Goldfinches ~ Lisa Norris

 

Motion attracts me: the birds especially—
goldfinches dip and rise—musical

breaths of air push at the trees, boughs
bow and nod to say

happy birthday. Outside, I still celebrate
two dogs I buried under a fossil

from Virginia–trilobites preserved in the rock: bodies
buried, filled in. Truly, I don’t know

how it works, except that it’s miraculous
like the osprey circling without wingbeats,

calling to her fledglings. When I plant a seed,
green comes up, thin as an eyelash:

can you tell it is Spring?—a good season
to be born, I think, though the long dark remains

in my cells: this morning, I recalled
someone’s back turned—a lover’s (or was it Mother’s?)—but then

those bright winged bodies flew across the yard.

 

 

Joseph Gross

 

Joseph Gross’s poetry and essays have appeared in a number of journals, including Alaska Quarterly Review, Fourth Genre, Mid-American Review, Ninth Letter, Redivider, and Salamander. He is the former editor in chief of Atticus Review, and currently work as the director of a mid-sized library in southwestern Michigan.

Afternoon with Sofia ~ Joseph Gross

 

 

She takes the rubbed-soft cover from me and says
“The little girl took the book from her daddy
and then she went over to the other books she had.”
The way she blurs narrative and a real afternoon
gives us the sparkle of time in abeyance, the swagger
of characters who stay true to their natures,
and even their lines, day and night, show after show, never
wondering if they’d screwed this thing up from the start,
if the project was doomed in its code all along,
if the mortgage is late or their prostate bloating,
if the wiring they did might one night kill them all.
The suggestion of spectators following our story
makes me feel so much more capable of sacrifice,
which I say because for an hour I’ve been thinking
of pencils and poems and correspondences ignored,
until now, the expectant eyes of audience assist
and I’m the stable, consistent father, as well
the agent of exuberance, of peanut butter and dancing.
I remember once thinking, before I met my wife,
that if the evening’s second drink could always be in hand,
I could stay in love with just about anyone,
and this condition may be equally short-lived,
this swell of correctness that company brings,
but I run on hope and hope’s wispy fumes
and the knowledge that even if someday she hates
her mercurial spirit, her corkscrewing hair,
at least they’ll be things undeniably from me,
things given freely, unchecked, pure.

Laurie Stone

Laurie Stone’s next book, My Life as an Animal, Stories, will be published this October by Triquarterly Books/Northwestern University Press. Her work has appeared in Fence, Open City, Creative Nonfiction, Threepenny Review, Nonfiction, and many other publications.

Montreal ~ Laurie Stone

 

 

It was July, and in June I had learned Gardner had bone marrow cancer and would die. When I imagined him dead, my life seemed treeless and gray.

I was drifting beside a river in Montreal. I was difting like a river when a bicycle slid slowly into view. It was laden like a pack animal with eight knapsacks and a guitar, and a boy was pedaling, lanky and tan with a cap of yellow hair. He paused before a wall of concrete. I said, “What is that?” He said, “A granary.” I said, “No, really.” He said, “It’s true. There’s one just like it in Vancouver, where I live.”

I said, “What’s with the bike?” He said, “I have been traveling around the world for the last two years.” I said, “Tell me more.” He was alone and young. I would soon be alone and was not young. He said, “I set off with four thousand dollars and hopped a freighter to New Zealand. When I ran out of money, I waited tables. On the road, I averaged a hundred kilometers a day. In Yugoslavia my bike broke down and I had to pedal six hundred kilometers in a single gear. I slept alone in parks or on the sides of roads. I was always afraid of getting robbed and attacked.”

I tried to imagine myself in a similar situation, and a small hotel room came to mind. It was in Paris or Amsterdam, and I had had a panic attack without knowing what it was. I thought I was made of balsa wood. My heart beat fast.

I asked the boy his age. He said, “Twenty-two.” At twenty-two, I was married to a boy my age and having an affair with a man who was twenty years older than me. I would look at the little lines around his eyes and wonder what I would look like at that stage. I was there, now, forty-four. Gardner was old enough to be my father, and it made me feel free. It made me feel “This is not my real life.”

