith

Suzanne Farrell Smith’s recent work has appeared in Crab Creek Review, Literary Mama, and PANK. An essay in Post Road was listed as notable in Best American Essays 2014. Another essay is forthcoming in Creative Nonfiction’s anthology Oh Baby!: True Stories About Tiny Humans.

Everything Reaches to Light ~ Suzanne Farrell Smith

My husband and I were at my mother’s, weeding. She lives in a six-bedroom house on a sizable lot—front and back yard, gardens, and ample Connecticut woods. Her four daughters have always been the landscaping crew. As kids we lugged sloshing-full watering cans to each whiskey-barrel-turned-flower-bed while our mother, widowed ten years after building the house, spread mulch over dry spots. I remember when she hoisted the heavy sundial onto its granite pedestal. I remember when she laid hundreds of bricks in the footprint left behind by the old pool, tamping each into the sand with a dead-blow sledge.

Over the years the lawn has shrunk and the gardens have grown over their stone borders. Resin and bronze statuary, little girls frozen with bonnets and parasols, hide under yucca plants. My sisters and I, all within a three-hour drive, still rotate crew duty. It was my turn. At my mother’s request, while my infant son slept in my childhood bedroom, I kneeled on the path and through dirt-stiffened gloves grabbed at the tall grasses that had overtaken a section of garden between the patio and shed. The weeds, to me as a city-dwelling visitor to my small-town former home, were not pests but rather graceful green threads unspooling from the ground, which in this particular section also held three porcelain mushrooms, a birdhouse, and the remains of five cats.

As I was pulling, Justin hopped over a four-foot-wide-and-growing puddle toward me. “This is unbelievable,” he said, as the back lawn and asphalt path flooded. Mom’s sump pump was operating, but her body wasn’t. Hobbled by Lyme-eaten bone-on-bone knees, she couldn’t drag the twelve-foot-long drainage pipes out from the garage, so water poured from an opening in the foundation directly into the back yard. It had been doing that all spring. Water seeped back into the earth, or flowed toward the woods, or sat in puddles when the ground was too saturated to accept it, burning off in the sun. The garden where I weeded—on a little rise in the heart of the yard—was sheltered from the worst of the flood, but still damp. Justin was tasked with changing the batteries in the clock hanging above the shed door. He glanced from the two cylinders in his open palm to the expanding lake he’d just crossed. “Can your mother even see the clock?”

On the phone with my mother days before, I’d consented to weed, though our short visit seemed too precious for cosmetic improvements. To me, more crucial tasks included cleaning out closets to find things to sell, or ripping up cat-pee-soaked carpeting, or emptying basement shelves of forty-year-old aerosol cans, or replacing one of several dilapidated appliances, or dragging those drainage pipes from the garage to the back yard. But my mother is the one who has to live there. She decides which of the house’s many injuries needs a band-aid. I saw her request for weeding as a symptom of her illuminated mind, denied the comforts of blindness. Above decay, her aesthetic desires soar.

She’d asked me to hunt the oriental bittersweet, a vine that uses trees to climb toward the brightest light, slowly choking its hosts to death. Grasses gone, the bittersweet was exposed. It grew in tight spirals up the trunks and branches of holly, azalea, and mountain laurel. After I clipped sections from the trunks, the bittersweet stems retained their curly-cue shape as if set by hot rollers. Working my way from the middle of each trunk, I clipped upward to get to the leafy green ends that selfishly sucked up the sun. Then I moved down, searching the ground for roots.

“Can you help me?” I showed Justin a thick weed base I’d been trying to remove. He grabbed the stubborn root and pulled hard and more than a foot slid from the earth, its red wood flesh staining his palms.

“Hold on, there’s some garbage in there,” he said, pointing to a sliver of white plastic now exposed. He pinched the plastic and yanked, but it didn’t budge. It was part of something bigger, something buried just under the surface, no more than an inch down. I brushed dirt away and more plastic emerged: an opaque bag wrapped around something lumpy. I dug at the edge until I made out the oval outline of a basket.

“Oh my God,” I said. “It’s Charcoal.”

Charcoal had been my cat. She loved my pink comforter, especially when I rolled it into a mound at the foot of my bed. Before we adopted her, the tip of her tail had been broken and healed in the shape of a hook. She hissed at boys. Charcoal minded baths a good deal more than our other cats had, and I found her fierce and funny and vulnerable when skinnied by drenched fur. Later in her life, she groomed herself in the middle of the night, waking me up with her rhythmic slurps, and I kicked at the pink mound until she retreated under my bed. I lived with her for ten years; she died while I was away in college.

