Stan Sanvel Rubin’s fourth full collection, There. Here., was published in 2013 by Lost Horse Press. Work forthcoming in National Poetry Review, Red Savina Review, and Poetry Northwest. He lives on the Olympic Peninsula of Washington State.
Stan Sanvel Rubin’s fourth full collection, There. Here., was published in 2013 by Lost Horse Press. Work forthcoming in National Poetry Review, Red Savina Review, and Poetry Northwest. He lives on the Olympic Peninsula of Washington State.
Fuel, then, that car filled to the rear window with newspapers
and monthly magazines, all mixed with white envelopes,
all loosely cascading over the front seat,
pooling on the floor around the feet
of the woman driving it, the woman called
the woman with the car full of newspapers,
always arriving out of nowhere, and once sited
by kids on the street complaining, “Nothing to do,”
called,“Emergency landing!” For loaded down as she was,
she tipped a wing too far, rolled,
spilled, caused an explosion, because as it was,
when she pulled over, she dug out,
popped the sprung door, pushed back the leak
of papers, in front of the post office brushed off,
straightened on her way in to see Stewart,
the postal clerk. Stewart called Stump.
Stump. Not as a result of explosions,
more because he moved so little
and stated the obvious, like “Those B-52’s
up there refueling again,” though never a word
to the woman with the car full of newspapers,
just the exchange. For her, an unclaimed magazine
or newspaper, an occasional dead letter
that Stump saved, what Stump told us,
once we were ready to stop playing,
was the least anyone deserved,
a place, even if it wasn’t real.
Fuel now, the sound barriers breaking—
to see, then, a B-52 refueling in flight,
to pinpoint, high overhead,
two shiny bodies connected by what
looked like a plastic straw in a milk carton.
The incision across her abdomen
Almost fully disappeared.
She circles a finger in the air,
Imitating the umbilical cord’s coil
Around the neck,
The way the room spun with the news.
What do we say
To such incomprehensible suffering?
That’s life, perhaps, and perhaps by that
We mean life on a planet, turning,
And the moon—itself born of Earth—
Floating dead in the sky.
Sometimes, she’d cycle through her scars,
Pointing and detailing their origins.
I’d follow along,
Pressing my lips to each one,
Astonished by the body’s healing,
By the radiant gestures of her hands.
How is it that I told her No
When she asked if those scars were beautiful?
As if she wanted a meditation on ankles
Gashed by rusted piping,
Or an aesthetic argument for wrists
Blistered on electric griddles.
All these years later,
And I still circle back to that night,
To her crying on the bed.
What can I say?
That’s life, perhaps,
And perhaps by that I mean
That what I know of myself is memories,
A snake discarding its skin to survive.
Mark Schoenknecht’s poetry has appeared in 2River View, The Pedestal Magazine, Driftwood Press, and elsewhere. In 2013, Mark was awarded the David A. Kennedy Prize for his collection Kissing the Girl Who Wore a Mustache. He’s currently working toward a PhD at the University of Illinois at Chicago.
We have reached this place.
A continent’s end-stop
made whole.
Fir, cedar, the old Chinook wood.
Glacial water meets the ocean
all morning. Sand in our shoes,
soggy with a distant mountain’s gift.
A ship tells us
there are farther places
but we can’t believe it.
Beaten ridges break across
the sky above the Strait. Gulls,
the pier. The final corner
is a gesturing land. A hint.
Travis Truax earned his bachelor’s degree in English from Southeastern Oklahoma State University in 2010. His work has appeared or is forthcoming in Flyover Country, Quarterly West, The Marathon Literary Review, The Flagler Review, and The Meadow. After college he spent several years working in various national parks and currently lives in Bozeman, Montana.
–Life magazine headline, July 4, 1969
When I was young I wanted to go to the moon
but I’ve only made it to Milwaukee,
which is to say I have learned
about adjusting expectations.
When I was young I planned to move
to the big city, any big city,
but my hometown grew and grew
in a labyrinth of commerce around me,
which is to say only certain bodies at rest
tend to stay at rest not to mention
good urban planning is a must. When I was young
I was going to drive a Porsche 944 flat on the floor
but I’ve been all four-door sedans and minivans
which is to say I had kids which I was not planning
with a husband I was not planning
the latter of whom came into my life
wearing plaid pants which I was
definitely not planning
which is to say that love is the unbalanced force
unnamed in Newton’s first law
and I learned early on
one, to accept people as they are
even if they have no fashion sense and two,
planning will only take you so far but love
will take you everywhere, even
to Milwaukee in winter, which is to say
although I reserve the right to complain
we do what we have to do. Older now,
I take uncommon pleasure simply anticipating
an afternoon cappuccino
from a powdered mix, which is to say life
is improbable, and if you look you’ll find a galaxy
in your cup, perfect and round and spinning.
Kory Wells is author of Heaven Was the Moon, a poetry chapbook from March Street Press. After many years in software development, she now works as a writer, teaching artist, and advocate for the arts, literacy, democracy, afternoon naps, and other good causes. Twice a finalist for the Rash Award for Poetry, Kory’s work buy antibiotics tooth abscess appears in Christian Science Monitor, POEM, Unsplendid, The Southern Poetry Anthology, and other publications. She also performs her poetry on the album Decent Pan of Cornbread, a collaboration with her daughter, old-time musician Kelsey Wells. A 7th generation Tennessean, Kory lives near Nashville and mentors poetry students in the low-residency program MTSU Write.
Sitting that night by the fire, all she could think
was how the logs had segmented to look
like a spine. You were saying something
about your life, but the bones in the fire
glowed slow flashes of red,
she heard only their sighing breath.
Voice falling in the empty air, you saw
her eyes closed, hand reaching
for the graceful length. Her fingers
gentle and burning, like rest.