The boy said, “I almost died in India.” He smiled as if it were an accomplishment, and I supposed at his age you could think almost dying was a trick. He said, “I thought I had an amoeba, but it turned out to be hepatitis. My mother was in Rome, and by the time I got there, I was practically dead.” He smiled uncertainty. He said his bike had been lost on the plane, and he was using a loaner while awaiting its return. A week had passed. He was giving up hope.

I was in Montreal to laugh at comedians and write about it. Gardner had said, “Go, it’s your job.” I was staying at a fancy hotel the magazine was paying for. The boy was slim, broad-shouldered, six feet tall. His arms and legs were covered with thick, white down. Some kind of pain rose off him. Everyone’s pain is different. I asked if he wanted to meet me that night to see a show.

He was at the theater when I arrived, propped against a fence, wearing a red t-shirt and shorts printed with flowers. I guided him to a tent behind the theater, where performers, agents, and journalists were watching comedy acts on TV monitors and helping themselves to food and drink from a buffet. The boy heaped a plate high and carried it to a long table, squeezing in beside a comedian with a dangling earring and a singer with a Lulu bob. Every summer the comedy world convened in Montreal. It was like a giant bar mitzvah, the food, the kibbitzing. Milton Berle was reputed to have either the longest or the fattest cock in show business. One summer he came to the festival as a special guest. He was an old man by then who needed shepherding. One of his minders reported the story about his cock size were true. The people at our table watched the acts and talked between them. The boy described his travels. People listened. The story was his ticket. He was an operator and good at it.

After the show a group of us moved to a bar and later, as people peeled off, I asked the boy where he would spend the night. His cheeks were flushed. He was excited by the evening. He said, “I’ll pedal up Mount Royal and camp out.” It was late. We were both away from home. At the bar, people had winked and nudged me about the boy. I had said, “Oh, sure, right,” sizing him up because, really, sex is a lizard that can slip in anywhere. But I did not want to sleep with him. I wanted Gardner to live, and I offered the boy the extra bed in my room.

On the way to the hotel, as we slipped between crowds and buskers, the air felt soft, and the boy walked stiffly. I thought it was from balancing his bike. He said, “The worst thing about moving around so much is I didn’t get to know anyone well enough to get angry at them.” He shrugged. “It’s my own fault. I take off before people can get sick of me.”

I thought, not quite. His chatter was beginning to grate, and he did not ask questions of me. Some people think it is rude to ask questons and wait for you to present yourself. I decided that whatever happened was all right for a night, and I wondered if I could live my whole life this way.

In the room, he asked to shower. When he came out he reached for his toes, not getting far. He said, “I’m tight.” I said, “From riding?” He said, “Curvature of the spine. It’s very obvious.” He lowered himself slowly into a chair, suddenly older, suddenly old in his bright shorts and shirt, and I could see it now, the twisted bow shape of his long back. How had I not noticed it before?

His hair was damp, and he smelled of soap. His eyes were the startling blue of the Mediterranean, and clouds moved across them. I said, “What does it mean?” He said, “A few years ago I went to a chiropractor, and she said, ‘You’re history.’” He flashed a thin smile and said, “In ten years, it’ll probably bother me a lot.” He meant he might be crippled. He might be crippled at thirty-two. He scribbled something on a pad and looked up. “My parents could have treated it. I don’t know why they didn’t.”

He had said his father was a professor of English, his mother an artist. They had divorced when he was five. He had lived with his mother until he was thirteen, and then, after biking across country with his father, he had bought himself a plane ticket to Vancouver, and now he lived with his dad, if he lived anywhere.

I saw him, like a figure coming into view over a hill. I saw a boy who was sad. I saw a boy who was broken and had learned to be self-reliant. I saw a boy who thought he had to keep moving.

We got into our beds, and I turned off the light, wondering why his parents had neglected his back. They were twenty when he was born. Maybe they had not wanted to see damage. He kept talking, and his words fell across me like a mist, like a net, and in time I heard him breathing, a sweet sound, deep and undisturbed.