Now, Charcoal had come back. Later I felt proud of my composure at the edge of the garden, how much like an everyday occurrence I treated Charcoal’s disinterring. In the car on the way home, Justin told me he found it curious that our long-dead cat was accessible in the first place, never mind that she’d been accessed. In the moment, however, it seemed natural to me that Charcoal would be at my feet. I searched nearby and found, about a foot away, askew in the wet earth, a rectangular stone: Charcoal 1985­–1998. Only then did I wonder how I’d known when I first saw the bag that it was Charcoal and not Spookee, not Twinkle or Casper, not Patches. Charcoal had been dull black like her namesake briquettes before they burned. But through the bag I couldn’t make out anything but the wicker casket that held her bones. “What do we do?” Justin asked.

I didn’t know what to do, so I studied the plastic-covered basket. It lay still and dirty.

I found myself thinking about the peculiar logic that had brought Charcoal back. I had been to my mother’s house dozens of times in the years since Charcoal was buried. I had barbecued near, planted on, and stepped past this spot chosen to memorialize her cat body and cat soul (we are a family that believes in such things). Time passed and she was longer and longer gone, but due to storms and erosion and cyclical New England temperatures, she was closer and closer to coming back. The final barrier had been the bittersweet root now ripped from the ground. Freed, Charcoal surfaced. In life, her fur had baked in the gold light that spilled on the porch floor. Why should it be any different in death? Like everything else in the garden, she sought the sun.

But no rays could warm Charcoal’s skin now, whatever shape it was in after all these years, for the plastic my mother had used to protect her remains also diffused the light, like a cloud.

My mother’s own grave is already waiting, thankfully not here in the back yard but down the hill in the town cemetery. We will wear black that day, but she will wear a colorful floral dress she’s already sewn under a bright brocade jacket she’s already constructed. She will lie in a casket she’s already chosen, lined with pearl satin. Her name is already etched next to my father’s on the gravestone that marks the plot in the shade under the cemetery’s two tallest trees. What a strange thing to preserve, this decay, this deadness.

I looked—really looked—at the basket, like a cat looking at a bump under the covers, a bump that might move. A bed mouse, a toe. I didn’t want it to move. But I wanted it to move. Both carried implications about life and death I wasn’t prepared to weigh while bent over an old basket in the garden that smelled of pine and cedar and wet earth. I couldn’t decide which I wanted more, couldn’t decipher the message I believed Charcoal had delivered. I stopped breathing. Should the basket move, I would surely jump, but wouldn’t I just rationalize the movement, guess that a living critter had taken up residence in the basket, enjoying the shelter it provided? What other explanation could there be? Yet there Charcoal was, and there I was, waiting for a sign to soothe my angst about what happens when death finally comes.

I felt visited.

I thought about telling my mother. We could add it to the list of chores she writes for us. Carry litter down to basement. Weed oriental bittersweet. Rebury Charcoal. I looked for her through the porch windows but saw only plants and trinkets and, stretched out in one corner, Smudge, her latest cat. Smudge watched me as I contemplated what to do with his predecessor.

“We bury her again,” I said. Gloves off, I scooped dirt from a spot near Casper, and heaped it over the plastic bag. “That’ll just wash away,” said Justin. “I mean, look.” He gestured to the hole in the porch’s foundation; the torrent had begun again, splashing onto the slate patio and sweeping weed cuttings into the grass.

I found two flat rocks and laid them on top of the shallow bump, collected more dirt from around the garden and covered the rocks, then pulled pachysandra from behind the shed and stuck the roots deep into the earth hoping the robust ground cover would take to this spot, especially given the sunlight now drenching the garden.

I felt bad about the rocks weighing Charcoal down. I bent to remove them, but my mother was back on the porch, leaning against the cat scratching post for support, asking Justin to pull down some dead branches caught by the birdhouse pole. She told him the garden looked lovely. “It’s so much brighter now,” she said. I left Charcoal under the stones.

The trees, free of the vines that had been choking them, stood thin but healthy. The garden was wholly different. My mother eyed the new landscape from under the slanted windows that allowed more sun to reach her plants, while Justin and I stuffed black contractor bags with grasses and spiraled stems and dragged them through puddles to the driveway in front. Before we left, I scratched weed oriental bittersweet off my mother’s list. I noticed new writing at the bottom; in the time it took to trim one item, the list had grown by a dozen more.

Lois Taylor

Lois Taylor’s fiction is currently online at the Kenyon Review, and upcoming at New Ohio Review, Gulf Coast Journal, Quiddity, and Natural Bridge. Other recent publications are in Thema, Juked, Chariton Review and Minerva Rising. Stories published previously in: Bellevue Literary Review, Nimrod, StoryQuarterly, Crab Orchard Review, American Short Fiction, Del Sol Review, Glimmer Train, Ontario Review, and others.

Picture This ~ Lois Taylor

This was when I was younger but not young.  Looking back, I’m not sure just exactly when I was young.  It seemed I was in school one day and in Maternity the next.  I remember the pleated dress.  And that it was white.  And that it was spring.  The kind of evening they write songs about.

My friend Dodo and I went, on an invitation she’d somehow wrangled, to a fancy club neither of us belonged to.  I remember it was on the water, and the evening was pink all around us.  Boats sluicing by on the narrow cut below, the Montlake bridge looking like it had been lifted from Paris.

Now for the dress.  Because I think my subconscious went out and bought itself a dress.  White.  With a pleated skirt and a modest, plain top.  But in it, I was no longer invisible.  It was romantic in a way my life was not.  I remember coming upon it in my closet later, as if some stranger had left it there.

So we went.  I don’t remember what Dodo wore.  She said she’d find us a drink, and she disappeared.  I wasn’t uncomfortable.  I didn’t know anybody, so it didn’t matter what happened.  And then in that dress, I was a mystery even to myself.

A combo had set up and it began knocking out old, romantic songs.  I was thinking how music sounds across water as I watched groups of two and three come together, break up, when I felt someone’s attention.  Just that: attention.

Another solitary figure, a man, holding a napkin around his glass.  Perhaps a little older and at ease in that setting.  I knew it wasn’t a matter of him thinking he knew me.  It was simply that he wondered about me.

He nodded, I did not, but I didn’t turn away, either.  And then  Dodo came up, talking as she came.  I remember that about her, how she always entered talking.

She was a sharp little girl, not five feet tall, and she saw the man, who’d come to a stop about three feet away.  She had my vodka tonic in one hand and her drink in the other.

So the spell, or whatever it was, dissolved, and when I looked back, the stranger was gone.  I thought I glimpsed him with some people, up near the band.

Dodo stayed and we talked and then she disappeared again, leaving me standing with my drink.

A woman came over, mistaking me for someone she knew.   She lingered, just being polite, talking.  And while she was talking, the stranger materialized, closer now.  He raised his glass and pressed it to his forehead, which seemed odd but interesting.

The woman followed my glance, and then murmured something polite and left.  But before she went, she did a strange thing.  She reached out a hand and squeezed my wrist.  “Such a pretty dress,” she said.

Now the man was gone again.  I don’t know what I was feeling, but I remember what happened to my thoughts then.

Suppose he comes over and we talk.  He says he has a new car and wants to take me for a ride.   He says my friend can come, too.  Forgetting my life, I find Dodo in the crowd and we go with him—Don is his name—in his cherry red sports car—across town and over the Aurora Bridge.

Where we run into a funeral cortege.  Now we’re crawling at five miles per hour and Don is saying, What the hellFunerals at night now.  Dodo, squeezed in the back, suggests he make a U turn.

He looks at her in the rearview mirror, and then he makes the U.

One of the motorcycle cops herding the funeral peels off, turns around and pulls Don over.  It is then I notice that two pleats are caught in the car door and all I can think about is will the dress ever look the same.

Don fails his breathalyzer, which is nothing compared to how badly he does on his walking sobriety test.  We all three are at the nearest precinct, blaming each other.

But. Suppose instead I go up to him and I say, It seems we’ve stood and talked like this before.  And he says  . . . but I can’t remember where or when.  Straight from those old songs the combo is playing, whose useless lyrics stick to the brain.

He looks sharp, a word my friends and I used at the time.  Slender as opposed to thin, with an elongated trunk, wearing a fine linen suit with little flecks in it like baby cereal.

But suppose he says, Pardon?  He doesn’t recognize the song. I wilt in my white dress, or it wilts.  Then the stranger and I blink away from each other, confused and oddly sad.  We manage to part seconds later.

Suppose though he comes to me just as Dodo and I are about to leave.  The band’s packed up, people drifting toward their cars, night on the water now, and the lights shining on it.

It doesn’t matter what he says, what matters is that I look at Dodo and she, sharp as always, says, Go.  Go.   How we solve the problem of my having driven us here, I don’t remember.  Dodo is resourceful.  She’ll make her way home.

He says to me,  The evening’s not done with us, or we’re not done with it, and I find that poetic.  Which makes sense, because he’s a poet.

I leave my life yet again and join him in his tenement.  Seattle doesn’t have many tenements, but he’s managed to snag one.  It has oilcloth on the kitchen table, which I didn’t know you could buy anymore.  And a space heater that smells like burnt shoes.

He lives on stipends and small grants and unemployment.  I put the dress in its own special garment bag, and then I get a job at the nearby Fisheries Department.  The place is interesting, not the job, which is filing and greeting.  My children visit on alternate weekends, but they have other lives now.

The poet is jealous.  He says he can’t trust me because he always heard that if a woman cheats on one man, she’ll cheat on another.  At the Fisheries Christmas party one year, he gets very drunk and introduces himself as Mr. I.M. Next.

We split up.  Meanwhile my children have grown, and my husband has remarried and made a new life, from which I am excluded.  Except for holidays.  After all, I’m the one who left.