The next day he set off for the train station, where he would meet his younger brother. Together they would bike across Canada as he and his father had done. We stood on the street outside the hotel. Suntanned tourists sped by on their way to shops. French phrases flew around. I felt sealed in a bubble. The boy said, “If I come to New York, I’ll look you up. I should get there some time.” I gave him my address, and he leaned over and kissed me on both cheeks, enclosing me in a tight embrace and lifting me off the ground. There was power in his arms, and I could see that in order to convey some things he needed to set aside words. I forgave his lostness, his not knowing, his grief. I loved him as I watched him wheel his bike away, a calf, a loner, and I knew that whatever else he did, his journey would stand as a rite of passage: something that defines you to yourself and separates you from a self given to you by other people.

We did not communicate again. He is now the age I was when we met, and I am the age Gardner was when he died. Sometimes it comes into my thoughts I will die this year, too. There is something we feel we are supposed to give back, like feeding a body to the volcano.

 

 

 

Huckelberry Love Poem ~ Paul Willis

 

                                                                        (Vaccinium deliciosum)

 

Back in camp from Crater Mountain,
I plunge into a dark, clear pool
and climb out onto the shore.

While my body dries in September sun,
I take my pick of the huckleberries at my side—
huckleberries blue and round,
waiting under their fall red leaves.

And then I eat them, one by one,
so delicious, so full of pleasure,
naked as I am on the bank, tasting
again the golden age, when clusters
of grapes crushed themselves
against our ripe and innocent lips.

Away from you, dear, this is as close
as I can come to your sweet love.

And, given these berries—
as surely as Adam was given
the fruit his wife so cherished—
pretty darn close, actually.

 

                              —Pasayten Wilderness

 

Paul Willis

Paul Willis’s fourth collection, to be published this year by Stephen F. Austin State University Press, is Getting to Gardisky Lake.

Pantoum That Can’t Sleep ~ Beverly Burch

 

You have to enter sleep like water
without trying to swim.
It’s a skill, slipping below the line,
vanishing into the unseen.

Without trying to swim
leave desire, whatever is past,
vanish into the unseen—
ah, that’s what frightens you.

Leaving desire, releasing the past,
too much like dying.
Just thinking it frightens you—
impossible to lie still.

You turn, sigh, a little like dying,
close your eyes, whatever waits—
the easy impossible, you can’t lie still.
Night drops backwards, stark old cradle

enclosing the past. Whatever waits,
you’re unprotected, a newborn thing,
hushed, cradled, rocked back by night.
Sleep, it’s like nothingness—

unprotected as a newborn thing.
How a child slips in, crosses that line:
nothing to it, sweep of breath,
rush of water—you’re under.

 

 

 

Beverly Burch

Beverly Burch’s fiction and poetry have appeared in New England Review, North American Review, Willow Springs, Tinderbox and Poetry Northwest. Her second poetry collection, How A Mirage Works, won the Sixteen Rivers Press competition and was a finalist for the Audre Lorde Award. Her first, Sweet to Burn, won the Gival Poetry Prize and a Lambda Literary Award. Her She is a psychotherapist in Berkeley.

“My Life Is Not Important. I Understand That.” ~ Richard Terrill

 

Someone spills the deck under the table,
picks up almost every card, and the game goes on.
You couldn’t know you’d need that three of spades

to fill your straight an hour later.  So it is
you can’t draw a line through
what you think is unimportant, and be left neatly

with a few days last February, the snow
almost gone, but the temperature still well
below normal (whatever that means now).

You can be left, though, with the sense that something
is passing daily, hourly, and you just dally
like an apple on a branch.  You can be left with your wish

simply to be left alone: you will be,
one day, the house of your life finally quiet.
Pretend the house even now is that calm;

imagine the rain has ended and the porch is almost dry.
Like the dog that’s made his rounds about the room
and settled back in the spot from which he rose,

you seem to remember what you can’t let go of.
What you have always done you must do again.