Suppose it’s not a sad story, why does it have to end badly, aren’t there happy couples, good marriages, don’t you see them everywhere?

Supposing.  Supposing my husband leaves, and I bump into the stranger from the party somewhere years later.  After the divorce. In a grocery store, rolling our carts toward each other.  Some of that same romantic music is playing on Muzak. I wouldn’t notice it, but he’s whistling.  He’s a whistler.  And a musician.

He was actually a bass player with the combo, but they’d hired the piano player’s brother-in-law at the last minute, and he decided to stay for the party anyway.

We begin to go out.  The dress is still in my closet because the thought of someone else wearing it makes me ill.  We’re older now, so decide not to call it dating.  Mostly we go to dinner.  The romance deflates with the velocity in which it had arrived, but we agree we like what we’re left with, which we call companionship.

My children live with us part-time, and they think his music is not cool.  I keep my old job, but finally get the editor position I’d been vying for.  Years pass.  It no longer matters how we met.

I think about it, though.  A lot.  With this terrible sense of loss and yearning.  I think, What’s that about?  You have the guy, it’s all good.

He gets a bad back just as he’s turning sixty.  Where has the time gone?  He’s very unhappy because of the back and I resent it, just a little.  Finally he gets it checked out and the news is not good.  Not good is not the right phrase.  It is terrible.  Cancer.  Not the kind that has a good cure rate, or any cure rate.

And I think, that’s why I was sad, looking back, remembering that night.

But suppose none of this is true, because what really happens is he finds me in the crowd and takes me by the wrist—like the strange woman had—and leads me away from here.

Down streets lined with trees.  The old houses, the chestnut husks on the ground.  Or no—it’s spring.  Blossoms from the Japanese plum trees on the ground, and he says, Look, they could be snow, and I’m thinking, what a great guy.

He leads me toward the Museum of Science and Industry, which has since moved, but at that time was perched there, modernist and white.  Beyond it, my favorite willow trees, dripping their boughs into the water.

Pretty, but isolated.  Because now I’m wondering what it is I’m doing, going off with a stranger.  And something has changed.  He is looking all around. And, as they say in stories, before I knew it, he’d herded me up a path, and we were in something like a shed that smelled of mold and moss and sawdust, and he’s thrusting one hand up, mussing the pleats of the dress, and the other down, like a kid stealing candy, I think, slapping his hands as if he were a child—my child—but he won’t stop, until a light comes on, so bright the word I think of is loud, and a voice calls, Who’s out there?  Who is it?

And we look at each other in that harsh light and we wonder, Who are you?

Why does it have to be vicious or sad or boring?  Why can’t it just be?  Supposing it’s all very simple.  He comes over now, we exchange vitals, my marriage falls apart,  I call the stranger and we have a real love affair.  But then, like my cousin’s husband up in Canada, he gets killed in a motorcycle accident right in front of our new apartment and all I have of him is my sad little dress and the skid marks, which I have to drive over every day if I want to leave the house.  My cousin in Canada never left her house again.

Is there no sane way to love a stranger?  Who even now, as I run through my supposes, has found me in the crowd again and is coming my way with an expectant look.

Supposing it’s all about tonight.  We have a romantic evening and that’s the whole of it.  It becomes one of those reference points in your life you never lose because it’s a memory.  A nice, unspoiled-by-life memory.  What about that?

He’s heading straight for me when someone steps between us and I know by his face, know as if I’d been at the ceremony–a bridesmaid, perhaps–that this woman is either his wife or his lover, and does it matter which?

It’s all in his fleeting expression.  Guilt, relief, annoyance, loss, memory, regret.  I know them because I’ve got them, too.

Dodo comes up then.  She says I’m right where she left me, she wants to know why I didn’t mix, I should’ve gotten myself another drink, that one’s all water, it’s chilly here by the water, am I bored?  Well she is.

Are you ready? says Dodo, finally.  Yes, I say.  Yes.

 

Sarah M. Wells

Sarah M. Wells is the author of Pruning Burning Bushes and a chapbook of poems, Acquiesce. Poems and essays by Wells have appeared in many journals, most recently Ascent, Brevity, Chautauqua, The Common, The Good Men Project, The Pinch, Poetry East, Puerto del Sol, River Teeth and Rock & Sling. Sarah’s work has been honored with three Pushcart Prize nominations. Her essays have been listed as Notable Essays in The Best American Essays 2012, 2013, and 2014. She recently completed her first full-length memoir/essay collection about love and attention, marriage, parenting, and desire, titled, American Honey. Sarah serves as the Managing Editor for the Weatherhead School of Management at Case Western Reserve University and as Managing Editor for River Teeth: A Journal of Nonfiction Narrative. She resides in Copley, Ohio with her husband, Brandon, and their three young children, Lydia, Elvis, and Henry.